Chevron demanded 600 hours of outtakes from the film “Crude,” saying it could help the company show misconduct by the plaintiffs. The filmmaker argued that his work was protected.
As part of its defense, Chevron demanded 600 hours of outtake footage from “Crude,” saying it could help the company show corruption and misconduct by the plaintiffs. The filmmaker argued that his work was protected by journalist privilege, which protects reporters and others in the newsgathering business from being compelled to reveal confidential sources or divulge confidential material.
The Sleeper images are each an entire night of sleep, usually 6 to 8 hours. “I was examining non-linear time which moved between interior and exterior worlds.”
Sun-Times publisher John Barron told me that last December his paper sold its archive of more than a million photos and negatives to Rogers for a “sizable cash payment.” Neither he nor Rogers will be precise, but Rogers said it ran to seven figures. The Sun-Times retains “all the intellectual property, all the copyrights,” Barron said. What’s more, Rogers is obliged to re-create the “entire library in digital searchable form,” and make it accessible to the Sun-Times.
Thad Allender is a photographer and founder of Graph Paper Press, website designs and tools for creatives based on WordPress.
Will Critchlow is an SEO and web expert who co-founded Distilled Ltd.
Roberto De Luna is a photographer and photo editor at Time Out New York
Rob Haggart is the brains behind APhotoEditor.com and the creator of APhotoFolio.com, portfolio websites for creatives.
Grover Sanschagrin is a photographer and vice president & co-founder, PhotoShelter.
Mike Schmidt is the founder of Mohawk Street, an interactive multimedia, production and website design firm.
The portraits are striking. In one of the large-format color prints, which measure four feet square, a soldier ascends a dark flight of stairs, armed with nothing more than a pair of textbooks held like a rifle. In another, a smiling ranger sits on the edge of a placid lake, camping, as two buddies — each wearing googly-eyed glasses and bloody fatigues — smile back. In a third, a sergeant sits bolt upright in a burned-out house with no other company other than a giant pink bunny.
When I talk about Vietnam these days, I can’t have a single conversation without bringing up the words “urban development”. I guess it’s what every country goes through eventually but I have never been able to witness it first hand. The problem with development is that it often comes with collateral damage. I have no answers on how to minimize this aspect, I can only photograph what I see.
Like hundreds of other foreign journalists, Per-Anders Pettersson traveled to South Africa in 1994 to photograph the country’s general election. Unlike the others, he came back to stay.
We want to help you realize your project and we understand the level of commitment it takes to keep pushing the analogue medium. So, in addition to supplying $500 worth of film, we want to start a conversation. This is where the information/drinks evening, portfolio reviews and the winner’s event come into play – it’s all an opportunity for us to get to know you and for you to get to know the wider photographic community.
when I see a great picture that was taken during a break in the action, like the one on Monday of a field-running Philadelphia Phillies fan getting hit with a taser by security, taken by AP staff photographer Matt Slocum, I take notice.
Shiho Fukada is a freelance photographer based in Beijing, China. She is a native of Tokyo, Japan with a degree in English literature, who worked in the fashion and advertising industries in New York before becoming a photojournalist.
MIT Museum Curator Deborah Douglas with the Polaroid Model 95A, one of the earliest of the “Picture-in-a-Minute” cameras and part of the nearly 10,000 Polaroid Company artifacts donated to the MIT Museum by PLR IP Holding, LLC. Photo: Mark Ostow,…
Kenneth Jarecke / Contact Press Images Lens, bodies, laptops, err I suppose Photoshop actions, make up the majority of physical tools we photographers carry around these days. Hardly worth talking about. In fact, once you’ve figured out how you see…
Yep, your claim to ownership is there the moment you make the image. Now, if you really want to have the power to enforce that claim, you need to register that image, but that’s a different post. The only point I’m making is this, you own that image.
“For me, the feeling of my body in space is really important. It’s all very simple there. Everything seems more real, more authentic, and you can project yourself more easily.”
I like going to small towns where the people get bored. At first it was hard to unfold a story around that, using a human being, a body, an environment, a house.
Chicago photographer, Jorge Cruz, is, in my humble opinion, what photography is all about. It’s not about the perfect camera or the newest technical gadget. No, it’s about self expression, and looking at the world and sharing personal experiences through imagery, no matter what kind of camera is used.
Tyler Stableford is an adventure photographer, and was given the challenge of shooting an ice climbing expedition and perfecting his images with the help of Lightroom 3 beta 2.
The photographer Paolo Pellegrin spent two weeks among the children of the Gaza Strip documenting their perilous lives in the shadow of the Israeli border.
The photojournalist Ed Kashi’s work chronicling oil extraction in the Niger delta, the Curse of the Black Gold, won him the Prix Pictet Commission, whereby he was invited to produce a body of work on the theme of Earth. Here he discusses the Deepwater Horizon oil spill, his work in the Niger delta and the recent Prix Pictet exhibition, Madagascar: A Land Out of Balance.
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