Schwartz, among the last of a generation of old-school tabloid photographers, was diagnosed in May with cancer and “he stayed feisty to the end,” said his sister Sue Ashley.

Picture editor, writer and key figure in the world of photojournalism who believed that the way to oppose war was to show its full horror

Arlene Gottfried, whose arresting images of ordinary people in New York’s humbler neighborhoods earned her belated recognition as one of the finest street photographers of her generation, died on Tuesday at her home in Manhattan. She was 66.

“In every frame, no matter how tough the subject matter, there is never a sense of detached irony or coolness. Whether it was her mother dying in bed, or a homeless person on the sidewalk, she approached them with the same careful empathy and directness.”

After three decades with AP, he started the private photo agency Pentaphoto, which is now run by his sons Alessandro and Marco. He is also survived by his wife, Roberta, and two grandsons.

Robert Capa’s iconic 1944 shot of a soldier in the surf at Normandy would become one of the most celebrated pictures of the Second World War—but Capa did not act alone. John G. Morris, a picture editor at LIFE magazine, had assigned the war photographer to cover D-Day.

Legendary photo editor John G. Morris died today in Paris. He was 100. Morris was a titan in the world of photojournalism, serving as photo editor for LIFE, The New York Times, National Geographic, and Magnum. Photographers he worked closely with include Robert Capa and W. Eugene Smith.

From time to time I’d hear that Chip had done something extraordinary and knew he was printing his 8 x 10 negatives on aluminum with the result being these incredibly flat prints that seemed to go on forever. He was friends with John Szarkowski, the photo curator at MOMA and I remember seeing his work on display once at the museum. During those years Chip was heavily invested in making separations for photo books. An example is the four volumes on Eugene Atget produced for the Museum of Modern Art.

A self-avowed eccentric, Friedman was known as a master of being able to wiggle into news events while other journalists waited patiently for credentials or official escorts.

A graduate of the University for the Creative Arts, Farnham, Saye uses photography to explore culture and identity, and has photographed communities in both England and Gambia, where her mother was born. The Diversity Pavilion, on view at the Venice Biennale, includes Saye’s tintype self-portraits in which she incorporates objects her mother uses in her spiritual practice. Artist Nicola Green, who mentored Saye, said in an appeal for information, “She is our dear friend, a beautiful soul and emerging artist.”

An investigation into the killing of NPR photographer David Gilkey and interpreter Zabihullah Tamanna last year has revealed flaws in the original story put forth by Afghan officials.

“Stanley was the only non-Middle Eastern photographer who managed to make an image of the events of that day in Fallujah,” another friend, the American photographer Samantha Appleton, said. “People often ask war photographers if they are scared doing their work. It is not fear so much as how one responds to the stress of fear. Stanley was scared that day, and said so whenever he told the story. He nearly lost his life when he tried to get closer to the bridge, and pulled out of the situation just in time. Before he did so, however, he created images that were indisputable proof that the war was only just beginning.”

The karma was unbelievable .Stanley was in the center, part of the buzz, relentless in his effort to do the right thing. The real deal. You can’t buy “Black Passport”. Sold out long ago. I hope it gets re published. Testament to one of the finest chroniclers of our time.