Veteran photojournalist Kenneth Jarecke announced the creation of The Curious Society, a membership-based, quarterly print publication for contemporary photojournalism.
A few weeks ago, veteran photojournalist Kenneth Jarecke announced the creation of The Curious Society, a membership-based, quarterly print publication for contemporary photojournalism. While some might reflexively balk at starting a printed magazine in the digital age, Jarecke believes there is a market for people who want a tactile experience, and one that forces them to more slowly appreciate photography – and if he’s right, he’ll also be paying photographers a meaningful licensing fee in return.
On his friend Helmut Newton: “I was talking to Helmut about his commercial photography, and I said to him, ‘Helmut, what do you tell yourself when you get up in the morning?’ He says, ‘Ralphie, I get up in the morning and I say to myself, 'I'll show those fuckers.'"
As part of this year’s Emerging Photography Awards, Feature Shoot is offering two major exhibition opportunities to up-and-coming photographers of all genres working across the world. Three to five photographers…
Beyond her career as a leading editorial and portrait photographer Cheriss May is also the current President of Women Photojournalists of Washington, an organization fostering success for women in photojournalism and educating the public about the role of women in the field. She’s also an adjunct professor at her alma mater, Howard University, where she teaches visual communications. Read on to learn more about May’s work and her hopes for the future of the industry.
Ed Templeton is a photographer, artist, and skateboard executive based on Huntington Beach, CA. (This interview was compiled from two chats...
SO, that leads to the answer. I think I am drawn to anything that is interesting to me, mostly people and how they present themselves and act. I trust my eye and sensibilities as I walk around to guide me. I probably err on the side of being a tad cynical. I like shooting people most. I think that is the hardest kind of photo to take, so I enjoy the rush of getting close and seeing and and trying to compose and capture a little slice of reality that can transcend the moment and tell a story on its own. Although I'm sure many of mine do not succeed on that level, and of course they are open to varying interpretations, that's the idea.
As his group exhibition Just Pictures continues in Missouri, curator Antwaun Sargent sits down with photographer Joshua Kissi to talk the technicalities of photographing Black skin, family photo albums and working with Beyoncé
At first glance the photograph is a medium of great limitation. The primary function of the camera is to describe the surface of an enclosed scene. Yet, for perhaps ineffable reasons, certain imagery surpasses it’s technical purpose, instead conjuring sen
Rosem Morton, a nurse for eight years, works full-time at a Baltimore hospital. When she isn’t assisting airway surgeries and distributing personal protective equipment to coworkers, she works as a freelance photojournalist and documentary photographer
ROSEM MORTON, a nurse for eight years, works full-time at a Baltimore hospital. When she isn’t assisting airway surgeries and distributing personal protective equipment to coworkers, she works as a freelance photojournalist and documentary photographer, focusing on health care, trauma, and resilience. Since the onset of the pandemic, much of her work concerns COVID-19, the disease caused by the coronavirus.
I chose to have a conversation about making and self-publishing photography books, because I myself am passionate about the medium and lack of discussion in the tremendous potentials of bookmaking. I think it will bring something different to the reader.
Below is a transcript of a conversation between two photobook makers, Tim Soter and Chen Xiangyun.
New Orleans conflict photographer Abdul Aziz shares his experiences as a Black photographer documenting the 2020 Black Lives Matter protests and more.
As a Black photographer specializing in conflict photography, Aziz’s work has a certain intangible authenticity to it; no doubt one of the reasons his images caught my eye on Instagram. The combination of his photos and personal stories shed a bright light on the editorial gaps surrounding the current coverage of the 2020 George Floyd, Breonna Taylor and Black Lives Matter protests. This media coverage in recent weeks has followed a well-known trend in photojournalism, skewing heavily toward images made by older white male photojournalists, amidst a growing discussion about the importance of hiring more Black photographers.