Andrew Quilty’s photographs of the aftermath of a bombing in Kabul, some of which ran in The New York Times, won third place in the Spot News, Stories category. But the photojournalist was not in Amsterdam for the ceremony. After the foundation received reports of inappropriate behavior by Quilty, organizers told the photojournalist he was not welcome at the event, according to Lars Boering, managing director of the World Press Photo Foundation. The awards are the most prestigious in photojournalism, and the ceremony in Amsterdam and subsequent photo festival is a gathering of top industry figures. The foundation has not made public the number or nature of the accusations.

Brands spent an estimated $2 billion on marketing through Instagram “influencers” in 2017, and that number is expected to balloon to $10 billion by 2020. The game has become so lucrative that many people are finding all kinds of ways to fake influence in order to reap the rewards. Popular photographer Trey Ratcliff has written a new book that exposes these “cunning tricks.”

Tony Northrup recently decided to create a video celebrating photographer Steve McCurry’s most famous photo, the iconic “Afghan Girl” portrait featured on the cover of National Geographic. But upon researching the shot, Northrup learned the other, more disturbing side of the story that’s more hidden from public view.

“We have been fact-checking since November 2016,” the Boom Live managing editor tweeted on Monday. “Never before has one incident taught us so many things about new forms of #fakeimages.”

Our project, in a nutshell, dismantles the 74-year-old myth of Robert Capa’s actions on D-Day, June 6, 1944, and the subsequent fate of his negatives. If you have even a passing familiarity with the history of photojournalism, or simply an awareness of twentieth-century cultural history on both sides of the Atlantic, you’ve surely heard the story; it’s been repeated hundreds, possibly thousands of times:

Lisa Saad is considered one of Australia’s top photographers and has won numerous prestigious photo contests both in her country and internationally. But Saad has now come under fire with serious accusations of stealing other people’s photos without credit for her prize-winning photos.

Which made it all the more astounding when, a few years after his death in 2007, the truth came out. Starting in the early 1960s, Withers had spent nearly two decades as a paid informant of the F.B.I., feeding its agents information about the activists he photographed. He not only informed; he took requests. At one anti-Vietnam War march, he was asked to photograph all of the 30-odd protesters, taking special care to catch all their faces, and he turned 80 8-by-10 prints over to his F.B.I. contact. On occasion, he sold his work to a local paper, then gave copies to the bureau. His daughter Rosalind, the youngest of his nine children and the one who handles his estate, was blindsided when the news came out via a series of FOIA requests and legal fights undertaken by Marc Perrusquia, a reporter from The Commercial Appeal in Memphis. Perrusquia wrote about Withers and the revelation of his intelligence work in his own book, “A Spy in Canaan,” which was published last year. It’s a smart journalist’s book, crisply marching through Withers’s F.B.I. records and the paper’s battle to pry them out of the government’s grip.

In covering the terrorist attack on a Nairobi hotel that killed at least 21 people by Shahab extremists, The New York Times decided to publish an image of a bullet-riddled body taken by Khalil Senosi. Photo Twitter was outraged, and Poynter wrote about the “hard choice” the NYT made regarding the selection.

And that’s how the AFP discovered that the viral photos showing “fake news” is itself actually fake news.

“Migrant Mother” by photographer Dorothea Lange is an iconic image of the Great Depression and one of the most famous photos in US history. But did you know that the photo was “Photoshopped”?