Books

The Lumen Seed: Records of a search in the Australian desert by Judith Crispin – The Eye of Photography

Judith Crispin is many things; a poet, photographer and scholar, as well as a mother, friend and daughter. She is also a cancer survivor. Just as these labels don’t define her, neither do the photographs and stories in her book define those who are featured. Rather, Judith Crispin gives a glimpse into moments that when combined provide a picture that is far more expansive in its storytelling than one image, one poem, one narrative can ever be.

Larry Fink, The Polarities – The Eye of Photography

The portrait of American society that Fink sketches out starting in the 1950s continues. The Polarities narrates modern America, the radical changes between the Obama years and the arrival of Trump, the society of the spectacle – in which “the show must go on” – and the continuing divide between metropolitan and rural areas. Here, Fink’s images recall those of the Farm Security Administration, the great project designed to study the American territory between 1935 and 1943.

Covering Conflict in the Central African Republic: Photos | Time.com

Over the course of the last three years, French photographer William Daniels made 10 trips to the Central African Republic to report on the country’s rapid descent into civil war and its very slow and still fragile recovery. His photographs were published, including in TIME, and exhibited internationally. Now, they are the subject of a new book, RCA, that takes a different approach — one that’s more reflective, “more subtle, more personal,” says Daniels.

Look up! – The Eye of Photography

In the introduction to the new book Dronescapes: The New Aerial Photography from Dronestagram, excerpted below, editor Ayperi Karabuda Ecer discusses the wide-ranging impact of the technological advances that have made drone photography possible.

Puk Damsgård’s The ISIS Hostage Examines the Horror of an Irregular War

The ISIS Hostage: One Man’s True Story of Thirteen Months in Captivity is a case study in what might be called the New War Journalism. Puk Damsgård’s unadorned chronicle of Danish photojournalist Daniel Rye’s capture, confinement and eventual release delivers a lesson as astringent as medicine: in the modern era of irregular warfare, battlefields are no longer demarcated by flags or trenches but by ideology and memory

Bookstore Browsing: 10 Photo Books from Tokyo

Japan is famous for its camera brands and love of photography, but outside of Daido Moriyama, most westerners would probably be hard-pressed to name a Japanese photographer. In browsing a number of titles at the Tsutaya bookstore, I was struck by the popularity of vernacular photography. And in a land replete with the highest resolution digital cameras and technical accuracy, many Japanese photographers seem to embrace film and aim for a grittier aesthetic – perhaps a photographic reflection of their concept of wabi-sabi or the acceptance of imperfection and transience.

Peter van Agtmael: Buzzing at the Sill

Peter van Agtmael’s new monograph, Buzzing at the Sill published by Kehrer, is a timely collection of images of a more challenged America, a sequel to his well-celebrated book, Disco Nights September 11th. Expanding on his work created during the wars in Afghanistan and Iraq from 2006 to 2013, and their impact back home, Buzzing at the Sill, shows us a country in flux, a country in crisis, and more importantly, a country in need of better days

The latest issue of Dog Food

Dog Food 5 has just arrived on the scene and introduces the newly formed KRISIS photo agency on the world stage. Follow their exploits from the Island of Lesbos to the depths of Syria. The editors created Archive articles from Kurdistan to Canada. Including a new photo manifesto, trigger-fingers, and a tribute to a photographer that has left us. Can you identify every photographer on the cover? Dog food is free and free for all

A look inside Jim Goldberg’s “The Last Son”

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Through the years, all of Jim Goldberg’s publishing endeavors have been worthy of attention, dating back to his seminal and highly collectable 1995 title Raised by Wolves. With each effort, Goldberg builds brilliant narrative stories, unconventional in presentation and deeply personal.

Michael Dunev: Parallax

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Michael Dunev has just released a significant monograph, Parallax, recently published by Poligrafa in Spain, showcasing 45 years of black and white stunning photography

The Best Photography Books of the Year: 2016

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2016 was an undeniably tumultuous year for the world, which has translated into a strong year for photo books. In time for the holidays we present the best new offerings, as well as highlights from our 2016 roundups in spring, summer, and fall.

Mark Peterson: Political Theater

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Every presidential campaign has a particular feel and color: the red, white, and blue days of JFK that ended in a sad pink boucle, the brilliant reds of Nancy Regan, the rainbow spectrum of the Obamas. But this election is perfectly captured in black and white by photographer Mark Peterson, stripping the last two years down to its bare bones, showing the warts and weirdness of democracy gone awry. The result of “the most polarized and bizarre presidential race in American history” is a new monograph, Political Theater, published by Steidl.

Gilles Mora: Antebellum

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Photographer, editor, artistic director and museum director Gilles Mora has just released a new monograph, Antebellum, published by Texas University Press that consists of impressionistic, rarely seen images of a disappearing Deep South

Anatomy of a Photobook: 10(X) by Sara Terry

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When Sara Terry started printing handmade limited-edition photobooks of her work – each edition displaying only 10 images of her choice – she never expected it to attract an audience beyond her close friends. Yet, the editions, called 10(X), have caught the eyes of award-winning photographers and photo editors who are now collaborating with her

The fifty years of Gamma

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In December 1966, four photographers, Hubert Henrotte, Raymond Depardon, Hugues Vassal, Léonard de Raemyand an agent, Jean Monteux, ready for a new adventure decided to launch  a photographers’ agency where everyone worked on a 50-50 basis . The photographers, shareholders or colleagues shared half of the income from the sales of their reporting and half of the costs of production. Five months later, Gilles Caron joined the young staff.

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