One thing that people were drawn to over and over were photographs that showed resilience, and they also seem to gravitate toward photos where the people that were injured or had been affected by the war were looking straight at the camera.”
Southern California is suffering another tremendous loss. Artist and Curator Douglas McCulloh sadly passed away on January 5th. He leaves an incredible legacy as a husband, friend, mentor, photographer, curator, and most importantly, troublemaker. Every e-mail from Doug ended with a sentence encouraging me to get into some trouble. I think of Douglas as the
Southern California is suffering another tremendous loss. Artist and Curator Douglas McCulloh sadly passed away on January 5th. He leaves an incredible legacy as a husband, friend, mentor, photographer, curator, and most importantly, troublemaker. Every e-mail from Doug ended with a sentence encouraging me to get into some trouble.
Kluetmeier’s remarkable image was the only one to ever run on Sports Illustrated‘s cover without a caption, and readers voted it the storied magazine’s most iconic cover ever in 2014.
Unlike the time when social media started, I believe this presents an opportunity for photographers today. Creating a new community on a different platform will take time and effort. In fact, it’s not even clear to me that focusing on only one app is the approach to follow: maybe app XXX works better for sharing work, while app YYY might be better for people who want to engage in conversations?
Alec Soth’s new book avoids straightforward answers. Set against the playful, chaotic backdrop of art schools, it delves into creativity, self-discovery, and the existential aspects of becoming—and remaining—an artist.
The photographs are not all that different from video clips. Who has not, clicking through a news report, landed on a still photograph, only to notice it begin to move? The palette is the same—yellow ochre, cadmium orange, alizarin crimson, burnt sienna—and the scenes are the same
Sports photography is a game of split-second timing and never-to-be-repeated moments, so to be at the top of your game takes no small amount of skill. The best of the best in this demanding genre has just been recognized with the winning frames from the World Sports Photography Awards.
Photojournalist Angus Mordant, whose images have been published in the New York Times and the Wall Street Journal, said he feared the merger would “create a monopoly that only stands to hurt photographers.” Mordant, who has not shot on assignment for Getty Images, echoed the criticism that the company has paid notoriously low rates over the years.
However, after a reporter from The Dallas Express visited the exhibit and accused the museum of “promoting child porn”, authorities have begun attacking Mann and the museum. The online newspaper shared photos of Mann’s work displayed at the museum that show a naked girl jumping on a table and a boy with his genitals exposed and liquid running down his body.
The Pilot photo family lost three former photojournalists last year, most recently David Hollingsworth, who died on Dec. 30. He gave Photo Editor Todd Spencer one of his first opportunities 31 year…
The Pilot photo family lost three former photojournalists last year, most recently David Hollingsworth, who died on Dec. 30. It was David who, 31 years ago, gave me one of my first opportunities to shoot an assignment.
Shorr shot in black-and-white, with a Nikon, often leaning through the partition that divided the driver from the driven during stops, so that the back of the car became a de-facto photo booth. From the moment that she announced her creative intentions to her subjects, she told me, “the whole dynamic of control and power in the car changed.”
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç. Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States
Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States since 2010. She immigrated to the United States in 2015.
The rise of artificial intelligence has likely played a role in the merger; the combined assets of Shutterstock and Getty are a treasure trove of training data for AI companies
While the new law will still require permits for large-scale commercial productions within National Parks and associated public lands, smaller groups of photographers and videographers will now be able to film without going through the arduous process of acquiring permits, provided that they follow park regulations, operate safely, and do not force the federal government to incur undue costs.
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Where the Heart Is: Portraits from American Trailer and Mobile Home Parks by Kathleen Tunnell Handel. Kathleen and I originally met during the Atlanta Center for Photography portfolio reviews in early 2023, and
Where the Heart Is was begun in 2017 with travels photographing within communities, to date, in Maine, New Jersey, California, Texas, Colorado, New York, Georgia, Oregon, and Arizona.
10 Frames per Second podcast provides a fascinating glimpse into the world of photo books, highlighting Joe and Molly’s Top 10 Best Photo Books of the Year 2024
The recent episode of the podcast “10 Frames per Second,” hosted by Joe Giordano and Molly Roberts, delves into the intricate process of creating photo books and how they selected their Top 10 Best Photo Books of the Year 2024
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year. I love participating in portfolio reviews because they reinforce my fondness of the photographic arts, and of learning in general. Speaking with artists about their work deepens my appreciation for
The days pass quickly, and I take it all in. Childhood is fleeting, and I get to experience it all over again. The wonderment, the skinned knees, the giggles, and the in-between. I feel that excitement in holding a firefly, its tickle so gentle as it walks across my hand. Did I actually live this before?
Paul Kennedy started his photography career as a stringer for the Associated Press. In the early ‘80’s Paul become a was a contract photographer for Sports Illustrated. In 1984 I worked as an official photographer for the 1984 Olympics games. For the last 25 years Paul has shot corporate annual reports and done a considerable amount of work for colleges and universities. —- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support
Hostilities are taking place in more than 170 locations across the globe and women are suffering the effects more than at any time since the second world war. Here, female photojournalists reveal personal stories of life under fire
Hostilities are taking place in more than 170 locations across the globe and women are suffering the effects more than at any time since the second world war. Here, female photojournalists reveal personal stories of life under fire