When people step out of their houses in my home town, they tell their loved ones, “I hope to see you again” — there’s no guarantee they will make it back. I started photographing Kirkuk in 2007. The security situation has been bad since 2003, but it took a turn for the worst with the war against the Islamic State. The war is very close to the city and people are scared. The economy worsened and there are fewer jobs. Arabs are suspicious of the Turkmen and Peshmergas and the other way around. There are still explosions and kidnappings. The city has long been a dangerous place, a flashpoint for Iraq’s many ethnic and sectarian conflicts.
This fall, I spent six weeks with the writer Luke Mogelson, following an élite Iraqi police unit called the Mosul swat team as its members fought to take back their city from the forces of the Islamic State. The story, which Luke wrote and I photographed, was called “The Avengers of Mosul”—the men were seeking vengeance not just for the threat to their country as a whole but also for the murders of family members by isis. Nearly every fighter had suffered this kind of loss, and many of them had family still living in peril in Mosul. The men welcomed us on their campaign, and shared with us their provisions, their blankets and mats, their seats in the trucks, and their stories.
Showkat Nanda grew up hard in Indian-run Kashmir, a child of war, iron-fisted rule and relentless tragedy.
The pictures by the American photographer Sebastian Meyer, who documented Iraqi Kurdistan between 2008 and 2016, capture the region’s contrasts, which often exist side by side. Drive around Iraqi Kurdistan today and you might find, on this side of the road, workers manning a high-tech oil pipeline, which pumps crude north into Turkey and on to the Mediterranean; on the other side, a group of farmers taking a break, setting down their scythes in a scene that looks as old as a century
He is one of Germany’s best photographers, and his main theme is war. Andy Spyra told DW about the hurdles and limits of high-risk photography – and why it fascinates him.
Nish Nalbandian on capturing mayhem and the mundane during his time in Syria
The Marine Corps taught Sam Siatta how to shoot. The war in Afghanistan taught him how to kill. Nobody taught him how to come home
Photographer couple Benjamin Lowy and Marvi Lacar created this inspiring short film with Sony about how Lowy’s vision of the world as a conflict photographer changed after he entered the world of fatherhood.
The question naturally becomes, what’s wrong with us? The usual suspects are trotted out: bigotry, social media, and compassion fatigue not least among them. Well, sure, all of those factors could be in play, but once again photography is being framed.
On assignment for the New York Times Magazine, Paolo Pellegrin photographed the ongoing battle as well as the situation of the internally displaced people
While documenting a war-torn Syria, photojournalist Nish Nalbandian has seen countless buildings perforated by bullet holes. He’s seen rockets illuminating the night sky. He’s also encountered body parts— limbs and torsos blown off by artillery shells.
Over the last six weeks, five photographers—Maria Turchenkova, Laurent Van der Stockt, Jan Grarup, Ivor Prickett and Emin Ozmen—have documented Iraq’s push against ISIS and the resulting flow of refugees. They speak to TIME LightBox.
Journalists in Aleppo risk their lives every day capturing the powerful images that show the rest of the world what is happening in the besieged city.
Award-winning photographer Nish Nalbandian’s debut monograph A Whole World Blind depicts the realities of Aleppo, Syria where war has become part of everyday life. Shot over the course of a year and a half between 2013 and 2014, Nalbandian’s photos are a honest and uncensored testimony to the strength and vitality of the people living amidst cataclysmic turmoil, from fighters in the thick of the nation’s ongoing civil war to everyday citizens trying to coexist with the nonstop violence.
Gamma: A story of photographers, a story of an agency, one of the best. An Éditions de la Martinère book (Gamma : Une histoire de photographes) is celebrating its 50th anniversary. It is astounding. The texts by Hubert Henrotte and Floris de Bonneville are sumptuous. Each week, L’Œil de la Photographie will publish some of the images from what was the golden era of photojournalism.
AP photographer Felipe Dana recounts a hellish scene in the offensive against ISIS
Jerome Sessini documented the Kurdish Peshmerga offensive against Islamic State (IS) in the city of Bashiq over the last month. Then crossed the region to cover Iraqi forces pushing towards Mosul, the jewel in the crown of towns captured and controlled by IS since 2014. Resistance has been fierce with IS proving an experienced and determined enemy with no fear of death or martyrdom
With the Kurdish pesh merga on the road to Mosul.
Photographer Magnus Wennman followed Iraq’s push against ISIS
Mr. Denton, a photographer for The New York Times, was with Iraqi counterterrorism forces as they began pushing toward Mosul last week.