Laura Levine’s work is too varied and voluminous to be hemmed in to one particular time, scene, or discipline — the bio on her website rightfully describes her as a “cross-disciplinary visual artist” — but I’m assuming many readers of this site discovered her work the same way I did: via her photography in the pages of several music publications during the ’80s, including the Village Voice, Trouser Press, Musician, Rolling Stone, and especially New York Rocker, where she served as chief photographer before becoming Photo Editor. Levine’s photography resumé reads like a Who’s Who of those loopy years following punk and disco: from early snaps of Prince and Madonna (pre-world domination) to photogenic weirdos like Captain Beefheart, August Darnell (a.k.a. Kid Creole), and Bow Wow Wow’s Annabella Lwin to No Wave shit disturbers D.N.A. and Glenn Branca to “new romantic” mop-fops Yazoo to rap icons Run-D.M.C. and Afrika Bambaata to hardcore visionaries Black Flag and X to… well, you get the picure.