Q & A with Chris Shaw
Chris Shaw is a photographer based in Paris. • How is the crazy pandemic treating you? One hour a day outside allowed with a wr…
Link: http://blakeandrews.blogspot.com/2020/04/q-with-chris-shaw.html
Chris Shaw is a photographer based in Paris. • How is the crazy pandemic treating you? One hour a day outside allowed with a wr…
Link: http://blakeandrews.blogspot.com/2020/04/q-with-chris-shaw.html
The pioneering master of color street photography talks about his passions and the energy of the street in this wide-ranging audio interview
via LensCulture: https://www.lensculture.com/articles/joel-meyerowitz-ready-for-surprise-joel-meyerowtiz-interview-2020
In his latest “sofa session” interview, Martin Parr speaks with fellow Magnum photographer Alec Soth (pronounced like “both”) about launching his career,
Daniel Arnold takes photos that defy definition. While his practice of walking the streets for endless hours and shooting candid moments would place him squarely in the “street photography” camp, somehow he doesn’t fit in. There’s an eccentricity which ov
via LENSCRATCH: http://lenscratch.com/2020/04/the-intention-to-be-unintentional-a-conversation-with-daniel-arnold/
Alice Christine Walker is a photographer based in Portland. • BA: Tell me about your photobooth pictures. How/when did you get s…
Link: http://blakeandrews.blogspot.com/2020/03/q-with-alice-christine-walker.html
What’s new in news photography? Senior Picture Editor Andreas Trampe of ‘Stern’ offers his take on the shifting sands of an industry and shares his tips on how to reach out to photo editors
via LensCulture: https://www.lensculture.com/articles/andreas-trampe-shifting-states-new-role-of-photography-in-weekly-magazines
Photography duo Alex and Rebecca Norris Webb offer insight into the evolution of their practice, and why the genre of street photography isn’t so easy to define
via LensCulture: https://www.lensculture.com/articles/rebecca-norris-and-alex-webb-redefining-street-photography-with-alex-and-rebecca-norris-webb
There is deep significance in Cheryl Dunn calling her solo show, LET THEM EAT CAKE, from both the era that she is now shooting and the area for which…
A newly edited and expanded edition of Jōji Hashiguchi’s seminal photobook is published this month. Here, the photographer reflects on his past, and the time he spent documenting the plight of youth in the 1980s
via British Journal of Photography: https://www.bjp-online.com/2020/03/joji-hashiguchi-we-have-no-place-to-be/
“The case it focuses on, saw six innocent young people all suffer memory-distrust syndrome due to coercion by the police and confess to murdering two men in Iceland of which they had no links. This was achieved by the police by enforcing a narrative onto
via AMERICAN SUBURB X: https://americansuburbx.com/2020/03/jack-latham-interview-is-conspiracy-a-medium.html?utm_source=rss&utm_medium=rss&utm_campaign=jack-latham-interview-is-conspiracy-a-medium
Philadelphia based photographer Kriston Jae Bethel has been featured in some impressive print and digital publications: American Libraries, Grid Magazine, Mashable, Minneapolis Star Tribune, New Jersey Magazine, The New York Times, The Philadelphia Inquir
Italian photographer Carolina Repezzi unfolds the story behind this arresting portrait of a young water seller, taken in the Agbogbloshie e-waste scrapyard in Ghana
via LensCulture: https://www.lensculture.com/articles/carolina-rapezzi-to-discover-a-story
Jason Tippet is a filmmaker and photographer based in Los Angeles. (An abridged version of this interview was published originally …
Link: http://blakeandrews.blogspot.com/2020/02/q-with-jason-tippet.html
Portrait photographer Laura Stevens has achieved a great level of success since winning an Emerging Talent Award in 2014—and she shares some pearls of wisdom for others embarking on a similar journey
via LensCulture: https://www.lensculture.com/articles/laura-stevens-a-present-observer
Bradley Peters is one of the winners of this year’s Conscientious Portfolio Competition. A recent graduate from Yale, his work marries what might be thought of as the currently dominant Yale aesthetic (which often involves staging photography) with the flash-heavy, completely spontaneous kind of photography that has been very popular in Britain. Ultimately, such a simplifying description really doesn’t do anyone a big favour, but it might serve well to come up with a first, crude description of the work – and knowing what I know now after having done the conversation with Bradley it’s not even that far off!
To me a documentary photographer and a photojournalist are pretty much the same thing. If I have to make a distinction, I’m more a documentary photographer–I don’t think of myself as a photo-essayist in the sense that I always consider a magazine layout when I’m working. To be honest with you, I always try to think of the specific pictures. What’s important to me is to make strong, individual pictures.
MW What inspired you to start taking photographs, and what is the primary inspiration for you to keep working in this field? TG I used …
Link: http://2waylens.blogspot.com/2009/11/tierney-gieron.html
Alex Webb and Rebecca Norris Webb are both photographers. They also happen to be married to one another. Alex, a member of Magnum Photos, is known for his lyrical street photography, collected in books including Istanbul, Crossings, and Amazon. Rebecca published her first photography book, The Glass Between Us: Reflections of Urban Creatures, in 2006 to wide acclaim. Just this month they released their first photo book together, Violet Isle, which explores Cuba through both their cameras, seen more clearly, in a way, from two different angles. (Not surprisingly, their joint blog is called “Two Looks.”)