Jerry Saltz: How to Be an Artist

How to Be an Artist 33 rules to take you from clueless amateur to generational talent (or at least help you live life a little more creatively).

Juxtapoz Magazine – KAWS: Art Louder Than Words

From toys to graffiti, fine art to fashion, art collecting and public art that bridges American pop culture to an international audience, KAWS has defined an era where the artist can be whatever he or she wants to be without compromise. And, in many ways, KAWS has achieved success as an artist without being shackled to a particular thing, a genre, if you will. He really is known as just KAWS, and by and large, he is quite content.

Adventures With the Mojave Phone Booth, A Tale of an Isolated Phone Booth’s Rise and Fall Due to Fame

In 2014, we wrote about Godfrey “Doc” Daniels and his Kickstarter campaign to raise money to write a book about about the Mojave Phone Booth, a phone booth that once existed an isolated stretch of California desert and became Internet-famous in the late 1990s. Unfortunately, despite its fame, the phone booth was removed in May 2000. By 2018, Daniels, however, was able to raise enough money to publish his book “Adventures With the Mojave Phone Booth” and is currently selling it online.

Visualizing our world’s ever-growing urban infrastructure

For his projects Exodus and Timeout, Marcus Lyon takes overhead photographs and edits them into fantastical scenes that nonetheless seem plausible. LAX isn’t that large, no waterpark in Houston has that many pools, and Dubai’s roads do not have 70+ lanes, but you kinda have to look at satellite imagery on Google Maps to verify the fabrications.

Nadine Boughton: The Modess Women | LENSCRATCH

One of the taboo subjects in any arena is….well, menstration. Nadine Boughton tackles the subject with humor and beauty in her new series, The Moddess Woman. Her project reexamines a 1950’s ad campaign for Modess sanitary napkins, a campaign that in truth had little to do with bodily functions and more to do with glamour and mystique. She re-imagines the ads with 21st century consideration, and with her unique ability to transform the past.  Nadine’s work has been well celebrated over the years, including a number of recent exhibitions. She has eight pieces in the current exhibit, Domestic Affairs: Domesticity, Identity, and the Home, at the Newport Art Museum, Newport, RI, running through May 6, 2018, her work is featured in Outspoken: Seven Women Photographers showing at the Rhode Island Center for Photographic Arts, Providence, RI, through April 13. 2018. Plus she will have images in the new book by Robert Hirsch, Light and Lens, Photography in the Digital Age, due out May 14, 2018, published by Focal Press.

These Photo Tiles Transform Walls Into Soviet Apartment Blocks

It’s “an idea to bring outside inside,” Gyva Grafika says.

Philippe Calandre, Utopia – The Eye of Photography

For nearly twelve years, Philippe Calandre’s work has revolved around architecture, and more recently utopia. Since 2012, he has been using the technique of photomontage to introduce imaginary elements into real sites. The peculiar character of Philippe Calandre’s landscapes resides in a subtle balance between the past, the future, and the present. The use of black-and-white or subdued colors lends these images a timeless value. The photographer thus transports us into unknown regions where our dreams and our unconscious may be projected. These utopias evoke a whole literary, architectural, and cinematographic culture. In particular, we think of Thomas More, the sixteenth-century founder of the concept of utopia, of the Babel-like city imagined by Fritz Lang in Metropolis; and of the futurist visions of the architect Antonio Sant’Elia.

Q&A: Yancey Richardson on Gender Diversity in the Art World | PDNPulse

A study published this spring by The City University of New York’s Guttman College argued that the art world remains predominantly white and male. Nearly 70 percent of the artists represented at 45 prominent New York galleries were male, the study suggested.

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