“When you’re working on a film, it’s almost like photographing paintings at a museum,” says Mary Ellen Mark, now 68 and dressed entirely in black, with twin braids over her shoulders. “You’re photographing somebody else’s world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.”
Author: Trent
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On the Set with Mary Ellen Mark
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Transitioning from advertising to fine art photography 1
Brian Kosoff was a top advertising photographer for 25 years, up until the beginning of the end of advertising photography’s golden age. As he watched photographers’ incomes drop and overhead costs rise, he found a way to transition to the world of fine-art landscape photography. Here he talks about the roots of the challenges advertising photographers still face.
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A Conversation with Mikhael Subotzky (Conscientious)
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No Photo Ban in Subways, Yet an Arrest
“The cop wanted my ID, and I showed it to him,” Mr. Taylor said. “He told me I couldn’t take the pictures. I told him that’s not true, that the rules permitted it. He said I was wrong. I said, ‘I’m willing to bet your paycheck.’ ”
Mr. Taylor was right. The officer was enforcing a nonexistent rule. And if recent experience is any guide, one paycheck won’t come close to covering what a wrongful arrest in this kind of case could cost the taxpayers.
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Canon gets shifty
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A Photo Editor – Photographers Are Now Terrorists In The UK
Under an idiotic new law, photographers in the UK can be stopped and their cameras, memory cards and film seized:
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Facebook Backtracks Under Community Pressure, Goes Back To Old ToS (For Now)
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Winners | POYi 66
As the judging of the Picture of the Year International contest is now ongoing, winners are now being announced and posted at the POYi site. Judging from some of the winning images so far, I’ll tell you that there will be a lot of discussion (as there is every year) about the state of contest judging. (And I didn’t enter, so no sour grapes here.)
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'Americans': The Book That Changed Photography
The Americans showed a different America than the wholesome, nonconfrontational photo essays offered in some popular magazines. Robert Frank’s subjects weren’t necessarily living the American dream of the 1950s: They were factory workers in Detroit, transvestites in New York, black passengers on a segregated trolley in New Orleans. Frank didn’t even get much support from the art world, he recalls.
“The Museum of Modern Art wouldn’t even sell the book,” Frank says. “But the younger people caught on.”
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self-guided tour
Hey its mid-February so it must be time to check out the winners from World Press Photo.
I gotta say quite emphatically that this year’s choices are completely and utterly disappointing, especially in comparison to some really kick ass stuff from last year. And I’ve heard this feeling echoing thru discussions in many photo circles and message boards already.
Just a whole lot of redundancy and cliche -
Fallen Soldiers, Coming Home in Public
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Inside human parts market in Lagos
A week ago, our reporter posed as a juju priest who was in dire need of human body parts for urgent rituals. After about four hours of waiting and being passed from one “contact” to another, and played around like ping-pong, the reporter got a dealer who “booked” him. The rule here is, if you want a fresh human body part, you book and wait. If your order is for dry parts you get instant delivery.
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Roger Cremers: Auschwitz Tourist Photography
Just a quick post here. The World Press Photo Awards were announced yesterday. One winner caught my eye. The work of Roger Cremers document the tourist behaviours at Auschwitz-Birkenau. It is a tricky topic to deal with, especially in a photography climate that frequently pours cynicism and scorn on global tourism (Martin Parr’s brilliantly garish work trail-blazed this climate).
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A sneak preview of upcoming Leica M 3.8/18 Super-Elmar – SlashGear
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World Press Photo Winner Struggling To Find Work
Last spring Anthony Suau pleaded with Time magazine – where he’s been a contract photographer for 20 years – to publish his photo essay on the economic crisis in Cleveland, Ohio.
“When I arrived there I was in shock,” Suau recalls. “There was almost not a single street in Cleveland that didn’t have a house that was boarded up because of a foreclosure.” He compared the scene to the aftermath of Hurricane Katrina.