Author: Trent

  • Former SU student's legacy honored through photo contest – News

    Alexia Tsairis was a photojournalism major at Syracuse University who used her camera as a means to draw cultures together. But in the winter of 1988, life took a turn for the worse when 35 Syracuse students were killed in the bombing of Pan Am flight 103-Tsairis included.

    After she passed away, her parents were determined to support students with the same passion.

    “After the crash, they came to the university looking for a way to memorialize Alexia,” said David Sutherland, an associate professor of journalism. “We came up with this concept that is getting better every year.”

    The Alexia Foundation for World Peace supports budding student and professional photographers as they capture and share stories of the world.

    Check it out here.

  • John Moore, Photographer, Getty Images | Raw Take

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    John Moore is a finalist for Nicest Guy On the Planet competition. O.K., there is no such thing but seriously, what a super guy. Mike worked with John at the Albuquerque Tribune (The Trib’s last day of publication was Saturday, February 23, 2008) close to 20 years ago and saw then that he was one talented, sincere, considerate person who made pictures that reflected these and other endearing aspects of his personality. And so it has been as John has trotted the globe since then.
    We catch up with him in Pakistan, days after World Press recognized his photographs of the assassination of Benazir Bhutto. And he just won First Place: News Picture Story and an Award of Excellence in the Pictures of the Year International competition

    Check it out here.

  • Adverblog: Leica's love stories

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    Scholz & Volkmer has launched an interesting website for Leica, the legendary compact camera brand that is currently trying to reposition itself and earn back the success of the past.

    Check it out here.

  • SHANE LAVALETTE / JOURNAL » Blog Archive » Paul D'Amato: Barrio

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    Paul D’Amato has the above photograph in the Presumed Innonece exhibition that I just mentioned. It’s from his beatiful series entitled Barrio, photographs made between 1988 and 2002 in Pilsen, Chicago’s largest Mexican neighborhood, and the neighboring Little Village.

    The photographs that D’Amato made in those fourteen years became increasingly intimate; he eventually grew to know residents of the neighborhood and could then make photographs of people at work, children at play, families at weddings or parties, and even portraits of gang members.

    Check it out here.

  • Photography of The Albuquerque Tribune

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    The Tribune’s philosophy on visuals demanded reporting and encouraged storytelling. It wasn’t enough to merely break up the type. Today, members of our photo staff, past and present, bid farewell to Tribune readers in their own way.

    Check it out here. Via Rob Finch’s Pictures

  • The Pilot's Stephen M. Katz named newspaper photographer of the year | HamptonRoads.com | PilotOnline.com

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    UPDATE: Rich-Joseph Facun won first place in general news reporting for this image of 5-year-old Evan Burgoon watching for his father at Oceana Naval Air Station.

    Stephen M. Katz of The Virginian-Pilot was named the newspaper photographer of the year Friday night, taking the top honor in the 65th Annual Pictures of the Year International Competition.

    “We’re extremely proud of the collection of images that Stephen put together,” said Randall Greenwell, director of photography for The Pilot, which is published by Landmark Communications Inc. “We knew that he had an excellent year and this honor certainly confirms it.”

    Check it out here.

  • Amy Stein | Photography | Blog: But The Good News Is…

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    My dear friend JeongMee Yoon just got a lovely write-up in the New York Times. In addition to the article they also gave her work the full multimedia slide show treatment. Really impressive. You can see JeongMee’s work in person beginning March 3 when her solo show opens at Jenkins Johnson Gallery in New York.

    Check it out here.

  • A Bloody Stalemate In Afghanistan – Korengal Valley – New York Times

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    Photo by Lynsey Addario for The New York Times

    As I went to get some hot chocolate in the dining tent, the peaceful night was shattered by mortars, rockets and machine-gun fire banging and bursting around us. It was a coordinated attack on all the fire bases. It didn’t take long to understand why so many soldiers were taking antidepressants. The soldiers were on a 15-month tour that included just 18 days off. Many of them were “stop-lossed,” meaning their contracts were extended because the army is stretched so thin. You are not allowed to refuse these extensions. And they felt eclipsed by Iraq. As Sgt. Erick Gallardo put it: “We don’t get supplies, assets. We scrounge for everything and live a lot more rugged. But we know the war is here. We got unfinished business.”

    For sanity, all they had was the medics’ tent, video games and movies — “Gladiator,” “Conan the Barbarian,” “Dogma,” Monty Python. Down the road in the Pech Valley, soldiers played cricket with Afghan kids and had organized boxing and soccer matches. Lt. Kareem Hernandez, a New Yorker running a base on the Pech River, regularly bantered over dinner with the Afghan police. Neighbors would come by with tips. But here in the Korengal, the soldiers were completely alienated from the local culture. One night while watching a scene from HBO’s “Rome” in which a Roman soldier tells a slave he wants to marry her, a soldier asked which century the story was set in. “First B.C. or A.D.,” said another soldier. The first shook his head: “And they’re still living like this 800 meters outside the wire.”

    Check it out here.

  • SPACE INVADERS | Guillaume Reymond | video performance

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    SPACE INVADERS is the second video performance of the GAME OVER Project, directed by the Swiss artist Guillaume REYMOND (NOTsoNOISY creative agency).

    67 extras
    4 hours of shooting
    390 pictures

    Check it out here.

  • Tag Sale – New York Times

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    In his 1999 book “The Art of Getting Over,” Stephen Powers (also known as Espo) profiled and catalogued the work of several dozen fellow graffiti artists. Among them was KR, known for drippy silver tags around San Francisco and also for the unusual material he made them with. “Krink,” Powers explained, “is a homemade silver ink” that was “developed in the KR kitchen.” Back then, KR, who says he stopped writing graffiti years ago and is thus more comfortable being known as Craig Costello, never figured his “Krink” would be known beyond that circle — let alone that it would become a brand name on his custom-designed ink and markers, sold in boutiques and specialty shops in the U.S., Europe and Japan.

    Check it out here.

  • Virginian-Pilot photographer takes first at POYI contest – Columbia Missourian

    After hours of deliberation, four judges selected Stephen M. Katz of The Virginian-Pilot as the Newspaper Photographer of the Year Friday night.

    “His pictures had diversity,” said Jeanie Adams-Smith, an associate professor of photojournalism at Western Kentucky University and one of the judges for the 65th annual Pictures of the Year International contest. “He could look at a big place at a microcosmic level.” She said that his strong stories, diversity, technical excellence and single frames stood out in his portfolio and separated him from the other photographers.

    Scott Strazzante and Kuni Takahashi, both of the Chicago Tribune, placed second and third respectively.

    Check it out here.

  • State of the Art: James Mollison Shoots the Disciples of Rock

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    James Mollison has been making simple portraits of people at rock concerts, which he then stitches together into panoramic images

    Check it out here.

  • Michael Muller, Photographic Superhero – – PopPhotoFebruary 2008

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    Shooting movie posters was something Michael Muller always wanted to do. Yet even his impeccable photographic credentials — ad campaigns for Speedo and Mercedes, magazine covers of Spider-Man Tobey Maguire for Premiere and Adrien Brody for Flaunt — hadn’t won him the chance to shoot those dazzling film promos we see on billboards and bus stops. It was a self-assigned, movie-themed art project that finally brought movie-poster opportunity knocking.

    Muller’s project, called Superfamous, was a series of portraits of the superhero-costumed souls who parade around Hollywood’s famous Chinese Theatre, where for five bucks they pose for tourists’ cameras. “Most of the money goes to feed a drug habit,” says Muller, “and one of the key pictures is of Batman smoking crack in the alley.” The marketing head of Fox Studios saw a 4×6-foot print of that image at the home of Joaquin Phoenix, who Muller befriended when he was doing publicity photography for Walk the Line, in which the actor played Johnny Cash.

    Check it out here.

  • Leica removes leader of camera business | Crave : The gadget blog

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    Leica Camera, the German manufacturer of high-prestige but high-price photography equipment, has replaced its top executive, Steven Lee.

    “The supervisory board of Leica Camera AG today removed Steven K. Lee as member and chairman of the board of management of Leica Camera AG with immediate effect,” the company said in a brief statement Friday.

    Check it out here.

  • Midland Daily News – Wood: Photojournalist's role is to be a mirror for the community

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     We have heard these reader concerns when we have published images of tattooed adults, or of a father letting his young son drive a lawn mower from his lap, or even a portrait of a homeless man (see links below). And  now the Daily News is being criticized for publishing an image of teens dancing “inappropriately” at a Valentine’s Dance and fashion show. Readers think that by publishing these photos we are promoting whatever the image shows. They also say that we should focus on publishing images showing the “good” things in our community.
        But focusing on only what these readers see as “good” would diminish the newspapers’ role in the community and conflict with one of the tenants of journalism — to present the truth.

    Check it out here.

  • Magazines Sites Add Video, but Not Much Expertise – Advertising Age – MediaWorks

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    About six minutes into the judging, it dawned on me just how screwed most of these magazine companies really are. In their rush to cash in on web video, most seem to have convinced themselves that sloppily edited six-minute clips pass for must-see content. It’s as if the very act of creating something that moves and talks has blinded producers and editors to the dullness of their creations.

    Take Playboy.com’s “Ask Hef Anything” series, in which the robe-encrusted octogenarian answers questions in a manner so stiff and stilted as to prompt concern about his well-being. Ignoring the obvious first issue — what kind of sick, misguided bastard would ask Hugh Hefner about a flag-burning amendment? — I have no clue how training a camera on an individual who has lived his entire adult life in the public eye qualifies as innovation, much less as something that could ultimately bolster the bottom line.

    Check it out here. Via PDN Pulse

  • Breathe New Life Into Your Photos with the Vignette Tool – Inside Aperture

    One of my favorite new additions in Aperture 2.0 has to be the Vignette tool. Back in the days of darkroom printing I would always find myself burning down the corners of my prints to make them “pop” a little. You had to be careful not to over-do it, but it really made a big difference if done right.

    Check it out here.

  • NPR: Photographer Without Legs Returns Stares

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    Kevin Connolly has been getting such stares all his life. That’s because he was born without legs.

    Connolly was used to drawing double takes in his hometown of Helena, Mont., but when he went to Europe and turned heads there, too, he decided he’d had enough. Connolly got out his camera in Vienna, Austria, and turned it on the people who were staring at him.

    Check it out here. Via PDN Pulse

  • The Raw File Workshop – APhotoADay News

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    The Raw File Workshop will give you 6 Days on Independent Media Production, Social Justice, and Activism.

    Join Brenda Ann Kenneally and guest documentarians as well as prominent forces who work in multimedia production, social justice & activism, media ecology and visual anthropology for seminars covering funding, collaboration, multimedia production, publishing, and distribution of independent social documentary projects.

    The workshop will be limited to 15 full-time participants.

    Check it out here.

  • Behind the velvet rope at London Fashion Week – The Sydney Morning Herald

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    Leading buyers, top designers and fashion media types converge here to see hundreds of garments from dozens of designers which then go on to help set the trends for the following season.

    Among them are hundreds of photographers; some commissioned by high-end life-style magazines, who make their living out of traveling from country to country, and cat-walk to cat-walk for Vogue or Marie Claire; others from picture agencies and the London papers.

    I’ve shot the last two London Fashion Weeks with journo Jacqueline Maley for the Sydney Morning Herald’s Essential section, and as someone who wears the same shirts until I put holes in them or the buttons fall off, working with this lot didn’t come naturally.

    The most sought-after picture in cat-walk photography is a long-lens shot, straight down the middle of the runway, sharp on the model, with the depth-of-field dropping the background slightly out of focus, with the clothes horse looking straight at or over you. It’s a vertical, tight picture that shows off the dress, as that’s what it’s all about – the dress.

    Check it out here.