Tag: Jacob Aue Sobol

  • Arrivals and Departures America – The Leica camera Blog

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    Images as a way to connect with people: photographer Jacob Aue Sobol’s pictures have captured numerous encounters. Arrivals and Departures America is a journey through all of the 50 United States. However, the series is primarily an encounter between the people there and Sobol himself.

  • Arrivals and Departures – Video interview with Magnum photographer Jacob Aue Sobol | LensCulture

    https://www.lensculture.com/articles/jacob-aue-sobol-arrivals-and-departures
    Magnum photographer Jacob Aue Sobol made a trek from Moscow to Ulan Bator to Beijing in one month — often making more than 1,000 photographs each day for 28 days straight. He reveals his process in this great 5 minute video interview.
  • Jacob Aue Sobol’s Intimate Chronicle of the Trans-Siberian Railway

    Arrivals and Departures Along the Trans-Siberian Railway
    Since 2012, Jacob Aue Sobol has opened up a boldly contemporary Asia, taking us into Chinese, Russian, and Mongolian lives.
  • Turning Points: Life-Changing Moments by Magnum Photographers – Photographs and texts courtesy of Magnum Photos | LensCulture

    https://www.lensculture.com/articles/magnum-photos-turning-points-life-changing-moments-by-magnum-photographers
    From iconic images of major world events, to intimate moments of pleasure and delight — here is an outstanding selection of remarkable images from Magnum Photos — each with a personal story.
  • Jacob Aue Sobol, The Road of Bones – The Eye of Photography

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    Jacob Aue Sobol, The Road of Bones – The Eye of Photography

    After presenting the recipients of the 2017 W. Eugene Smith Memorial Fund in Humanistic Photography awards on October 18, 2017 (Daniel Garcia Castro, Edmund Clark and Alex Majoli), The Eye of Photography joins the organization and features the works of the prize finalists.

  • Jacob Aue Sobol – I, Tokyo | LensCulture

    Jacob Aue Sobol – I, Tokyo

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    As much as possible, I worked from instinct. Taking photos resembles an improvised game. I feel that the more a photo is spontaneous and unplanned, the more it becomes alive, the more it moves from showing to existing.

  • A Month of Magnum Photographers on Instagram

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    Link: A Month of Magnum Photographers on Instagram : The New Yorker

    We began with Alec Soth, who welcomed the new year from St. Paul, Minnesota. Gueorgui Pinkhassov showed us Moscow, from a candlelit Orthodox Christmas celebration and a look at life across the city. Dominic Nahr documented his trip home, to Hong Kong, to visit his mother, and Bieke Depoorter took her first trip to northern Norway. Finally, Jacob Aue Sobol’s portraits of Milwaukee brought us full circle, back to the Midwest. Here’s a look at highlights from the month

  • Grit, Grain, Veins: The Diaristic Photographs of Jacob Aue Sobol

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    Link: Grit, Grain, Veins: The Diaristic Photographs of Jacob Aue Sobol – LightBox

    “I enjoy taking part in life,” says Magnum photographer Jacob Aue Sobol. “When I photograph someone, it’s all about the exchange with that other person and what happens there. It’s as much about myself and what grows from this encounter as it is about the subject.”

  • Jacob Aue Sobol’s New Work, ‘Arrivals and Departures’

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    Link: Slide Show: Jacob Aue Sobol’s New Work, ‘Arrivals and Departures’ : The New Yorker

    The Magnum photographer Jacob Aue Sobol rode the Trans-Siberian Railway through Russia, Mongolia, and China to create his new series, “Arrivals and Departures.” “The work,” he explains, “is a travel through time. Mile by mile, we cross the post-Communist superpowers and gradually move closer to something that once was distant and exotic.”

  • Nordic Light 2013 Jacob Aue Sobol

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    Link: Nordic Light 2013 Jacob Aue Sobol | Le Journal de la Photographie

    Magnum photographer, Jacob Aue Sobol (1976, Denmark), grew up in the suburbs of wonderful Copenhagen. At the age of 22 he graduated from the European Film College and gained entry to The Danish School of Documentary and Art Photography “Fatamorgana”.

  • Arrivals and Departures with Jacob Aue Sobol: Episode 5 – Beijing

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    Link: Arrivals and Departures with Jacob Aue Sobol: Episode 5 – Beijing « The Leica Camera

    I admire all the people I take pictures of because they put themselves in a very vulnerable position. They trust me and I trust them, and it is important for me that there’s a mutual understanding of this. That we’re communicating in a way where it’s not just ‘me looking at them’, but there’s an exchange of emotions and life.

  • Arrivals and Departures with Jacob Aue Sobol: Episode 4 – The Mongolians

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    Link: Arrivals and Departures with Jacob Aue Sobol: Episode 4 – The Mongolians « The Leica Camera

    I arrive in Ulaanbaatar after four days on the train. It’s a relief to get off and be amongst people again. The Mongolians. I feel it right away. These people are proud and strong, but they’re also caught in a strange connection between the present and the past.

  • Arrivals and Departures with Jacob Aue Sobol: Episode 3 – The Train


    Link: Arrivals and Departures with Jacob Aue Sobol: Episode 3 – The Train « The Leica Camera

    Even though I am a photographer, I try to avoid being a voyeur. It has always been my ambition not only to look, but also take part in life, which can be quite frustrating, especially if you have a tight deadline. If I meet someone playing soccer in the street, I immediately feel like playing with them instead of just watching. I never found it interesting to look at someone from the other side of the street, or to be “invisible” as a photographer. I hope this is the reason why people never feel like a voyeur looking at my images– because you feel that you are taking part.

  • Arrivals and Departures with Jacob Aue Sobol: Episode 2 – Moscow

  • Magnum Photos welcomes new member, nominees – British Journal of Photography