NOOR Welcomes Sebastian Liste and Asim Rafiqui – LightBox

Rafiqui also argues that mainstream photojournalism is European- and American-centric. “It remains the most influential space because what appears at World Press Photo or in TIME influences tens of thousands of photographers across the globe,” which leads, for example, to South Asian photographers repeating — in terms of aesthetics and narrative construction — the same stories they see in the Western media. “There are other voices and perspectives that are missing from the debate,” Rafiqui asserts.