‘Like a One Eyed Cat’, Lee Friedlander – Out of the Cool
Haverstraw, New York, 1966
Friedlander is a photographer, never forget. Although a major photographic artist, he is not an ‘artist utilising photography.’ He uses the camera, that unthinking machine, to transcribe his visual perceptions of the world.
via AMERICAN SUBURB X: http://www.americansuburbx.com/2011/07/lee-friedlander-out-of-cool-1991.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+Americansuburb+(AMERICANSUBURBX)
The second essay I ever wrote upon the subject of photography was about the work of Lee Friedlander, on the occasion of an exhibition of his pictures at the Photographers’ Gallery, London, in 1976.2 Now, some fifteen years later, a much larger retrospective, Like a One-Eyed Cat, arrives at the Victoria and Albert Museum, having the benefit of much fine work completed in the interim, and accompanied by the most extensive monograph on the photographer to date.3 And published almost concurrently is the eagerly awaited volume of his remarkable and controversial studies of the female nude.4