In her Deutsche Börse-nominated project, Strand explores how photography might literally be transmitted into a painting, employing a method proposed by George H. Eckhardt’s 1936 publication — Electronic Television
I recently curated an exhibition, Beyond the Surface, that will open at Cal Poly San Luis Obispo in January about artists who intervene with the surface of a photograph. In the process of considering work to include, gallerist Tarrah Von Lintel introduce
On July 12, 1993, Kathy Eldon attempted to process the news that no mother ever wants to hear – that her 22-year-old son had been murdered. Earlier that day, American-led UN forces had launched an aerial attack on the suspected headquarters of Somali warl
In the years leading up to the birth of hip hop, graffiti was sweeping the streets of New York and Philadelphia, reinventing itself on the cusp of a new millennium. No longer was it mere inscriptions from anonymous hands, but an emerging world filled with
One of the taboo subjects in any arena is....well, menstruation. Nadine Boughton tackles the subject with humor and beauty in her new series, The Moddess Woman. Her project reexamines a 1950's ad campaign for Modess sanitary napkins, a campaign that in tr
For nearly twelve years, Philippe Calandre’s work has revolved around architecture, and more recently utopia. Since 2012, he has been using the technique of photomontage to introduce imaginary elements into real sites. The peculiar character of Philippe Calandre’s landscapes resides in a subtle balance between the past, the future, and the present. The use of black-and-white or subdued colors lends these images a timeless value. The photographer thus transports us into unknown regions where our dreams and our unconscious may be projected. These utopias evoke a whole literary, architectural, and cinematographic culture. In particular, we think of Thomas More, the sixteenth-century founder of the concept of utopia, of the Babel-like city imagined by Fritz Lang in Metropolis; and of the futurist visions of the architect Antonio Sant’Elia.