When Ralph Gibson’s first major work “The Somnambulist” was published in 1970, it marked a monumental moment in the evolution of photography. At a time when the medium was essentially defined by its ability to document reality in the form of photojournalism, Gibson was one of the first exponents of a new approach. Inspired by artists, writers and musicians of the day, “The Somnambulist” represented a seismic shift in the visual language of photography.
Voices of African Photography: Finding the answer to the most personal question, ‘Who am I?’ – The Washington Post
Voices of African Photography is a 10-part series presented in partnership with the African Photojournalism Database, a joint project of Everyday Africa and World Press Photo, to highlight the work of 10 African photographers and photojournalists.
A group of pigs being held in a pre-slaughter area in a slaughterhouse in Atizapan, Mexico. The law requires that the pigs are taken to the stunning box where an electric shock should be applied. However, in this slaughterhouse, as in others, the pigs are driven to the slaughter area directly without prior stunning and…
Istanbul-based photographer Suzan Pektaş operates as a medium between reality and dream. Her photography is a visual exploration of the mundane, the fantastical and everything in between. Be it timeless, black and white street shots, more abstract experiments with movement and light or documentary story-telling, Pektaş’s output is nothing short of prolific and invariably high in quality. For her latest series she focused on a personal story, relating to her own childhood and the time she spent on the Black Sea coast. Shot with the Leica M-P Typ 240, the resulting photographs reveal the multiple cultural layers of the region, with a touch of personal mysticism and spirituality.