Author: Trent

  • New Life for RFK Photos – 3/3/2008 – Publishers Weekly

    It was meant to be merely a slightly expanded edition of an out-of-print classic of photojournalism, Paul Fusco’s RFK Funeral Train, first published in September 2000 by Umbrage Editions. Fusco, a photographer for Look magazine in the 1960s, had been assigned to ride the train carrying the body of Robert F. Kennedy from New York City to Washington, D.C., for burial, on June 8, 1968. Only one of Fusco’s photographs from that day, when mourners all along the Northeast train corridor assembled at trackside to pay their respects, appeared in Look; dozens more were included in the Umbrage edition, which Aperture decided to update with a few others taken from the photographer’s own collection. Publication was set for this June, the 40th anniversary of Kennedy’s death. But all that changed when Lesley Martin, Aperture’s publisher, while researching another project at the Library of Congress, followed up on Fusco’s contention that the Look archives located there might contain a few more of the images he had taken during eight continuous hours of shooting on that dark Saturday 40 years ago.

    There they were,” Martin tells PW, “in pristine condition having been in cold storage for the past 30 years. Paul had mentioned that there were ‘some’ images at the Library of Congress, so in good conscience and due diligence, I checked it out.” Martin was amazed to find a trove of more than 1,800 Kodachrome slides. The problem was that Martin’s find occurred in December, and the spring title was already in proofs. “It was a big decision to pull back the book. But Paul’s body of work on that single day—already so unique, impressionistic, emotionally powerful—was so much more.” The new book, retitled Paul Fusco: RFK ($50), will now be published in September, in a first run currently set at 10,000 copies. Included are essays by Evan Thomas, Norman Mailer and photography scholar Vicki Goldberg.

    Check it out here.

  • Editorial Photographers UK | Birmingham police officer 'forced press photographer to delete images'

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    Lawrence Looi, 31, who has been a staff photographer with news agency News Team for the last three years, had been sent to cover a protest on public roads outside the International Conference Centre on Thursday morning when he was approached by a police constable who objected to having been photographed.

    According to the written complaint, a copy of which has been seen by EPUK, the officer held Looi by the upper arm and asked him to delete any photographs that had been taken of police officers. The officer also asked Looi to identify himself, but refused an offer to see Looi’s NPA-issued National Press Card.

    Check it out here.

  • Free Press staffer wins state Photographer of the Year award | Freep.com | Detroit Free Press

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    Detroit Free Press photographer Rashaun Rucker was named Photographer of the Year by the Michigan Press Photographers Association Saturday in its 55th annual Pictures of the Year contest.

    Rucker, 29, is the first African American to win the award, which celebrates a year’s worth of exemplary visual storytelling.

    “I almost cried,” Rucker said. “Even though I won, this is recognition for all the people at the Free Press who helped me throughout the year.”

    Check it out here.

  • Shooting Sexy! — Fly on the Wall

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    I’ve always considered myself a serious photojournalist. I’ve covered hard news and social issues, documenting the history of Utah through grief and pain, joy and wonder. Throughout my career as a documentary photographer I never thought I would ever have to ask a subject, “Do you want to take your shirt off?”

    Check it out here.

  • CapeCodTimes.com – From Marconi to multimediabsb

    One video in particular caught the attention of the Red Sox. On “picture day,” when players wear home whites and have official photos taken, some Sox are asked to cut public service announcements. Papelbon was one such player.

    Papelbon’s PSA was in Spanish, which proved difficult for the closer. He was struggling and swearing, getting more than a few laughs from the people around him, so Lunsford decided to shoot video rather than photos. We used the clip on CapeCast, our daily Web report, and the Papelbon video became, as they like to say on ESPN, an instant classic.

    Fan sites, such as the Boston Dirt Dogs, linked to it. About 25,000 people had seen it on YouTube by Friday.

    The Red Sox PR staff at first didn’t seem too pleased that a photographer was shooting video. Understandably, they like to know who is doing what around the players. It proved a minor misunderstanding but speaks to how the media world is changing.

    Check it out here.

  • Punknews.org | Mike Conley of MIA (-2008)

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    Mike Conley, former vocalist of Orange County punk band MIA was found dead yesterday in Chicago. According to the news report, Mike was found unresponsive at 5:40 a.m. by a person staying in the hotel in the 2300 block of North Mannheim Road, sheriff’s police spokeswoman Penny Mateck said. He appeared to have suffered head injuries.

    Check it out here.

  • Congo's Silent Scream silent scream – Roanoke.com

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    This was the summer of 2006, and Melanie Blanding, a photographer from Roanoke, was in the Democratic Republic of Congo to take a series of portraits of women scarred by war. The women are victims of violent, often monstrous sexual assaults, and their numbers appear to be growing.
    Picture a photographer in Africa to document wartime casualties and you might envision a strapping, grizzled veteran loaded down with cameras. But that’s not Blanding.

    Check it out here.

  • Theo Westenberger, Magazine And Advertising Photographer, Dies At 57

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    Theo Westenberger, whose versatility with portraits and travel images won her recognition as a top magazine and advertising photographer, has died.

    Westenberger died Thursday at her home in New York after a four-year battle with lung cancer, according to Colleen Keegan, a friend and her artistic executor. She was 57.

    Check it out here.

  • Say NO to video: Conversations with the Video God : MultimediaShooter

    And no matter how hard I try, it’s just not working. We don’t seem to be making the kind of money you said we would and people aren’t really watching. You said video would save newspapers, I distinctly remember you saying this at your speech at ASNE. [Note to reader, if you don’t work for The New York Times or the Washington Post and you are making money and gaining viewers, PLEASE share your winning formula, seriously, the rest of us could use it.]

    Check it out here.

  • The F STOP » Professional Photographers Discuss Their Craft » Garry Simpson

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    restrictions abounded in the Nike shoot starring England striker Wayne Rooney. Garry Simpson and his crew shot from a nearby railyard and lit the shoot with the assistance of a production company, who helped set up a 40′ x 30′ lighting rig suspended to a crane and weighed down with four heavy sandbags. The rig held 16 Profoto 7a packs and heads, one pack per head, each with wide angle reflectors and a translucent glass cover over the flash tube. The lighting alternated between two power settings. The first used a minimum power setting to achieve the fastest flash duration while capturing action poses of Rooney. He shot these images at F/4 and 1/250th second on a Canon EOS 1V using Fuji Provia 400 RHP111 film and a 120mm image stabilized lens.

    Check it out here.

  • CANDID CAMERA :: American Way Magazine :: March 1, 2008

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    It’s at this point that actor Aaron Eckhart usually comes clean. He lowers his Leica M6 camera, introduces himself, and explains what he’s up to. No, he’s not researching the role of paparazzo. He’s just engaging in his favorite pastime — street photography, something he’s done all over the world for the past seven years. Usually, when he’s recognized, he ends up posing for a picture, in exchange for his subjects’ allowing him to keep shooting. He even offers to make prints for them. “I’ve gotten some pretty good pictures this way,” Eckhart says.

    Check it out here.

  • SportsShooter.com: The 'Clip Contest'

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    Jacob Hannah/Watertown Daily Times

    The SportsShooter.com clip contest is open to all members. And the members are the judges too. Enter each month, vote each month and you just may be crowned “SportsShooter.com Photographer of the Year” at the end of the year.

    Check it out here.

  • Review: Andreas Gursky (Kunstmuseum Basel) (Conscientious)

    Andreas Gursky is one of the most important living photographers, despite the fact that his work is often being judged on nothing but else but its size or its price. While his photos are indeed monumental, size is merely a means to an end – as is obvious to a viewer who is confronted by one of Gursky’s photographs. The prints are not big simply because he can print them big, but because they have to be big, because of what they show and how they show it.

    Check it out here.

  • TED2008: The flashbulb moment – …My heart’s in Accra »

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    David Griffin is the director of photography for National Geographic magazine. To talk about the power of images, he shows us some of the best photojournalistic images published in National Geographic. Of twelve images, including Steve McCurry’s famous photo of an Afghan refugee, and an amazing shot by Nick Nichols of Jane Goodal touching an ape, one was an amateur, submitted through Geographic’s new amateur site, Your Shot

    Check it out here.

  • Sigma DP1 Digital Camera Samples – First Shots – The Imaging Resource!

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    Not sure which camera to buy? Let your eyes be the ultimate judge! Visit our Comparometer(tm) to compare images from the Sigma DP1 with those from other cameras you may be considering. The proof is in the pictures, so let your own eyes decide which you like best!

    Check it out here.

  • 2008 ICP Infinity Awards Announced

    The International Center for Photography has selected the winners of the 24th Annual Infinity Awards for Excellence in Photography.

    The Lifetime Achievement Award is going to Malick Sidibé, a photographer from Mali who began documenting West African life in the 1950s.

    Check it out here.

  • First Shots from Sigma DP1 at Imaging Resource – PDNPulse

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    The Sigma DPI, the compact camera with a full frame sensor we faceitiously and, perhaps, unfairly, compared to the mythical Sasquatch in a previous post seems to be real after all. Our friends over at Imaging Resource have gotten their hands on a full production sample of the camera and have posted some “first shots.”

    Check it out here.

  • Richard Bram – B

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    Richard Bram:

    Like the Angel, this one was a gift from the Gods. My wife and I were heading down the escalator at Bank Station to go to dinner. She saw the couple first and elbowed me. I had just enough time to focus and shoot one frame as the escalators quickly drew us together. Only later on the contact sheet did I really see the countdown posters on the wall that make the photograph rise above being just another photo of people kissing.

    Check it out here.

  • Eugene Richards On "War is Personal" – PDN

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    Documentary photojournalist Eugene Richards has a long career of producing powerful projects on social issues such as drug abuse, mental illness and aging. He is now working on a project on the impact of the Iraq war titled “War is Personal.” Helped by a grant from National Geographic Magazine, he is traveling around the U.S. to work on a series of stories mainly about veterans and their families. PDN recently sat down with Richards at his home in Brooklyn, N.Y., to talk about the project.

    Check it out here.