A co-panelist—the director of corporate advertising at a big company—showed us the before and after versions of an executive’s profile that she retouched electronically.
When I think about high level photographers who can shoot anything and are flexible and can problem solve on the fly, Frank (Frankie three sticks) comes to mind every time.
“You can’t steal people’s work,” Gross said, pointing out that the “Bubble” video did not parody Hartwell’s image, and therefore is not covered by the fair use provisions of copyright law.
Reading the new book about Cartier-Bresson, the Scrapbook, makes one aware of that peculiar and forceful truth that photography is not only intimately linked to the use of film, but in fact depends for its very existence on film.
John McDermott’s workflow once consisted of handing off rolls of Kodachrome to a courier and waiting to see which images appeared in Newsweek. He then struggled through the awkward digital transition until he discovered Aperture.
VISUAL definition is a contest to provoke creativity. OBEY challenges you to capture the essence of your favorite city, anywhere in the world, in a single photograph.
the Concord Monitor photo staff has learned to cover the rat race better than most… So they recently started a blog of all of their presidential primary photography.
