I have been working as a professional photographer since 1999, a fact that means that I have now accumulated nearly 19 years of photographic images, both analog and digital. In reality, that amounts to a large wall of plastic boxes filled with negative sheet folders, print boxes and a history of dead hard drives and multiple DVDs of digital information. That is my archive. A mismatch of material that adheres to a variety of systems created to bring order to chaos. I am not a natural librarian, or an organized person, or even a detail-oriented person, but I am well-meaning and I do try my best. My archive is a reflection of this approach to my personal history. A confusion of stuff that only I can dissect.
Although video dominates much of the media landscape, the simplicity of the photograph perseveres. Ironically, throughout much of the history of photography, photographers (along with editors, designers, and publishers) have continually explored limited motion. The portrait, in particular, has been a ripe target for the integration of motion. Unlike the video portrait, the moving portrait…
Let’s first be clear about what your website is. In essence, your website is your shop window. Every time a visitor clicks on a tab within your menu, they are visiting different departments of your store. Using this retail metaphor may seem blatantly commercial to some of you reading this. If you feel that this is the case, may I suggest that you replace the shop with that of a gallery or bookshop? Whichever you choose to use, the metaphor remains the same: you want to lead visitors through a series of physical or digital spaces so they can find what they want to see as easily as possible. Minimal clicks help this progress, but so does accurate and appropriate signage that can be universally understood.
Next up I had to find a place to scan my stuff. I knew prices had come down since I last had slides scanned, but of course I don’t trust just anyone with my originals and I don’t want to send my stuff out of the country. Luckily through my friends at PhotoShelter I found the fabulous Julie Morris, who is the president of FotoBridge in New Jersey. These people would be an ideal place for me and many other friends to work with if they did a good job. I called Julie and immediately knew that she “got it” and understood the industry and what people like me needed. She told me they had scanned 250,000 slides for NHL Images, scanned 40,000 slides and negatives for the Kansas City Chiefs, and 25,000 slides and negatives for the Minnesota Vikings, to name just a few of their big sports clients. I told her I needed pro scans at 4,000 DPI to give me 50 megabyte TIFF files and she told me they would cost under a dollar apiece. I could not believe it! I decided to give them a try and see what happened. Two weeks later and I could not be happier with the scans I got back from FotoBridge.
Lee Friedlander has published 50 books in his career to date. And he’s not stopping. The legendary photographer (born 1933) and his grandson, Giancarlo T. Roma, recently revived Haywire Press, the self-publishing company Friedlander established in the 1970s. Roma interviewed his grandfather on stage at the New York Public Library on June 20. The talk,...
We spoke to Bill Frakes to find out how he managed to capture so beautifully and perfectly the rain soaked, muddy and sloppy-tracked 143th running of the Kentucky Derby to record the most exciting 2 minutes in sports.
According to Facebook’s VP of messaging, David Marcus, Stories have become a social media format in their own right, similar to how newsfeeds became a must-have format on social media networks.
In addition to an image sizing guide for best photo resolutions you should be uploading (we shared a dedicated infographic on that recently), this guide also contains sections for keyboard shortcuts, best times to post, tools you can look into using, new features that have been announced, tricks for writing headlines, and more.
Ludwig explains the basics of his technique. He shows how he has applied it to images from his various assignments for National Geographic magazine, including a story about nightlife in Moscow. The images are also featured in his forthcoming book called minus 2/3: The Invisible Flash.
My workflow as it is currently allows me to deliver 50-150 edited photos per day, delivered to my band and crew, in under an hour. Before anyone goes to bed I want them to have photos in their Dropbox. The more time that’s taken out of my day to deal with my workflow is less time I have to shoot, relax, or work on other things.
Today we are excited to announce an important update to Lightroom Mobile for iPhone and iPad that adds the ability to capture and edit raw photos using Adobe’s Digital Negative (DNG) file format. Having a true end-to-end raw workflow, powered by DNG and Lightroom, on your iPhone and iPad makes it possible to create absolutely stunning photos that, until a few years ago, could only have been done with a traditional camera.
Brad Smith has spent a career editing sports photography. First as a sports editor at Sports Illustrated, then a senior sports editor at The New York Times, and a return to SI as its Director of Photography. But for the next two weeks, he is editing the 2016 Rio Olympic Games photography for ABCNews.com and putting together a daily slideshow of the best images. How selective is he? An image has about a 1 in 500 chance of being selected by Smith1, which is more competitive than getting into Stanford (1 in 20), and about on par with catching a foul ball at a baseball game (1 in 563).
When a Getty images photographer shoots a picture at the Olympic Games, it’s often available to customers amazingly quickly—within a couple of minutes. But getting it there takes an enormous effort. In fact, the tech setup that makes this possible is years in the making. Here’s what goes into getting the pictures out.