One thing that people were drawn to over and over were photographs that showed resilience, and they also seem to gravitate toward photos where the people that were injured or had been affected by the war were looking straight at the camera.”
Southern California is suffering another tremendous loss. Artist and Curator Douglas McCulloh sadly passed away on January 5th. He leaves an incredible legacy as a husband, friend, mentor, photographer, curator, and most importantly, troublemaker. Every e-mail from Doug ended with a sentence encouraging me to get into some trouble. I think of Douglas as the
Alec Soth’s new book avoids straightforward answers. Set against the playful, chaotic backdrop of art schools, it delves into creativity, self-discovery, and the existential aspects of becoming—and remaining—an artist.
The Pilot photo family lost three former photojournalists last year, most recently David Hollingsworth, who died on Dec. 30. He gave Photo Editor Todd Spencer one of his first opportunities 31 year…
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç. Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Where the Heart Is: Portraits from American Trailer and Mobile Home Parks by Kathleen Tunnell Handel. Kathleen and I originally met during the Atlanta Center for Photography portfolio reviews in early 2023, and
10 Frames per Second podcast provides a fascinating glimpse into the world of photo books, highlighting Joe and Molly’s Top 10 Best Photo Books of the Year 2024
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year. I love participating in portfolio reviews because they reinforce my fondness of the photographic arts, and of learning in general. Speaking with artists about their work deepens my appreciation for
Paul Kennedy started his photography career as a stringer for the Associated Press. In the early ‘80’s Paul become a was a contract photographer for Sports Illustrated. In 1984 I worked as an official photographer for the 1984 Olympics games. For the last 25 years Paul has shot corporate annual reports and done a considerable amount of work for colleges and universities. —- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support
Hostilities are taking place in more than 170 locations across the globe and women are suffering the effects more than at any time since the second world war. Here, female photojournalists reveal personal stories of life under fire