Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç. Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Where the Heart Is: Portraits from American Trailer and Mobile Home Parks by Kathleen Tunnell Handel. Kathleen and I originally met during the Atlanta Center for Photography portfolio reviews in early 2023, and
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year. I love participating in portfolio reviews because they reinforce my fondness of the photographic arts, and of learning in general. Speaking with artists about their work deepens my appreciation for
The Seattle Times photo department produces some of the finest photojournalism in the country, bar none. It has been that way for decades: With stunning artistry, they consistently delight with the beauty of an aesthetic photograph, report with grit the most important news, and entertain with precision sports and feature coverage.
Happy New Year! Today we share our annual exhibition of your favorite photographs of 2024. Thank you for being part of this wonderful community and wishing you all a spectacular 2025! Browse the entire The Favorite Photograph You Took in 2024 ExhibitionPart 1 | Part 2 | Part 3 | Part 4 | Part 5
“La Vueltita de Tam” | By Irina Werning Why are most pictures of trans people in their rooms? What happens when they take to the streets and connect with people, especially in a very tr…
The Guardian and Observer team of picture editors highlight the work of a number of photojournalists working for news agencies worldwide whose images have made an impact and contributed to our journalism during 2024
I first met Anne Eder when taking her Plant-Based Photography workshop. I was instantly intrigued by her work, which is in deep conversation with the natural world. Once I entered Anne’s virtual classroom, I found out what an incredible educator she was, too. Since then, I’ve had the great fortune of working as the facilitator
For Milei’s right-wing government, the Mapuche communities represent a fabricated threat. Officials frequently paint them as impostors staging indigenous identity to make false ancestral land claims, labeling them “terrorists” and criminalizing their efforts to reclaim or occupy land. This narrative has fueled aggressive state actions and public distrust, further alienating these groups from mainstream society.
Wanda is a friend of the family. She became sick and qualified for the Compensation Act of $150,000. Plutonium-239 looks unnatural. Its bright fluorescent green poses a radioactive danger to anyone working with it or living in the region. Its effects are slow and silent. The line of green here represents the depth of damage
There are images of place, and then there are images about place. All photographs have to be made somewhere, yet the way photographers incorporate this layer of information could not be more varied. For some, conveying a sense of place is the central purpose for the work; for others, it is a concern secondary to,
Smith Galtney was first a writer, and then a photographer. Words and images are often at odds with each other, leaving a moment in between where ambiguity fizzles into its own daydreaming world. The tired saying that “a picture says a thousand words” raises the question: how important are those thousand words in conveying an
In the ongoing evolution of my artistic journey, I find myself engaged in a profound process of self-examination, mental health and sadness – using the camera to explore the essence of who I am and my connection to the art of photography. – Dana Stirling As we enter December Holiday madness, it’s a good time