From one spectacular location to another, the director Gilad Baram, then assistant to Josef Koudelka (who allowed himself to be filmed for the first time), followed him on his journey in the Holy Land
Conflict, available now on Netflix, comprises six episodes. Photographers Pete Muller, Joao Silva, Donna Ferrato, Nicole Tung, Robin Hammond, and Eros Hoagland are each given seven minutes or less to explain, justify, or simply to testify to the years they’ve spent on the frontline of some of the world’s deepest traumas. The entire series is barely 35 minutes, and those minutes go by in the blink of an eye, but—like the photographs made by its heroes and heroines—they stick around for a while.
Want to see what it’s like to tiptoe between life and death as a war photographer? Watch Conflict, a 6-episode miniseries that provides a no-holds-barred look at photography in conflict zones. Netflix just picked up the show, but you can also watch it for free online.
Koudelka Shooting Holy Land, a new documentary film making its U.S. debut today at the San Francisco Jewish Film Festival (and showing again this Sunday, July 31), gives viewers an opportunity to watch Koudelka photograph in Israel and the West Bank from his assistant’s perspective
The Laura Israel-directed Don’t Blink made its world premier last fall during the New York Film Festival and according to our reviewer Judy Gelman Myers, the documentary offers a multifaceted view of the photographer so well known for The Americans. “This is Robert Frank the funny guy, the experimental filmmaker, the fan of the ’60s Beat scene,” she wrote.
Michael Ware spent seven harrowing years covering the Iraq War – and he has the scars to prove it
The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF
When Frank Armah began painting posters for Ghanaian movie theaters in the mid-1980s, he was given a clear mandate: Sell as many tickets as possible. If the movie was gory, the poster should be gorier (skulls, blood, skulls dripping blood). If it was sexy, make the poster sexier (breasts, lots of them, ideally at least watermelon-sized). And when in doubt, throw in a fish. Or don’t you rememberthe human-sized red fish lunging for James Bond in The Spy Who Loved Me?
The Oscar nominations have just been announced and I thought it was important to look at this years Documentary Feature and Documentary Short categories. These are the categories that don’t often get a lot of recognition, but they represent the type of work that a lot of the readers of Newsshooter do.
Pete Muller shares his passions, motives and images in new CNN documentary series about conflict photographers
The documentary film “McCullin” by Jacqui Morris had its American debut at the Museum of Modern Art this week, and an updated version of the book “Don McCullin” was reissued this year by Aperture.
Mr. McCullin, who is represented by Contact Press Images, spoke this week with Michael Kamber, who has photographed conflict in Africa and the Middle East for The New York Times and is the founder of the Bronx Documentary Center. Their conversation has been edited.
The Land Art movement was part of the anti-gallery uprising of iconoclastic artists in the 1960s and 1970s. This new film by James Crump is an excellent primer, and it features the movement’s largely-reticent voices, including Robert Smithson, Walter De Maria, and Michael Heizer.
Documentary Now! is a hilarious sendup of the documentary genre by SNL alumni, and IFC has released the second episode DRONEZ: The Hunt for El Chingon, a parody of the always mockable VICE sensationalism.
Adam Curtis‘ Bitter Lake is a phenomenal documentary exploring the recent war in Afghanistan through the intertwining histories of the US, Britain, Russia, and Saudi Arabia, especially through their various economic, cultural, and political interests
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.
A new documentary showcases four Afghan photographers working in the war-torn country
A new documentary film explores how photography is evolving to change the connections we have to one another, and to ourselves