McNamee covered Presidents, celebrities, and major news events of the 20th century during his four-decade career with The Washington Post and Newsweek.
In addition to covering major news events including the Civil Rights movement and the Vietnam War, McNamee covered presidential administrations from Dwight Eisenhower to Bill Clinton. He was named Photographer of the Year four times by the White House News Photographers Association, which also awarded him a Lifetime Achievement Award in 2000.
The government’s Mechanism to Protect Journalists and Rights Activists called for an “immediate and effective investigation” into the killing of Edgar Daniel Esqueda Castro, 23, who was reportedly kidnapped Thursday by gunmen posing as police officers in the city of San Luis Potosi.
When the photographer Pete Turner was on assignment in Amboseli National Park in Kenya in 1964, a lone giraffe galloped across the empty plain before him, and he captured it in all its solitude, its neck rising above the horizon.
Mr. Turner’s resulting transparency was overexposed, but he saved it by rephotographing it and using filters to transform it into a spectacular and eerie new image.
JAN 12, 2020 – Jim Argo, a former photojournalist for The Oklahoman whose powerful images captured the character of the state and spirit of its people for more than 50 years, died Saturday.
Jim Argo, a former photojournalist for The Oklahoman whose powerful images captured the character of the state and spirit of its people for more than 50 years, died Saturday.
Legendary New York City street photographer Arlene Gottfried passed away yesterday due to complications from cancer. She was 66. Gottfried was born and
“In every frame, no matter how tough the subject matter, there is never a sense of detached irony or coolness. Whether it was her mother dying in bed, or a homeless person on the sidewalk, she approached them with the same careful empathy and directness.”
After three decades with AP, he started the private photo agency Pentaphoto, which is now run by his sons Alessandro and Marco. He is also survived by his wife, Roberta, and two grandsons.
Robert Capa’s iconic 1944 shot of a soldier in the surf at Normandy would become one of the most celebrated pictures of the Second World War—but Capa did not act alone. John G. Morris, a picture editor at LIFE magazine, had assigned the war photographer to cover D-Day.
Legendary photo editor John G. Morris died today in Paris. He was 100. Morris was a titan in the world of photojournalism, serving as photo editor for LIFE, The New York Times, National Geographic, and Magnum. Photographers he worked closely with include Robert Capa and W. Eugene Smith.
ST. LOUIS — James A. Finley, an acclaimed photojournalist who served as a mentor to countless others during his 22 years as The Associated Press staff photographer in St. Louis, has died. He was 76.
From time to time I’d hear that Chip had done something extraordinary and knew he was printing his 8 x 10 negatives on aluminum with the result being these incredibly flat prints that seemed to go on forever. He was friends with John Szarkowski, the photo curator at MOMA and I remember seeing his work on display once at the museum. During those years Chip was heavily invested in making separations for photo books. An example is the four volumes on Eugene Atget produced for the Museum of Modern Art.
Gary Friedman, a longtime photojournalist who over the decades covered presidential elections, Olympic games and the devastation of the 9/11 terror attacks for the Los Angeles Times, has died after a long fight with cancer.
A self-avowed eccentric, Friedman was known as a master of being able to wiggle into news events while other journalists waited patiently for credentials or official escorts.
Update: On Friday, June 16, the family of Khadija Saye confirmed the photographer was among those killed in the Grenfell Tower fire on June 14. Khadija Saye, a London photographer whose work is currently on view in the Venice Biennale, is among the peopl
A graduate of the University for the Creative Arts, Farnham, Saye uses photography to explore culture and identity, and has photographed communities in both England and Gambia, where her mother was born. The Diversity Pavilion, on view at the Venice Biennale, includes Saye’s tintype self-portraits in which she incorporates objects her mother uses in her spiritual practice. Artist Nicola Green, who mentored Saye, said in an appeal for information, “She is our dear friend, a beautiful soul and emerging artist.”
From person-to-person coaching and intensive hands-on seminars to interactive online courses and media reporting, Poynter helps journalists sharpen skills and elevate storytelling throughout their careers.
An investigation into the killing of NPR photographer David Gilkey and interpreter Zabihullah Tamanna last year has revealed flaws in the original story put forth by Afghan officials.
“Stanley was the only non-Middle Eastern photographer who managed to make an image of the events of that day in Fallujah,” another friend, the American photographer Samantha Appleton, said. “People often ask war photographers if they are scared doing their work. It is not fear so much as how one responds to the stress of fear. Stanley was scared that day, and said so whenever he told the story. He nearly lost his life when he tried to get closer to the bridge, and pulled out of the situation just in time. Before he did so, however, he created images that were indisputable proof that the war was only just beginning.”
Stanley Greene is gone. Dear friend, colleague, and a dedicated photojournalist to the core. Member of the prestigious NOOR @noorimages photo agency, Stanley most often pursued significant s…
The karma was unbelievable .Stanley was in the center, part of the buzz, relentless in his effort to do the right thing. The real deal. You can’t buy “Black Passport”. Sold out long ago. I hope it gets re published. Testament to one of the finest chroniclers of our time.
Mr. Greene, one of the leading war photographers of his generation, was a founding member of Noor Images who covered global conflicts with unblinking honesty.
“You want to sit there comfortably with your newspaper and blueberry muffin, and you don’t want to see pictures that are going to upset your morning,” Mr. Greene said in a 2010 interview with the Lens blog of The New York Times. “That is the job of a journalist, to upset your morning.”
Greene followed the light even into the darkest places. He was best known as a conflict photographer for his work in Chechnya, Russia, Iraq and Syria. He had the gift of finding beauty in the most extraordinarily disturbing circumstances. His books, “Open Wound” and “Black Passport,” are gorgeous journeys through his life by way of his haunting photographs.
Photographer Andrea Bruce, a fellow member of NOOR, describes Greene as “a poet.” “His rage at injustices equaled his love for his friends, for photography and its power,” Bruce says. “That is the hardest thing to explain: his pure love for others, as if he was balancing the hatred he found in war.”
Photojournalist Anja Niedringhaus dedicated her life to telling humanity’s most troubling stories at the front lines of conflict. Her death in 2014 brought into sharp reality the futility of war and the importance of effectual images. Niedringhaus’ legacy is undoubtedly her photographs but also the courage she has ignited in her fellow journalists.
Ben Martin, who as a Time magazine senior photographer immortalized Richard M. Nixon’s haggard 5 o’clock shadow, the Rev. Dr. Martin Luther King Jr.’s march to Montgomery, Ala., and John F. Kennedy’s grieving widow and children — evocative images that defined the 1960s — died on Feb. 10 at his home in Salisbury, N.C. He was 86.
