join the photo community - The Click is edited by Trent

World Press Photo disinvites photographer to industry awards – Columbia Journalism Review

Andrew Quilty’s photographs of the aftermath of a bombing in Kabul, some of which ran in The New York Times, won third place in the Spot News, Stories category. But the photojournalist was not in Amsterdam for the ceremony. After the foundation received reports of inappropriate behavior by Quilty, organizers told the photojournalist he was not welcome at the event, according to Lars Boering, managing director of the World Press Photo Foundation. The awards are the most prestigious in photojournalism, and the ceremony in Amsterdam and subsequent photo festival is a gathering of top industry figures. The foundation has not made public the number or nature of the accusations.

Trey Ratcliff Wrote a Book Exposing How People Cheat at Instagram

Brands spent an estimated $2 billion on marketing through Instagram “influencers” in 2017, and that number is expected to balloon to $10 billion by 2020. The game has become so lucrative that many people are finding all kinds of ways to fake influence in order to reap the rewards. Popular photographer Trey Ratcliff has written a new book that exposes these “cunning tricks.”

These teen activists want you to run their pictures if they die by gun violence. Read these guidelines first. – Poynter

MyLastShot.org organizer Kaylee Tyner, a Columbine High School student, was not born when the shooting occurred. But she says that if students placed a small sticker on their IDs stating, “In the event that I die from gun violence, please publicize the photo of my death,” it would force the public to pay attention to the lives lost.

The Problem Isn’t the Photo Contest, It’s Us – PhotoShelter Blog

Eye-rolls, shrugs, and barbs greeted the $120,000 Grand Prize winner of Dubai’s HIPA Photography Prize. Malaysian photographer Edwin Ong’s photo of a partially blind Vietnamese woman carrying her baby was derided for representing yet another “poverty porn” contest winner before it was suggested that the image was staged by photographer Ab Rashid.

The Grieving Woman at the Ethiopian Airlines Crash Site, and the Western Gaze – Reading The Pictures

This astonishing photo from the Ethiopian Airlines crash site hits me two ways. The expression of grief is so intense, I cannot forget it, all the way down to the tension in this woman’s cheek, jaw, and neck, and the dirt that misses her face and seems permanently suspended. At the same, however, I feel challenged looking at the photo as a westerner.

Hoda Afshar and how to see people as individuals – Witness

The question of how the different members of society are represented make for some of the most heated debates in photography. Whether it’s the New York Times showing pictures of distress in Kenya, the distancing strategies used by Richard Mosse in his installation featuring migrants on their journey to Europe, or even Dorothea Lange’s image of Florence Thompson, the Migrant Mother, the question of who is represented, where they are represented and how they are represented is never far from the surface.

Magenta Foundation Flash Forward Jurors Withdraw in Protest of TD Bank Funding | PDNPulse

Four jurors for this year’s Magenta Foundation Flash Forward emerging photographer competition have withdrawn in protest of the competition’s major sponsor, TD Bank Group. TD is one of several financial institutions that have provided financing for the Dakota Access Pipeline, the $3.8 billion oil pipeline from North Dakota to Illinois that is the subject of ongoing protests by the Standing Rock Sioux Tribe and other indigenous people and their supporters. Three photography organizations, Authority Collective, Natives Photograph and Women Photograph, also wrote an open letter to the organization asking it to reconsider its funding from TD Bank. At issue is the disconnect between Flash Forward’s effort to promote indigenous photographers while accepting funding from a bank that is directly financing a project that harms indigenous communities.

The Disturbing True Story Behind the Iconic ‘Afghan Girl’ Photo

Tony Northrup recently decided to create a video celebrating photographer Steve McCurry’s most famous photo, the iconic “Afghan Girl” portrait featured on the cover of National Geographic. But upon researching the shot, Northrup learned the other, more disturbing side of the story that’s more hidden from public view.

Debunking the Myths of Robert Capa on D-Day

Our project, in a nutshell, dismantles the 74-year-old myth of Robert Capa’s actions on D-Day, June 6, 1944, and the subsequent fate of his negatives. If you have even a passing familiarity with the history of photojournalism, or simply an awareness of twentieth-century cultural history on both sides of the Atlantic, you’ve surely heard the story; it’s been repeated hundreds, possibly thousands of times:

Award-Winning Photographer Lisa Saad Accused of Stealing Photos

Lisa Saad is considered one of Australia’s top photographers and has won numerous prestigious photo contests both in her country and internationally. But Saad has now come under fire with serious accusations of stealing other people’s photos without credit for her prize-winning photos.

The Civil Rights Movement Photographer Who Was Also an F.B.I. Informant – The New York Times

Which made it all the more astounding when, a few years after his death in 2007, the truth came out. Starting in the early 1960s, Withers had spent nearly two decades as a paid informant of the F.B.I., feeding its agents information about the activists he photographed. He not only informed; he took requests. At one anti-Vietnam War march, he was asked to photograph all of the 30-odd protesters, taking special care to catch all their faces, and he turned 80 8-by-10 prints over to his F.B.I. contact. On occasion, he sold his work to a local paper, then gave copies to the bureau. His daughter Rosalind, the youngest of his nine children and the one who handles his estate, was blindsided when the news came out via a series of FOIA requests and legal fights undertaken by Marc Perrusquia, a reporter from The Commercial Appeal in Memphis. Perrusquia wrote about Withers and the revelation of his intelligence work in his own book, “A Spy in Canaan,” which was published last year. It’s a smart journalist’s book, crisply marching through Withers’s F.B.I. records and the paper’s battle to pry them out of the government’s grip.

The New York Times’ Photographic Double Standard – PhotoShelter Blog

In covering the terrorist attack on a Nairobi hotel that killed at least 21 people by Shahab extremists, The New York Times decided to publish an image of a bullet-riddled body taken by Khalil Senosi. Photo Twitter was outraged, and Poynter wrote about the “hard choice” the NYT made regarding the selection.

Rethinking the ethical judgement of photography – Witness

When it comes to photography, however, especially other people’s photography, the challenges of acting ethically are sometimes obscured by the rush to ethical judgment. Our ethical standards are raised to standards that the great martyrs, saints, and philanthropists of times gone by would struggle to meet. One reason for this is it’s easy to do. There is no personal cost.

Defending ‘Needles in the Sewer’ and Photographing the Disadvantaged

I will usually disagree quite strongly with anyone who argues that consent is necessary for street photography in public. The law in the UK and many other countries defends photographers and photojournalists when it comes to candid photography in public spaces. Often “permission” will destroy the integrity of a true photojournalistic-scene.

On Photo Contest Controversy & Criticism – PhotoShelter Blog

When money and prestige is on the line, some photographers will find a way to cheat, steal and lie to win. Photo contests have unfortunately been plagued with scandals ranging from image manipulations to questions about authenticity and ethics in dealing with a subject.

That Iconic ‘Migrant Mother’ Photo Was ‘Photoshopped’

“Migrant Mother” by photographer Dorothea Lange is an iconic image of the Great Depression and one of the most famous photos in US history. But did you know that the photo was “Photoshopped”?

The Future of AI Imaging – Artsy

Sometime in the not-too-distant future, anyone will be able to take a picture without a camera. Instead, we will be able to generate photographs, indistinguishable from those made by a camera, using artificial intelligence (AI) software. You will be able to create an image by simply typing out a description of the scene, or describing it to (presumably) Siri. “Siri,” you’ll say. “I’d like an image of a red-haired woman walking through a park in autumn, the breeze blowing red, orange, and yellow leaves around her.” And—though it may require more detail than that—presto! Your phone will provide various options on the screen to choose from.

Close Menu