a photo project he has worked on for the past decade, crystallized in a new book, The Quest for the Man on the White Donkey. Israel’s pictures are the product of years of wanderings in Israel, in the Occupied Territories and in the spaces in-between, seeking to document a vision of its people and landscapes away from the noise of an intractable political conflict and the rumbling news media that watches it.
Over the next month, I will be sharing some of the photographers who attended Review Santa Fe in June. Review Santa Fe is the only juried review in the United States and invites 100 photographers to Santa Fe for a long weekend of reviews, insights, and c
Chris Ware, who is widely-known to dismiss in self-deprecating tones any personal merit adjoined to his work (rumour has it he is collecting up and destroying one of his earliest published endeavours), is perhaps not ready to receive this thanks or the praise his latest, indubitable magnum opus Building Stories will inspire. But applause it will get (and probably stunned silence quickly followed by imaginative combinations of swear words, as was the case in our studio when this advance copy arrived).
Newsprint is increasingly popular among photographers, offering a cheap and effective way to publish a story, while reaching a larger audience. Olivier Laurent speaks with photographers who have embraced the medium
The street photographer André J. Hermann takes Instagram pictures, prints them and binds them in a book. Then he hides them, leaving photo clues for enterprising followers.
Michael Kamber decided that someone had to gather all of his fellow photojournalists’ accounts and unpublished images in one place so there would be, in his words, “an accurate history.” So he took on the task himself and started formally recording his colleagues. He has collected 39 of these interviews in a book, “Photojournalists on War.”
The VII agency has a book coming out featuring a selection pictures of historic events of the last twenty years. This is photojournalism in its purest state, a reminder of the role played by talented photographer
www.cloudbreak.tv Awards/Mentions: New Yorker – Best books of 2012 POY 2013 – Best Photo Book of the Year 2012 Lucy Awards – best publisher (burn books) Paris…
Photographs Not Taken is a book about photography in which there is not a single photograph. It’s a collection of essays by 62 photographers about the ones that got away: the images – burned to memory and conscience – that, for one reason or another, the
One to Nothing depicts an Israel we do not see on the news. These images go beyond politics: they do not defend a side or critique the conflict. Here, Israel is seen in an unexpected light, a mythological backdrop to the age long struggle between man and the dusty, sun bleached landscape of his origin. The score to this existential battle is locked at 1– 0, with no finish line in sight. A loose, subtle, and open-ended narrative One to Nothing describes a historic tension with striking and unusual observations.
(All images copyright 2012 The Topps Company, Inc., used by permission.) My kids and I have become deeply engrossed with the book Garbage Pail Kids, a fond look at the Topps bubblegum trading cards…
Jakob Tuggener’s Fabrik, published in Zurich in 1943, is considered to be a milestone in the history of photography books. The series of 72 photographs in this Photo Epos of Technology is oriented toward the expressionist aesthetic of the silent movie. It imparts a sceptical view of the destructive potential of unbridled technological progress, at the time the Swiss military industry was producing weapons for World War II.
20 Now: Contemporary Photographers is a book that presents 20 western photographers to South East Asia. From Adam Fuss to David Hilliard’s Panoralic photography, the book shows different approaches and ideas to the medium of contemporary photography.