Tag: Philip-Lorca diCorcia

  • The Terror and Pleasure of Staying at Home – Aperture Foundation NY

    The Terror and Pleasure of Staying at Home
    How did an early 1990s exhibition anticipate the transformation of family life in the U.S.?
  • Juxtapoz Magazine – Sheltering in Place: Ideas From “The Photographer’s Playbook”

    https://www.juxtapoz.com/news/photography/sheltering-in-place-ideas-from-the-photographer-s-playbook/
    Edited by Jason Fulford and Gregory Halpern and published by Aperture, The Photographer’s Playbook contains advice, exercises and insight from John Baldessari, Tim Barber, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Alessandra Sanguinetti, Stephen Shore, Alec Soth, Mark Steinmetz, Roger Ballen, David Campany, Asger Carlson, Ari Marcopoulos, Todd Hido, and many more. —Text compiled by Alex Nicholson
  • Philip-Lorca diCorcia’s East of Eden Pictures America’s Fall From Grace | American Photo

    Philip-Lorca diCorcia’s East of Eden Pictures America’s Fall From Grace

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    The U.S. debut of an ongoing series by one of the most influential photographers of our time

  • “Eyes on the Street”: Street Photography in the 21st Century (Video) – Aperture Foundation NY – Aperture Foundation NY

    “Eyes on the Street”: Street Photography in the 21st Century (Video)

    On Saturday, May 10, 2014, Aperture hosted a panel discussion addressing street photography in the twenty-first century, featuring Philip-Lorca diCorcia, James Nares, and Katherine A. Bussard. The panel was moderated by Brian Sholis, associate curator of photography at the Cincinnati Art Museum.

  • Philip-Lorca diCorcia’s Groundbreaking Portraits of Hustlers

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    Link: Philip-Lorca diCorcia’s Groundbreaking Portraits of Hustlers – LightBox

    Philip-Lorca diCorcia’s dark and defining series, Hustlers, was shot against a backdrop of devastation and despair during the AIDS pandemic in the late 1980s and early 90s. The work served as a defiant response to (largely) right-wing bigotry targeting the First Amendment rights of homosexuals — specifically, those working in the arts.

  • PHILIP-LORCA DICORCIA: "Philip-Lorca diCorcia – Portfolio" (2001)

  • Philip-Lorca DiCorcia on Shooting in Public « Prison Photography

    ‘I never talk to them… I don’t ask their permission. I don’t pay them… And eventually…I got into trouble’

    Link: Philip-Lorca DiCorcia on Shooting in Public « Prison Photography
  • Street Photography Protected… Barely

    From the New York Times: When Erno Nussenzweig, an Orthodox Jew and retired diamond merchant from Union City, N.J., saw his picture last year in the exhibition catalog, he called his lawyer. And then he sued Mr. diCorcia and Pace for exhibiting and publishing the portrait without permission and profiting from it financially. The suit sought an injunction to halt sales and publication of the photograph, as well as $500,000 in compensatory damages and $1.5 million in punitive damages. Here.