1st Prize Candid : Kirstin Schmitt
Waiting for the Candymen is study of Cuban idiosyncrasy; an allegory of waiting: Waiting the right moment, waiting for tomorrow, waiting for something or someone who brings redemption maybe
Waiting for the Candymen is study of Cuban idiosyncrasy; an allegory of waiting: Waiting the right moment, waiting for tomorrow, waiting for something or someone who brings redemption maybe
TransBrasil is an ongoing project, which aims to deepen gender identities issues from documentary photography perspective
The awards’ Honorary Judging Committee has selected Iranian photojournalist Asghar Khamseh as the recipient of its most coveted prize, the L’Iris d’Or Photographer of the Year
Prize-winning documentary and fine art photographs from across the globe
Aaron Vincent Elkaim’s long-term project won the Alexia Foundation Grant 2016
Grand prize winners are announced at the Sony World Photography Awards
via Time: http://time.com/4299522/sony-world-photography-awards-winners-revealed/
The 2016 Imagely Fund competition is now open for entry.
via NPPA: https://nppa.org/news/2016-imagely-fund-open-entry
“We are incredibly proud of the team for its outstanding work covering this historic and emotional journey,” Stephen J. Adler, editor-in-chief of Reuters, said in a press release. “The migrant crisis has been cast as a test of unity for Europe. While it is certainly that, it is also the desperate flight from war and danger by more than a million individuals. The team depicted that flight with humanity and respect of the highest order.”
Photojournalist calls the award a “bittersweet motivation to keep pushing my work forward”
Globe staff photographer Jessica Rinaldi won the Pulitzer Prize in feature photography for her compelling depiction of a boy living in poverty in Maine.
via BostonGlobe.com: http://www.bostonglobe.com/news/bigpicture/2016/04/18/winner-pulitzer-prize-feature-photography-strider-wolf/uwzY0ncftt9uO50Ay5MaEO/story.html
The New York Times and Thomson Reuters shared the Pulitzer Prize for breaking news photography for coverage of Europe’s refugee crisis. Jessica Rinaldi of the Boston Globe won the feature photography prize for her story of a boy who endured abuse at the h
Ms. Rubin has spent much of her career covering Iraq, Afghanistan and the Balkans.
Link: http://www.nytimes.com/2016/04/19/business/media/alissa-rubin-pulitzer.html?partner=rss&emc=rss&_r=0
Two photo teams have won for Breaking News Photography this year—both for coverage of the refugee crisis. The Feature Photography prize went to Jessica Rinaldi.
via PDNPulse: http://pdnpulse.pdnonline.com/2016/04/2016-photography-pulitzer-goes.html
In celebration of the 100th anniversary of the Pulitzer Prizes, In Sight is looking back on the first Washington Post photographer to win the prize.
via Washington Post: https://www.washingtonpost.com/news/in-sight/wp/2016/04/18/looking-back-at-the-posts-first-pulitzer-prize-winning-photographer/
From person-to-person coaching and intensive hands-on seminars to interactive online courses and media reporting, Poynter helps journalists sharpen skills and elevate storytelling throughout their careers.
William Snyder describes his second Pulitzer Prize as a crowning glory, but there’s another prize that always eluded him—and it bugs him to no end.
via PDNPulse: http://pdnpulse.pdnonline.com/2016/04/winning-three-pulitzers-changed-william-snyders-career.html
American photojournalist Bryan Denton has won the fifth annual $20,000 Getty Images Chris Hondros Fund Award.
via PDNPulse: http://pdnpulse.pdnonline.com/2016/04/bryan-denton-wins-fifth-annual-getty-images-chris-hondros-fund-award.html
The 2016 Pulitzer Prize winners will be announced on Monday, April 18, marking the 100th awarding of the prizes since they were initiated in 1917. We recently asked photojournalist Deanne Fitzmaurice how winning the 2005 Pulitzer Prize for feature photogr
via PDNPulse: http://pdnpulse.pdnonline.com/2016/04/how-winning-a-pulitzer-changed-deanne-fitzmaurices-career.html
Covering the chaos of the Libyan civil war in 2011 transformed Bryan Denton. He began the war as a promising 27-year-old photojournalist and provided some of the most vivid coverage of the conflict for The New York Times. But it’s not his personal successes that stick with Mr. Denton — it’s the victims he photographed, and the deaths of several colleagues, especially his friend Chris Hondros.
Applications for the 2016 Humanistic Photography Grant are open until May 31