Tag: Paolo Pellegrin

Italy by Magnum , from Henri Cartier-Bresson to Paolo Pellegrin – The Eye of Photography

For L’Italia di Magnum. Da Henri Cartier-Bresson a Paolo Pellegrin, an exhibition currently on view at CAMERA – Centro Italiano per la Fotografia, in Torino, twenty photographers have been called upon to recount events, great and small, through Italian figures and localities from the post-war years right up to the present day, in a blend of famous and less familiar photographs, of places known throughout the world and of ordinary citizens who make up the social and visual fabric of Italia.

Link:
http://www.loeildelaphotographie.com/en/2017/03/21/article/159943021/litalia-di-magnum-da-henri-cartier-bresson-a-paolo-pellegrin/

Extraordinary New Book Unveils the Untold Stories of the World’s Greatest Photojournalists – Feature Shoot

The duty of a photojournalist, according to many, is to remain detached in a moment of crisis, to compartmentalize scenes of violence and war from the goings on of everyday life. As suggested by Italian journalist Mario Calabresi in his extraordinary book

Magnum Photos Blog

Editions lamaindonne presents the work of Ljubiša Danilovic in this book entitled Le Desert Russe (The Russian Desert). As the author explains, “By 2050, Russia will have lost a third of its current population. The largest country in the world will then have just a hundred million  citizens.

Link:
http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_4&VBID=2K1HZOQ0TK4782&IID=2K1HRG6BHMUK

Collective book: Congo by Paolo Pellegrin and Alex Majoli published by Aperture – The Eye of Photography

Magnum photographers Paolo Pellegrin and Alex Majoli present a collaborative document of the Congo and its people. Bringing together the best of each photographer’s personal styles as well as experimental forays into abstraction and collage, this volume captures what Alain Mabanckou describes as a full range of the landscape, “from urban scenes to great forests and back, reflecting the way it is in most African societies today.” With no captions or individual photo credits, the densely printed images—presented on full-bleed pages, as gatefolds, or as double-spread gatefolds—become wholly immersive.

Link:
http://www.loeildelaphotographie.com/2015/06/08/book/28216/collective-book-congo-by-paolo-pellegrin-and-alex-majoli-published-by-aperture

World Press Hits Pellegrin with Wet Noodle (And Other Contest Scandals)

Today, World Press photo organizers issued a statement that said, “The jury is of the opinion that although a more complete and accurate introduction and captions should have been made available by the photographer, the jury was not fundamentally mislead by the picture in the story or the caption that was included with it.”

Link:
http://pdnpulse.com/2013/02/world-press-hits-pellegrin-with-wet-noodle-and-other-contest-scandals.html

Just Make It Happen

Paolo Pellegrin attacked... everybody. He took no responsibility for his own actions. He constructs straw-men to whack down while at the same time blaming everyone but himself. My way, end of controversy. Paolo’s way, fuel on the fire

Link:
http://kennethjarecke.typepad.com/mostly_true/2013/02/just-make-it-happen.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+MostlyTrue+%28Mostly+True%29