CLAM$ CA$INO: I’m loaded, don’t know where to point this thing.: “from pr to bk Clam$ CaSino brings the fishiest flicks
from the first half of the first month of oh eight. ah ite?”
Category: Photography
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CLAM$ CA$INO: I’m loaded, don’t know where to point this thing.
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dustin franz photography: leisa.
dustin franz photography: leisa.: “leisa came to visit me this week. it was very exciting and i wish she didnt have to leave.”
(Via A Visual Journey.)
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Smithsonian Magazine | Arts & Culture | Danger Zones
Smithsonian Magazine | Arts & Culture | Danger Zones: “David Maisel doesn’t consider himself an environmental activist. Yet his large-scale aerial photographs of strip mines, a bone-dry lake bed and man-made evaporation ponds can be viewed as indictments of our indifference to the planet that sustains us. Once you figure them out, that is. The photographs call to mind everything from blood vessels to stained-glass windows. ‘They might be mirrors into who we are as a society and who we are in our psyches,’ Maisel says.”
(Via Boing Boing.)
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Pacifica Tribune Online – Through the lens of the camera
Pacifica Tribune Online – Through the lens of the camera: “‘First time I went out, I took pictures at the beach and came back with really good pictures. I hit it off from the very first time. I never pictured myself as a photographer until I got my camera and people told me I was good. It went from there,’ he said,
Now Hudson, 15, a sophomore at Terra Nova High School, plans to pursue a career in photojournalism.”
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State of the Art: Marilyn Wars: The Empire Strikes Back
State of the Art: Marilyn Wars: The Empire Strikes Back: “The law firm of Loeb & Loeb didn’t waste any time in striking back at the heirs of photographers who once photographed Marilyn Monroe.
Loeb & Loeb represents the company called Marilyn Monroe LLC, which over the past couple of decades has claimed ownership of the late actress’s ‘rights of publicity.’” -
RRD Photo: Photoshop "Revisit and Retouch" Challenge #1
RRD Photo: Photoshop “Revisit and Retouch” Challenge #1: “Ryan Goodman took this photograph a few years ago in Grand Cayman and produced a nice image (after some editing) which you can see on his site.
Interested to see what other folks would do to this in the digital darkroom, he’s inviting those interested to download the RAW files and give it their best shot.
In this post…
In this post I’ll give a detailed look at my steps for completing this retouch and at the end I’ll link to some books and podcasts that will help teach you these techniques in more detail.” -
A Photo Editor – Photography Agent Websites
A Photo Editor – Photography Agent Websites: “My new favorite agent website belongs to Deborah Schwartz (here)–actually I should credit Bill Charles for being an early adopter of the idea . The first page lists the names of the people they represent and when you roll over the name a photo that represents that photographers work appears. Brilliant. Simple. Most of the time, when I’m out trolling agent websites, it’s because I ran out of ideas or I kinda remember a photographer but have no idea what their name is so, being able to flash through a bunch of photographers quickly is awesome.”
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The F STOP » Professional Photographers Discuss Their Craft » Article Archive » Jono Rotman
The F STOP » Professional Photographers Discuss Their Craft » Article Archive » Jono Rotman: “The ad agency, Clemenger BBDO, hired photographer Jono Rotman to help them promote New Zealand’s policy of providing free, universal healthcare. Their concept was quite simple—an image of nude bodies arranged to form the shape of the island nation.”
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pictures. » Anna and Scott
pictures. » Anna and Scott: “On Friday, my old friend Scott got married to my new friend Anna. It’s hard for me to put into words how happy i am for them. To be honest, i am also happy for me. i got to see it. Scott was coming out for an annual photo celebration (more on that later) and it just worked out to be the right time for them. It was likely they would get married at some point – but for it to happen in Oregon was very special for fran and i.”
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Heavy Metal in Baghdad
Heavy Metal in Baghdad: “A Fundraiser For The Iraqi Band Acrassicauda”
(Via Very Young Millionaire.)
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william albert allard
great piece on david alan harvey’s blog, talking about William Albert Allard. Allard is a pure photographer. I first saw him speak in 1989 and I could probably recite several choice Allard quotes from memory eighteen years later.
A great read:
the first words i ever heard out of william albert allard’s mouth were “why didn’t this guy win?” he stomped across the room, grabbed one of my b&w 16×20 prints and held it up for all to see…”___dammit , this guy shoulda won!!”…..we were in minneapolis , allard’s hometown, for a “College Photographer of the Year” contest sponsored by the NPPA…
i was in grad school at the Universtiy of Missouri and i had been previously judged as “second place” in this nationwide contest….allard did not think i was judged fairly….and allard always speaks out…always..
Here.
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Heroes of Photography
(Thanks to A Photo A Day for pointing this out to me.)
From American Photo, “a tribute to ten photographers who inspire us”:Not one of the photographers featured on the following pages wanted to be called a hero. We sympathize: The word is immodest and certainly overused these days. Nonetheless, we can’t help but consider them heroic, and when you read their stories, we think you’ll understand why.
The photographers are:
Phil Borges, John Dugdale, Timothy Fadek, Stanley Greene, Chris Hondros, Yunghi Kim, Joseph Rodriguez, Fazal Sheikh, Brent Stirton, Hazel ThomsponThe photo above is from Stanley Greene. His book on Chechnya, Open Wound, sits on my bookshelf. It’s too powerful to go through in one sitting.
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Cerealism – Ernie Button
PhotoEye:
So, there sat King Vitamin next to a new version of Cap’n Crunch, Choco Donuts, on a recent trip to the grocery store. Looking at the rest of the cereal aisle, it is clear that breakfast cereal has changed. The cereal aisle has become a cornucopia of colors with marshmallows that resemble people and objects and characters from movies. It’s apparent that cereal is not just for breakfast anymore; it’s playtime. In keeping with the playtime theme, I began to construct landscapes that would utilize the natural earth tones of certain cereals. I placed enlarged photographs of actual Arizona skies (e.g. sunsets or monsoon clouds) in the background of the cereal landscapes giving the final image an odd sense of ‘reality’. Other cereals that were more vibrantly colored or made to resemble people and objects were calling out to have their portraits taken, to be the center of attention. Cereal has transformed into cultural pop objects instead of just corn pops.
Here.
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The Studio Episode 1
J. Garner Photography:
GUYS, THIS IS A JOKE! Please don’t take these episodes literally. “Image” is NOT everything. For JGP, humility, character & professionalism are the real virtues. We’re just simple wedding photographers, having a GREAT time!
Here.
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Interview: SCOTT STRAZZANTE
A Photo a Day:
Since October 2001, besides a couple studio shoots, I have not used a strobe once. Why? First, I want to document reality and that includes the light, If something happens in a dank dark room, I don’t want it to look pretty, I want it to look dank and dark.
I also am very confident in my ability to find light in low light situations. I shoot a lot of photos and if 98 out of 100 have motion blur, it always seems that the two sharp ones are the best moments.
Another reason is that I hate using a strobe in a situation where I am trying to be stealth. The less attention I get the better.Here.
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Innovator and Master, Side by Side
NYT:
In 1932 the young Henri Cartier-Bresson, lately returned from Africa, saw a photograph of African children charging into waves on a beach. “I must say that it is that very photograph which was for me the spark that set fire to fireworks,” he recalled years later. “I couldn’t believe such a thing could be caught with the camera. I said, ‘Damn it,’ took my camera and went out into the street.” What Cartier-Bresson produced during the next few years, as the curator Peter Galassi once wrote, became “one of the great, concentrated episodes in modern art.”
How much the African photograph actually shaped this work is debatable, but it struck a chord. It epitomized the combination of serendipity and joie de vivre that Cartier-Bresson admired: three naked boys, their silhouettes against white spray and sun-drenched water, making a perfect geometry.
The man who shot the picture was Martin Munkacsi. Hungarian-born, a star of Berliner Illustrierte Zeitung, the leading illustrated German newsmagazine, Munkacsi was then one of the most celebrated photojournalists. He reached a pinnacle of fame and fortune in New York later that decade, claiming to be the highest-paid photographer in the world (he was notoriously self-mythologizing), revolutionizing the American fashion magazine under Carmel Snow and Alexey Brodovitch at Harper’s Bazaar.
Here.
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Thinking in Terms of Collections
Thomas Hawk:
Another project I’d like to create is a some kind of a page of portraits that I’ve taken of people with blogs. The page would be a giant collage of thumnails and as you hovered over every small thumbnail it would zooom and pop up a larger portrait of that person with a link to their blog underneath. A pictorial directory of blogs. A way to humanize blogs to some small degree.
I’d like to fill an entire men’s rest room with images of women, an entire women’s rest room with images of men and a unisex restroom with images of women and men. I’d like to cover interiors and exteriors of buildings with 8×10 photographs. Plastering every inch. I’d like to use my collection of macro images of children’s toys to cover a child’s play room.
One thing above all that is important in my own personal collection of images is that each image must alone and by itself be interesting. It must be processed and presented with love and care to the world and suitable to exist alongside the other images in the master collection. Anyone can take one million photographs by setting the camera on rapid fire and shooting the same thing over and over and over again and dumping random shots onto the internet. I want to keep the quality of my images consistently high allowing only processed images that I feel meet a high enough quality bar to present.
Here.
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Apple employee photo series
Photographer Joshua Brown:
Selection from a portrait series of 50 (of about 300 that I have photographed so far) of my coworkers in a conference room.
Here.
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Gursky's "99 Cent" Prints Fetch Millions At Auction
PDN:
Most recently, an anonymous bidder paid $2.48 million – with a sense of irony, one hopes – for Gursky’s “99 Cent II Diptychon” (2001), which shows the cluttered interior of a discount store.
The sale, made at a Nov. 16 auction at Phillips de Pury & Company in New York, set an auction record for a work by a living photographer. It fell short of the record for the highest price ever paid for a photo at auction, which was set in February when a 1904 Edward Steichen print sold for $2,928,000.
The work sold at Phillips consists of two chromogenic color prints displayed as a diptych that measures over 22 feet wide. The work is one of an edition of six.
Here.