A month after receiving a honorable mention in this year’s World Press Photo contest, photographer Michael Wolf catches up with BJP. Video interview
Link: Michael Wolf welcomes World Press Photo controversy – British Journal of Photography
A month after receiving a honorable mention in this year’s World Press Photo contest, photographer Michael Wolf catches up with BJP. Video interview
Link: Michael Wolf welcomes World Press Photo controversy – British Journal of Photography
The work of Nadav Kander has always fascinated me. My curiosity only grew when seeing Obama’s People and later working on the review of Yangtze, The Long River. I finally approached Nadav and asked him whether he had a moment to talk about his work. I’m grateful he did.
Link: Conscientious Extended | A Conversation with Nadav Kander
In photographing the women of Bahrain, Hazel Thompson learned that she had to pierce a veil of her own preconceptions.
via Lens Blog: http://lens.blogs.nytimes.com/2011/03/01/finding-a-place-in-bahraini-society/
When did you first know that you wanted to be a photographer? I went to college to study international affairs. I wanted to be a diplomat, but I’m about as diplomatic as a box of grenades. I…
via this is the what: http://www.thisisthewhat.com/?p=1156
Self Portrait, Athens, Ohio 1969, Nancy Rexroth • from the preface to Nancy Rexroth’s Iowa • Since its publication in 1977 Nancy Re…
Link: http://blakeandrews.blogspot.com/2011/02/q-with-nancy-rexroth.html
German artist and photographer Michael Wolf received an honorable mention in this year’s World Press Photo for his work A Series of Unfortunate Events based on Google Street View. He speaks with BJP
Link: World Press Photo: Is Google Street View photojournalism? – British Journal of Photography
Russell Frederick set out to document the “sweet things” about Brooklyn’s Bedford-Stuyvesant neighborhood.
via Lens Blog: http://lens.blogs.nytimes.com/2011/02/05/love-family-and-change-in-brooklyn/
There is safety in numbers in Cairo, but Ed Ou is trying, when he can, to break away from the photo pack.
via Lens Blog: http://lens.blogs.nytimes.com/2011/01/31/getting-into-cairos-byways/
Rania Matar’s work focuses mainly on women and women’s issues. She has created searing documentaries of the lives of women and children in the Middle East, the Palestinian refugee camps, the recent spread of the veil and its meanings, the aftermath of war and the Christians of the Middle East. The universal theme: revealing the day-to-day existence of people who have been forgotten or misunderstood with singular compassion and sensitivity. At her home Boston, Massachusetts, she photographs her four children at all stages of their lives and is currently working on a new body of work, “A Girl and her Room,” photographing teenage girls from different backgrounds
Link: Rania Matar: Personal and Poetic, Part 2 « The Leica Camera
Donald Weber spent four months shooting inside a police interrogation room in the Ukraine, creating a complex portrait of petty criminals as they undergo their “trial by ordeal”, captured at the moment of confession. Diane Smyth questions him.
Link: Donald Weber’s Interrogation Room – British Journal of Photography
I’d been working as a photojournalist for newspapers but was never really any good at it. I found that my presence would affect a situation very much, and for me, trying to be a fly on the wall, capturing some sort of instant, just wasn’t working. I managed to buy a second-hand Hasselblad and took a trip to Namibia. Along the way I shot everything that caught my eye, including some railway workers who lived in the middle of the desert along the tracks. When I printed their portraits I felt more resonance with these prints than I ever had before with my photographs.
Link: INTERVIEW: “Pieter Hugo in Conversation with Joanna Lehan” (2007)
German photographer CHRISTOPH BANGERT is part of a new generation of photojournalists that came of age post-9/11 and well into the internet era. “The difference with former generations is perhaps that we take a broader view. We know that it is not enough to have good pictures; you have to be good at communicating too.”
Link: CHRISTOPH BANGERT: ‘Nobody is trying to get rich here’ | Emphas.is Blog
Emphas.is is starting the new year off with a bang on their blog with a great series of interviews looking at the current state of photojournalism and people who are pushing beyond the traditional bounds of newspaper and magazine photography.
It’s been less than a year since Cardiff’s Third Floor Gallery opened last Feb. 12th with a show of Peter Dench photographs. Since then it …
Link: http://blakeandrews.blogspot.com/2011/01/q-with-joni-karanka.html
Roman Meffre and Yves Marchand are two young French men who spent five years taking pictures of the city of Detroit, the world’s now
abandoned car construction capital.
Teru Kuwayama, one of the photographers of Basetrack, tells Michael Kamber why the future of journalism may be on Facebook.
via Lens Blog: http://lens.blogs.nytimes.com/2010/12/21/covering-marines-at-war-through-facebook/
If you don’t play, your mind can’t grow. I started exploring photography because the image can be so much fun and the more I grew, the more I tended to perceive through photographs the special relationship between myself and Ghana, the country of my birth.
Link: Nii Obodai: Ghana, Who Knows Tomorrow? « The Leica Camera
Marisa Portolese: The representation of women is at the root of my practice. In most of my projects with the exception of a few, women figure prominently and the female psyche is widely explored. I firmly believe that the world belongs to men and that women are still severely underrepresented. It is with the project entitled “Belle de Jour” that I began to work specifically with women as my primary subjects.