Brazil Through the Lens of Massimo Vitali

I was already a big fan of the 18mm Super-Elmar-M, both for its wraparound perspective and extended depth of field. When paired with the M Monochrom, it becomes even more versatile for low-light photography. As for the Monochrom itself, not once did I miss being able to shoot in color. I was too busy enjoying the enhanced detail and tonal range provided by this unique camera.