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A new exhibition of Garry Winogrand’s work at the Metropolitan Museum of Art includes many photographs developed after his death.
Link: http://www.nytimes.com/2014/07/06/arts/design/when-images-come-to-life-after-death.html
“To expose film is not quite to photograph,” Mr. Szarkowski, who died in 2007, said. How can an artist evaluate his photographs, correct his working methods and present what best expresses his vision, if he has never proofed his negatives?