Pilfered is an online magazine where people can “submit their favorite visuals pilfered from the web to share with one another.” For example, it asks readers to choose a cover for its February 2010 issue: The cover photos include images stolen from Rodney Smith, Robert Parke Harrison and others.
Worth’s experiment was to see if he could make money by giving his pictures away, emulating Doctorow’s business model in which his CC licensed works circulating online publicize and drive the sales of his books. While the images could be freely copied, etc., Worth offered 111 editioned prints together with 111 signed pages from a manuscript of Doctorow’s upcoming book “For the Win” on Etsy at sliding prices
“In an attempt to conceal my mistake I submitted false images and deleted other images. I sincerely apologize for my lapse in judgment and I take full responsibility for my actions which were mine alone,” Fairey wrote in a statement on his Web site.
My latest Guardian column, “Copyright, companies, individuals and news: the rules of the road,” is a start on a coherent framework for a copyright system that recognizes the difference between commercial use and non-commercial use, incidental copying and unfair copying, and many of the other exceptions that copyright needs to keep from devolving into a stupid caricature of itself
(Click for large. Two versions of W Magazine cover featuring Demi Moore, one for the US edition, one for Korea. Note the apparent difference in the area around the hip. Comparison here.) Lawyers re…
Lawyers representing Demi Moore sent a threatening letter to Boing Boing over the holidays which demanded that we remove a post I published in November, or face legal consequences. In the referenced Boing Boing post, I published photographer Anthony Citrano’s speculation that a recent W Magazine cover image of the actress may have been crudely manipulated by magazine staff to alter her hip, and appear thinner.
Jazz great Chet Baker’s estate is suing the major record labels for releasing his music on Canadian CDs without paying compensation (a common practice in Canada, where over 300,000 songs have…
Reader’s Digest Publishing in Australia has a very ugly new contract that they’d like photographers to sign. I’m not sure if they are a franchise of the American Reader’s Digest, with some type of content sharing deal, or if they…
The Associated Press, a organization with so little respect for fair use that they expect you to pay for a license to quote as little as five words from its articles, describes how it relied on fai…
A report published this week by the American Society of Media Photographers examines the terms of service (TOS) for Facebook, Photobucket, Flickr, MySpace, YouTube and Twitter.
Toyota U.S.A. has removed a photo feature from one of its Web sites and apologized to Flickr photographers whose images appeared on the site without their permission.
The internet chapter of the Anti-Counterfeiting Trade Agreement, a secret copyright treaty whose text Obama’s administration refused to disclose due to “national security” concern…
The internet chapter of the Anti-Counterfeiting Trade Agreement, a secret copyright treaty whose text Obama’s administration refused to disclose due to “national security” concerns, has leaked. It’s bad.
Pablo Picasso once said, “Good artists copy, great artists steal.” But Wall Street Journal illustrator Noli Novak says Spanish artist Jose Maria Cano engaged in outright plagiarism in producing a large painting that meticulously duplicates Novak‘s stipple
Wall Street Journal illustrator Noli Novak says Spanish artist Jose Maria Cano engaged in outright plagiarism in producing a large painting that meticulously duplicates Novak’s stipple portrait of President Barack Obama, including the surrounding text that ran on the front page of the Journal last year.
As of tonight, the issue is still not entirely resolved. Although the IOC seems much more diplomatic at this point than they did in the harsh C&D letter that they originally sent Giles, they still seem to be insisting that he change the license on his photos to all rights reserved.
Jordan sez, “The IOC, believing that it owns the photos in your shoebox, sent a takedown notice to Richard Giles, AWIA member and rather good photographer. I took notice, as we in Vancouver a…
In Ed Kashi’s new book, THREE, images from his 30 years as a top documentary photographer are combined into triptychs that consciously abandon the idea of context or traditional narrative. Some of those triptychs will be part of a show opening tomorrow at FiftyCrows gallery in San Francisco (founded by liveBooks CEO Andy Patrick), so I thought this would be a good time to talk to Ed about the project. I love the book (that’s my copy getting flipped through) and find his words inspirational. Hope you do too.