One Year Later: The 2021 Lenscratch Student Prize Winners - LENSCRATCH

Over this past year, I’ve had the pleasure of celebrating, corresponding and zooming with the 2021 Student Prize Winners. Last summer, I met Allie Tsubota in Providence and she walked me through her studio at RISD.  Through these awards, I always feel lik

If I had to share any advice with current students about life after school, it would be to first allow yourself to feel everything that you need to feel. Honestly, post-grad depression is very real, and it can often leave people (myself included) feeling quite lost and confused during that period. I went through it all, but I came out on the other side, so here are some more tips that I learned along the way and that helped me get through this period:

Creativity and Turmoil, part 1

Left to right:  Mitch Dobrowner,  Shiprock Storm ;  Mark Klett,  Moonset with Venus ; Edward Bateman,  Antelope Island No.766   I would have...

At the beginning of the pandemic, I watched a live Zoom of Sophie Calle talking to students. I believe she wanted them to be totally in the moment – since she requested that it not be recorded. She was asked: “What advice would you give to students in this moment of peril.” There was something very grounding in her reply – or at least in how I remember it. “Every moment is a moment of peril. We never know when tragedy will personally strike us.”

Lee Miller: From Vogue to Buchenwald and Dachau — Blind Magazine

The exhibition at the Rencontres d’Arles retraces the most intense decade in the life of the American model and photographer Lee Miller, who became a war correspondent during World War II.

Lee Miller possesses sculptural beauty, an unfathomable gaze, the aura of a sylph, and steely determination. A Poughkeepsie native, she lived multiple lives scarred by trauma. Her childhood was brutal: she was raped at the age of seven by a family friend. Her adolescence was fractured: she was made to pose nude before her father’s camera. Yet she was able to overcome the emotional turmoil. She was discovered by Condé Nast and was offered the cover of Vogue US; she worked and lived with Man Ray; was painted by Picasso and sculpted by Cocteau; and the list goes on.

The Future of the Photo Festival in the Covid Age - LENSCRATCH

If I feel physically as if the top of my head were taken off, I know that is poetry – Emily Dickinson  As a photographer, editor, and publisher I have had the good fortune of seeing a lot of photography. I came to photography through an education in drawi

Ms. Dickinson has expressed precisely what keeps me looking at pictures – I keep looking to find a repetition of that feeling as if ‘the top of my head were taken off’.  You may have felt that too at some point in your practice or collecting — at least I hope you have. It is sometimes expressed as the difference between a photograph that is akin to illustration and a photograph that carries the impact of art.

Paolo Pellegrin’s Photographic Quest for the Sublime

For as long as the celebrated photojournalist has been doing his best work, he has been grappling with the threat of blindness.

“To find silence, you need silence,” Pellegrin had observed, and as we drove in darkness no one spoke. An hour later, Anthony parked in the sand. Pellegrin handed me a flash and a tripod, and we set off on foot into the dunes. Here there was no sky; a thick fog obscured it. Individual particles cascaded in front of us, refracting light from the headlamps—tiny droplets, seen but not quite felt. Nearby was a brown hyena, sensed but not yet seen.

The Dennis Hopper Photograph That Caught Los Angeles

The actor stopped at an intersection, took out his Nikon, and made history.

“Double Standard” is probably the best known of the eighteen thousand images that Hopper created with his Nikon from 1961 to around the time he began shooting “Easy Rider,” in early 1968, which happens to be when his and Hayward’s combustible marriage finally blew up

Jamel Shabazz: Proud Street Culture on Display

He chronicled the fashion shifts of stylish young Black New Yorkers in the 1980s and ’90s in photographs celebrated at the Bronx Museum of the Arts.

When Jamel Shabazz was a teenager in Brooklyn, a gang member opened his eyes to the power of photography. Shabazz was introduced by a junior high school friend to one of the Jolly Stompers. During Shabazz’s visit to his apartment, the Stomper, who was only 18 or 19 himself, took out thick photo albums with pictures of his confederates. “They had a style I had never seen before,” Shabazz said. “They wore suits, and their pants had creases. You would never know they were in a gang.”

A Syrian Photographer’s Gift to Refugee Children

After fleeing his native country for Turkey, Serbest Salih created a mobile darkroom and went on the road teaching kids to make pictures.

The Syrian photographer Serbest Salih had just finished university, in 2014, when the Islamic State laid siege to his home town of Kobani. He fled to the Turkish province of Mardin, just over the border, where tens of thousands of Syrian refugees have settled during the past decade’s civil war. A multiethnic conflict zone at the edge of Mesopotamia, Mardin is home to a community center called the Sirkhane Social Circus School. Under the tutelage of volunteer instructors there, children affected by war learn to juggle, spin plates, and walk on stilts.

Aperture's Best Photography Features of 2021

From Judith Joy Ross’s timeless portraits to the “photobook phenomenon,” here are this year's highlights in photography and ideas.

This year, we celebrated photography in New York and New Delhi, revisited Judith Joy Ross’s timeless portraits, considered the “photobook phenomenon,” and asked how images can tell new stories about Latinx identity.
Categorized as Photography

Magnum announces new Nominees, Associate and Member at its 74th AGM in Paris | Magnum Photos Magnum Photos

“It feels amazing, humbling, exciting and huge to think that I have been nominated by Magnum photographers, who have been among my favorite photographers since I started taking pictures. It also feels right to contribute with my point of view, as a documentarist and as an Arab woman,” says Boulos of her nomination. “I hope that the future holds, for me, many encounters, collaborations and new ways of documenting, questioning and resisting the world we live in.”

5 Benefits of Photography Mentorship - PhotoShelter Blog

Even though there are tons of us out there, being a photographer can, at times, be quite lonely.  In an industry where so many of us are in direct competition, it’s hard to step back and remember that we’re all in this together. We’re all working to share

In an industry where so many of us are in direct competition, it’s hard to step back and remember that we’re all in this together. We’re all working to share important stories and offer glimpses of powerful emotion without saying a word. We all struggle, but it’s important to remember that together we can all improve and propel the industry forward. At PhotoShelter, we believe everyone can benefit from a mentor or mentee. Don’t just take our word for it though. Below, hear about how two photographers, Miriam Alarcón Avila and Daniella Zalcman, connected and learn more about how mentorship can help you.

Chester Higgins’s Life in Pictures

All along the way, his eye is trained on moments of calm, locating an inherent grace, style, and sublime beauty in the Black everyday.

Hanging in the fourth-floor study of the renowned photojournalist Chester Higgins’s Fort Greene brownstone is a bunch of large dead leaves, fastened to a line in front of a well-stocked bookcase. Higgins grew the leaves in his window boxes, he told me, and he’s been making photographs of them for some time now. It’s a way, he said, to examine how “the spirit” manifests in all natural things.

“What If Indians Invented Photography?” An Exploration of Identity and Photographic Practices by Indigenous Photographer Will Wilson - PhotoShelter Blog

Today, on The International Day of the World’s Indigenous Peoples, we’re sharing the work of the talented Indigenous photographers in the industry. Last week, in anticipation for this celebration, I reached out to Will Wilson, a Diné photographer and tran

“What If Indians Invented Photography?” An Exploration of Identity and Photographic Practices by Indigenous Photographer Will Wilson