Category: Equipment

I managed to snag a few moments (over email) with Jason Cone, executive producer of the Starved for Attention films and MSF’s Communications Director based out of New York, and Ron Haviv, one of VII’s founding members. I wanted to ask the two about how NGOs and photographers work together, how a campaign such as this is produced, and how NGOs and journalists work to get stories out to a wide audience within such a fractured media environment.

Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world’s highest level*2 of resolution for its size.

It is with great pleasure that I get to announce my foray into the self-publishing world with the release of the Accidental Rothko book with over 60 pages of saturated goodness

A complicated mix of politics, media and the freedom of both are colliding again in Venezuela after a national court ruled that “for the next four weeks, no newspaper, magazine or weekly of the country can publish images that are violent, bloody, grotesque, whether about crime or not”.

The USA is often misdescribed as a classless society but Owens, the insider, clearly and categorically states that the subject of his interest was the middle class. The estate in the Livermore Valley was the USA in microcosm. It’s inhabitants had indeed never had it so good and were keen to enjoy, and to some extent show off their new found wealth; but Owens’ depiction of his contemporaries is far from fawning. On occasion it exhibits an almost surgical precision in its dissection of the minutiae of the late sixties American soul.

It seems a bit strange to me that the media carefully warn about and label any content that involves sex, violence or strong language — but there’s no similar labelling system for, say, sloppy journalism and other questionable content.

I figured it was time to fix that, so I made some stickers. I’ve been putting them on copies of the free papers that I find on the London Underground. You might want to as well.

I am also participating in the beta testing of a new social micro-payment called Flattr. If you register with Flattr, you choose to pay a small monthly fee. You decide the amount yourself, and at the end of the month the fee is divided up between all the pages you choose “flatter.”

Henri Cartier-Bresson… Garry Winogrand… Helen Levitt… Robert Frank… André Kértész… William Klein… Jacques Henri Lartigue… Marc Riboud… Raymond Depardon… Elliot Erwitt… Joel Meyerowitz…

I started this list as I thought of who all the great street photographers might be. But I stopped early, realizing that in photojournalism (or any of its other pseudonyms) we all photograph life in the street.