There is a sense that everyone with a Press badge is a target, someone who is obviously unfriendly to the candidate (to the -elect…) and yet there seems to be no comprehension that before there was a 2nd Amendment to the Constitution, there was a 1st Amendment.
The question: What don’t you know about what’s ahead in 2017?
What was truly significant in media this year? Was it a development in journalism, or corporate moves, technological advances, social media or something else? What insight might we place into a personal time capsule? Here we go:
My main journalistic lesson of 2016 is to brace for massive upheaval and redefinition. What we’ve just seen — the election, fake news, red feeds, blue feeds, mistrust, niche sites, the so-called end of the mainstream — have implications for all of us in the fourth estate.
We must face the fact that Facebook doesn’t care about news in the journalism sense. News represents about 10% of the average user newsfeed and news can be cut overnight if circumstances dictate with no significant impact for the platform.
What is truly horrifying is that fake news is not the manipulation of an unsuspecting public. Quite the opposite. It is willful belief by the public. In effect, the American people are accessories in their own disinformation campaign.
The Facebook ad juggernaut may next be poaching from local TV ad budgets as it builds out video audience. And Facebook remains a formidable competitor to magazines and any digital startup, profit or nonprofit, for whom digital ads are an important revenue source.
The New York Times deconstructs how Mr. Tucker’s now-deleted declaration on Twitter the night after the election turned into a fake-news phenomenon. It is an example of how, in an ever-connected world where speed often takes precedence over truth, an observation by a private citizen can quickly become a talking point for a world leader, even as it is being proved false
Something is deeply wrong when the pope’s voice, reputation and influence can be borrowed by a source that describes itself as “a fantasy news site” to claim that he has endorsed a presidential candidate, and then be amplified, unchallenged, through a million individual shares.
This has not been your typical presidential election — not for the voters, the candidates or the news media. James Poniewozik, chief television critic for The New York Times, and Jim Rutenberg, media columnist for The Times, discuss how the election season went, good and bad, for members of the press.
All the dazzling technology, the big data and the sophisticated modeling that American newsrooms bring to the fundamentally human endeavor of presidential politics could not save American journalism from yet again being behind the story, behind the rest of the country.
The internet-borne forces that are eating away at print advertising are enabling a host of faux-journalistic players to pollute the democracy with dangerously fake news items.
Evidence of Facebook’s fake news problem is piling up: The “Trending” section keeps getting hoaxed. Hyperpartisan pages spew fake posts that go viral. And traditional media are picking up those fakes as true.
“IF ANY OF these law enforcement shoot one of my people, it is going down, people,” Atsa E’sha Hoferer tells the camera on Facebook Live. “We are prayerful people.”
The Megyn Kelly incident was supposed to be an anomaly. An unfortunate one-off. A bit of (very public, embarrassing) bad luck. But in the six weeks since Facebook revamped its Trending system — and a hoax about the Fox News Channel star subsequently trended — the site has repeatedly promoted “news” stories that are actually works of fiction.
“The world has always been messy,” President Obama said in 2014 after a string of doom-and-gloom news events. “In part, we’re just noticing now because of social media and our capacity to see in intimate detail the hardships that people are going through.”
I typed up a quick email detailing what had happened and sent it to the Columbia Journalism School international alumni listserve. The subject line was, “Warning for freelancers re: Vice.” Within minutes, my inbox was flooded with emails from other journalists who had suffered similar misfortunes with Vice. Most of the stories were worse than my own.
Scott Anderson’s story gives the reader a visceral sense of how it all unfolded, through the eyes of six characters in Egypt, Libya, Syria, Iraq and Iraqi Kurdistan. Accompanying Anderson’s text are 10 portfolios by the photographer Paolo Pellegrin, drawn from his extensive travels across the region over the last 14 years, as well as a landmark virtual-reality experience that embeds the viewer with the Iraqi fighting forces during the battle to retake Falluja.
Not long after Jake Silverstein was named editor of The New York Times Magazine in 2014, he had a dinnertime conversation with writer Scott Anderson and photographer Paolo Pellegrin, two longtime contributors to the magazine.
The subject? “A big, epic project,” timed to the fifth anniversary of the Arab Spring, that would take over the entirety of the magazine