Michael Levin on Continuum
Tempest, 2008 — Michael Levin Sitting in the gallery surrounded by Michael Levin’s photographs, I feel a sense of calm. Though the…
Link: http://blog.photoeye.com/2012/01/michael-levin-on-continuum.html
Tempest, 2008 — Michael Levin Sitting in the gallery surrounded by Michael Levin’s photographs, I feel a sense of calm. Though the…
Link: http://blog.photoeye.com/2012/01/michael-levin-on-continuum.html
The State of the Industry, is a new column where Suzanne Sease speaks with advertising industry professionals and influencers to discuss what’s happening and where we’re headed. Gregg Lhotsky is a well-respected photography representative with the acclaim
via A Photo Editor: http://www.aphotoeditor.com/2011/12/20/the-state-of-the-industry-gregg-lhotsky-ba/
An Exclusive Interview with Robert Frank, Robert Frank’s Studio, New York, July 22, 2007
Before Photoshop allowed image makers to bend reality to their will with a single keystroke there was Jerry Uelsmann. He created surreal images the hard way — not with digital shortcuts, but working in a darkroom with seven enlargers and multiple negatives.
Steve Fine, the legendary Director of Photography at Sports Illustrated, doesn’t waste time sugar-coating things – he has an opinion and he knows what he wants. Having been at SI for over fifteen years, Steve has amassed a lot of entertaining stories that
via PhotoShelter Blog: http://blog.photoshelter.com/2011/12/video-interview-with-sports-illustrateds-dop/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PhotoshelterBlog+%28PhotoShelter+Blog%29
You may remember photographer Jason Lee Parry from the $28,000,000 lawsuit brought against him in August by parents of a young model he photographed (APE story here). The parents flipped out when a sexually suggestive image that Parry took of their 16 yea
via A Photo Editor: http://www.aphotoeditor.com/2011/12/05/jason-lee-parry-defends-himself-against-28000000-lawsuit/
Moises Saman had been photographing the run-up to the Egyptian elections when the recent riots broke out. He spoke to Lens about the challenges of digging deeper into the story.
via Lens Blog: http://lens.blogs.nytimes.com/2011/12/05/even-in-egypt-a-long-way-to-go/
Jonathan Blaustein: I was in New York this past week, and I was able to see both of your exhibitions that are currently on display at Bryce Wolkowitz and Howard Greenberg. It’s such a great lead in to our conversation, and I definitely want to ask some qu
via A Photo Editor: http://www.aphotoeditor.com/2011/11/30/edward-burtynsky-interview/
The Leica Camera
Kaushal Parikh describes himself as an ex-banker turned street photographer. He has shot street photography seriously for the last three years, drawing inspiration from Magnum photographers, as well as members from the In-Public collective. After shooting in what he describes as a bubble, he is in the process of building up an online/offline street photography community in Mumbai and also founded the India Street Photographers collective. During a recent trip to India, Eric Kim had a chance to speak with Kaushal about his work and technique.
Gordon Stettinius is the founder of Candela Books in Richmond, Virginia. I caught up with him recently to chat about Candela’s latest relea…
Link: http://blakeandrews.blogspot.com/2011/11/q-with-gordon-stettinius.html
Heidi Volpe interviews Patagonia photo editor Jenning Steger. Heidi: What a bold move to put a spread photo by Oskar Enander in the catalog, was that a hard sell since the rider isn’t one of your ambassadors? Jenning: No because the photo is so stellar it
via A Photo Editor: http://www.aphotoeditor.com/2011/11/22/the-daily-edit-interview-patagonia-catalog-winter-2011/
From an online chat over beers last week with Bryan Formhals : B: Hi Bryan, Have you got a beer handy? Bryan Formhals: Ha. Yeah, just c…
Link: http://blakeandrews.blogspot.com/2011/11/chat-with-bryan.html
The photographer Benjamin Lowy was recently awarded the Duke Center for Documentary Studies/Honickman First Book Prize in Photography for his book “Iraq …
via The New Yorker: http://www.newyorker.com/online/blogs/photobooth/2011/11/benjamin-lowy-iraq-perspectives.html
The Leica Camera
Kevin WY Lee is a street photographer and the founder of The Invisible Photographer Asia (IPA), a street photography and visual documentary that features Asian photographers. In almost a year, he was able to grow the IPA community to over 70,000+ Facebook fans while pushing the art of street photography and visual documentation in Asia. Eric Kim had the opportunity to talk with Kevin about what inspired him to start The Invisible Photographer Asia and insights into his own photography.
AMERICAN SUBURB X
Although he hasn’t published a photograph in almost fifteen years, Metinides can safely be called the most prolific news photographer of his generation. Between 1946, when he was barely twelve years old, and 1993, when he was muscled out of his “nota roja” newspaper job, Metinides was a tenacious documenter of death and brutality in the chambers of Mexico City’s hospitals, police stations, and morgues. He shot murders, suicides, auto and aviation accidents, fires, drowning, and crime scenes—sometimes in action. He breathed his work, sleeping at night with a police scanner always near his ear. He rode along to the scene of an accident or homicide on ambulances and fire trucks.
Time Out New York, the self-described “go-to playbook” for art, music, nightlife, restaurants, shopping and even dating, has a magazine circulation of 150,000 and averages 1.1 million website visitors per month. For a photographer, that’s a whole lot of p
via PhotoShelter Blog: http://blog.photoshelter.com/2011/10/talking-with-time-out-new-york/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PhotoshelterBlog+%28PhotoShelter+Blog%29
Artist Jennifer Trausch is the Director of Photography at the 20 X 24 Studio in Manhattan. The 20 X 24 Studio is built around a 239-pound analog camera that shoots 20 X 24 images on Polaroid film. There were six of these cameras built between the years of 1976 and 1978 and three of them are currently in use in different parts of the world.
Yaakov Israel’s The Quest for the Man on the White Donkey, complex, multi-faceted project, featuring portraits and landscapes, was my personal pick as a winner of this year’s Conscientious Portfolio Competition. For me, the project captures seemingly disjointed moments in time, offering many hints and as many red herrings. The viewer is invited to come back and re-look at these photographs, to find a slightly different world each time. New details reveal themselves, while old details change their meaning ever so slightly. Instead of pointing at something and saying “This is the way it is” the photographs ask their viewers to discover what is to be found and to ultimately come to their own conclusions.
“I was damn well going to be an artist and I wasn’t going to be a businessman.”
Interview Excerpt from, Leslie Katz with Walker Evans, 1971.
Leslie Katz: You took photographs of whatever interested you?
Walker Evans: Oh yes. I was a passionate
via AMERICAN SUBURB X: http://www.americansuburbx.com/2011/10/interview-an-interview-with-walker-evans-pt-1-1971.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Americansuburb+%28AMERICANSUBURBX%29