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In the fifth installment on Depression-era photography and photo-fakery, the focus is on Walker Evans.
via Opinionator: http://morris.blogs.nytimes.com/2009/10/22/the-case-of-the-inappropriate-alarm-clock-part-5/
In your review of “Mind’s Eye, Mind’s Truth” you write, “Curtis thinks all manipulation is the same.” That he wants to lump all the F.S.A. photographers into one big pile and, in particular, he wants to prove that Walker Evans is guilty of manipulation.