For L’Italia di Magnum. Da Henri Cartier-Bresson a Paolo Pellegrin, an exhibition currently on view at CAMERA – Centro Italiano per la Fotografia, in Torino, twenty photographers have been called upon to recount events, great and small, through Italian figures and localities from the post-war years right up to the present day, in a blend of famous and less familiar photographs, of places known throughout the world and of ordinary citizens who make up the social and visual fabric of Italia.
From person-to-person coaching and intensive hands-on seminars to interactive online courses and media reporting, Poynter helps journalists sharpen skills and elevate storytelling throughout their careers.
The duty of a photojournalist, according to many, is to remain detached in a moment of crisis, to compartmentalize scenes of violence and war from the goings on of everyday life. As suggested by Italian journalist Mario Calabresi in his extraordinary book
Editions lamaindonne presents the work of Ljubiša Danilovic in this book entitled Le Desert Russe (The Russian Desert). As the author explains, “By 2050, Russia will have lost a third of its current population. The largest country in the world will then have just a hundred million citizens.
Magnum photographers Paolo Pellegrin and Alex Majoli present a collaborative document of the Congo and its people. Bringing together the best of each photographer’s personal styles as well as experimental forays into abstraction and collage, this volume captures what Alain Mabanckou describes as a full range of the landscape, “from urban scenes to great forests and back, reflecting the way it is in most African societies today.” With no captions or individual photo credits, the densely printed images—presented on full-bleed pages, as gatefolds, or as double-spread gatefolds—become wholly immersive.
Top honors in the 70th annual Pictures of the Year International contest went to Paolo Pellegrin of Magnum Photos for freelance photographer of the year and Paul Hansen of the Swedish newspaper Dagens Nyheter for newspaper photographer of the year.
Pictures of the Year International organizers have finally weighed in on the controversy surrounding Paolo Pellegrin’s prize-winning contest entry. And they dodged the issue that is central to the debate: the legitimacy of one particular documentary-like
The Pictures of the Year International director has issued a statement today addressing the Paolo Pellegrin photography and caption controversy, waiting until last night to issue their findings after POYi finished announcing all of their category winners
Last week, debate erupted over an image Paolo Pellegrin had entered as part of a portfolio that won prizes at both the World Press Photo and Pictures of the Year International competitions. He had apparently cribbed his captions from the New York Times, m
The bottom line, is this photojournalism thing is broken. If you’ve ever seen a horde of Dutch photographers (home of World Press Photo) work a woman’s team of gold medal winning water-polo players, you’d agree. The people that should be working to fix th