Kamoinge’s Half-Century of African-American Photography
A new book takes a look at the collective’s groundbreaking work in “speaking of our lives as only we can.”
In the early 1960s, when African-American photographers were keenly aware of their isolation in a field dominated by white men, two collectives held a joint meeting. The result of that encounter was a decision to merge and form a more robust group they called Kamoinge, which in Kenya’s Kikuyu language means a group of people acting together.