APhotoADay

APhotoADay is different things to different people. It started off as an email listserv and a website. It was a home for work you shot for you — not them. It was a place to get constructive criticism. A place to seek inspiration. A like-minded group of people dedicated to the advancement of photojournalism. People who wanted to raise the bar for everyone. It became a community. A family.

Abbas

Abbas and the Revolution is an attempt to showcase some of the photographs of one of the most important photographers of our time about one of the most important events of the 20th century. Having two “importants” in the first sentence of this introduction shows that we are quite aware of our monumental task. We know that we can never do justice to Abbas’s career as a photographer, and that despite our best efforts we may be able to tell only a small part of the story of the 1979 Iranian Revolution.

Photographers Quarterly

Juan Arredondo of West Orange, NJ Amy Finkelstein of Takoma Park, MD Robyn Hasty of Brooklyn, NY Ed Kashi of Montclair, NJ Natalie Krick of Longmont, CO

Creating Community Through Memory in Motion – NYTimes.com

Launch the first issue of Me-Mo Magazine, and your tablet’s screen springs to life, offering a cinema-like introduction to a variety of photo essays by its five founding photographers. With a combination of still images, video, text and informational graphics, it seeks to use as many different tools to capture the reader’s imagination. But what it really is aiming for is something that is time-tested: to create a community.

MEMO Magazine

MEMO's first issue talks about FEAR. The fear of war, the lack of freedom or education, the fear of not making it or not being accepted. From Libya, Pakistan, Ukraine or Spain, this issue approaches different aspects of fear through the lenses of the founders of the magazine.

ONCE MORE AROUND THE SUN

A photograph every day for a year

Photographer Meryl Meisler has a lot going on.  She recently published A Tale of Two Cities: Disco Era Bushwick to much acclaim and will soon be launching a new book, Purgatory & Paradise: Sassy ‘70s Suburbia & The City at the Bushwick Open Studios at The Black Box Gallery in June 2015.  Today I feature work from A Tale of Two Cities, a project that highlights New York in the 1970′s and focuses on two cities existing in very different realities.

Meet Lattice: A New Photo Project from PhotoShelter - PhotoShelter Blog

Today, we’re launching the first phase of a special new project from our team here at PhotoShelter. It’s called Lattice. With Lattice, our mission is simple — to connect people with the photos they love and the creators behind those photos. The background

Today, we’re launching the first phase of a special new project from our team here at PhotoShelter. It’s called Lattice. With Lattice, our mission is simple — to connect people with the photos they love and the creators behind those photos.

INTERNET K-HOLE

INSTAGRAM: internetkhole SUBMISSIONS: internetkhole@gmail.com

Tens of thousands of demonstrators have occupied Hong Kong's Central District, bringing parts of the city to a standstill. The protests are one of the largest political challenges to Beijing since the 1989 Tiananmen Square crackdown. Chinese officials have scolded protesters and warned against any foreign interference. [30 photos]

Shooting from the Hip SF Style

  Greetings from the West Coast! I just finished my first week in the Bay Area and I couldn’t be more thrilled with my new locale. SF: The Hip is the new iteration of my former Shooting …

Just like in Chicago, SF: The Hip will consist of a heavy dose of iPhone street photography mixed with my daily work at the San Francisco Chronicle and some occasional musings about the state of photojournalism.

Photo Editor Texts

texts between photojournalists and their photo editors back in the office. email submissions to...

texts between photojournalists and their photo editors back in the office. email submissions to photoeditortexts@gmail.com

New Site: Peter Turnley

“Why would a nanny be taking all these pictures?” Maloof asks in “Finding Vivian Maier.” His puzzlement reflects the central anxiety of the film, and of the Maier legend in general. Why would a photographer with the fierce dedication, creative vision, and formal skill of a Robert Frank, a Diane Arbus, or a Garry Winogrand withhold her work from the world and choose instead to spend her life raising other people’s children?

Photographers Share Intimate Images of Loved Ones for Curated Photo Website | PDNPulse

On The Ones We Love, a web-based project created and curated by Lindley Warren, photographers share images of “people they love, cherish, and find inspiration within.” The site features work by photographers from all over the world, whose subjects range f

Warren launched the site earlier this year with work from ten photographers, and it’s grown since then to feature the work of more than 70. She posts daily, and receives a few submissions each day. Warren says she is trying “to create a quiet space,” with the project, “a place where people can go and be there with the photographs and be there with the intimacy of it.”

Kaptur Magazine

The news magazine about the visual tech space. Everything from content marketing, computer vision, deep learning, virtual reality, 3 D, photo, video featuring breaking news, analysis, commentary, stats, reports, white papers on research, start-ups, invest

Photo/Tech has three sections, one for quick news, one for deeper comments and analysis and finally, one for quick facts and figures. It is made to be read everyday or once a week. For now, I am the only writer but as it grows, I will be welcoming insights from industry specialists.

image glitch experiment

drag an image into the browser window to modify it. this script corrupts some bytes in a jpg image. because of the way jpg encoding works, the corrupted file still shows something. inspired by soulwires experiment in flash. this experiment was created by georg. you can follow him on twitter or explore the source code on github.

Goodbye ! from Le Journal de la Photographie

The Team of the Journal and I draw the line. It's over, this is our last issue. One should not scorn with impunity a great team who for nearly three years worked to help create the Journal , developed and led it to where it is today. The Journal was a concept, and it was mine, but above all it was a team who day after day showed passion, dedication and enthusiasm. There is sadness, bitterness, regret, of course. The Journal was you, every day more numerous and passionate