“Reportage photography is a kind of stalking,” says David. “Although a photographer only really has two controls – where they stand and when they release the shutter – the great photographers so often get luck on their side.”
“I could see from the contacts that when they sensed a situation had potential they began a series of individual pictures and adjusted their shooting position to get clarity. They continued shooting as they felt the most pertinent moment was happening.”
“Often the great photographers shot beyond this moment as no one could say what would happen next. They only stopped when they knew that the excitement was over.”
“The result was a contact sheet of a series of pictures of which one might be the most significant. Perhaps the moment never happened, but from the contact sheet you could read the mind of the photographer at work.”