Capturing the soul of his beloved New York, in all its grit and glory, was what the photographer Arthur Fellig – aka Weegee – lived for. But he wasn’t exactly a stickler for realism, writes Lucy Davies
You could be forgiven for thinking Heat magazine is all sweat patches, cellulite and beer bellies. But it has also published some of the most inventive celebrity portraits of the past decade
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What we are seeing is the disappearance of knowledge. Most of the photo editors being let go from magazines, newspapers, websites are those who have spent many years building the foundations of our industry withtalent. They are the ones who knew a great image from a bad one, who could spot a talented photographer from the masses of mediums ones. They are the ones who created “names” by publishing their work. They are the ones who did look at photo books, went out to exhibits and photo festivals, no only to see and discover new talents but to personally connect with those they already knew.
Regular readers of this blog may have noticed a lack of words being generated in this space over the last month. Or not! I’ve been overwhelmed with the various projects we are pursuing. Regardless, it has been a pleasure to share my stories, thoughts and experiences with younger photographers making there way, and with the veteran shooters with whom I can commiserate. I have learned a lot from both groups. And that is one clear benefit of all this social media: a community has truly been created and is communicating big time. So even if my missives are more random in the coming year, I will continue to try to engage. Here are some random notes from my recent travels and projects:
Jean-François Rauzier is a French photographer who has developed the concept of ‘hyperphotos’ – ‘stitching’ together hundreds of enormous high-resolution images. Citadelle 2, which measures 180cm x 300cm, was created from a total of 1,500 images, endless
A collection of photos seized by the Pakistani military offers a glimpse into life in the rugged terrain in Pakistan’s tribal areas. The military suspect the men are Taliban members, but intelligence officials have yet to analyze the photos and confirm th
Cooper is a 4 year old American Shorthair cat living in Seattle. Once a week he wears a lightweight digital camera fastened to his collar, which snaps a new photo every 2 minutes.
During a recent “Navigating the Downturn” dialogue at the University of Texas at Austin’s College of Communication, four panelists discussed how to approach photography from a business perspective.
As with all TWAC workshops, students will be joined by their colleagues in-country to document stories surrounding issues of need that NGOs battle every day.
Lectured last week at the University of Missouri’s School of Journalism. In the photojournalism department, the students all had that traditional mix of energy, enthusiasm, angst, and doubt so typical of that time in your
Picture Black Friday is a photojournalism project that aims to revisit and analyze a combination of forces- a worsening economy, financial desperation, excitement, fear, absurdity, and a distinctly American cultural tradition- that culminate the morning after Thanksgiving.
I just made my first major trip to NYC, from Portland, OR, to show my portfolio around for a while. Alot of people were very curious to learn how the whole operation works, so I decided to write about the process on my flight back to the West coast last night.
Staff photographers are getting laid off. Freelancers are seeing less work. The Nikon D3x, the Canon 1DMk4 and Leica M9 are beginning to look a little pricey. Thus, this month’s column is on the relatively cheap – oops – economical stuff.
Importantly, though, these fine art photographers also have a mission and a sense of purpose based on craft, ingenuity and often a desire to experiment. Their work and the techniques they use to achieve their goals are often different from photojournalists’. I saw photos reproduced in traditional silver prints, chromogenic prints, large-scale inkjet prints, electron microscopy, gum bichromate-cyanotype prints.
My strategy had two components in an attempt to create an image that had some sort of structure. The first was to explore and photograph every single inch of this place, from the top of the Ferris wheel to the bottom of the water slide. The second was to get a bit of height that would allow the viewer to look at this image without losing their bearings.