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Leon Levinstein’s black-and-white pictures of New York from 1950 to 1980 look at the grittier side of the city.
Link: http://www.nytimes.com/2010/06/25/arts/design/25hipsters.html?partner=rss&emc=rss
There is a paradox in Levinstein’s approach that is shared by legions of greater and lesser street photographers: he was hunting for the poetry of real life, but what he shot was generally the sort of thing that street photographers generally shoot. Not the types of people or situations that you barely notice because they are so ordinary, but people who seem strange, marginal or ridiculous. The Beat generation’s coolly noirish, anti-bourgeois spirit animates his work.