With his first feature, Dawn of the Dead (a remake of the classic zombie film), on the horizon, Zack Snyder was reading a 2001 story in American Photo about fashion photographer Bruce Weber’s use of the Littman 45 Single, a new camera designed for handheld 4×5 shooting. He bought one of the first Littmans off the line. The camera appealed to him not just because of its parallax-corrected rangefinder focusing — it is fundamentally a re-engineered, rebuilt Polaroid 110 — but by the bigger image it produced. “Shooting individual sheets of film was a bit of a deal, but the transition was really easy for me,” says Snyder. “The camera became second nature.”
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