“Service” took many weeks to develop but Platon’s enthusiasm for the project never faltered. He rose to each photographic challenge, no matter what difficulties a shoot presented. Like a house being built, stone by stone, the photographs were crafted into a sequence of spreads that in the end added up to an exceptional essay. Access was difficult, shoot times often limited, and making each spread unique instead of repetitive was a great challenge. In addition to portraiture for which Platon is well known, he took documentary images, and even some still-lives. In the end the New Yorker published a series 16 pages and won a National Magazine Award for it. Bravo Platon!
