Link: My 2013 Memories as a Salt Lake Tribune photographer
I have the best job in the world. Here are some of the people and moments that left their mark on me over the past year…
As technological change has changed photojournalism, news photographers fear that iconic images that could trigger the public’s conscience are being missed.
via Reuters: http://blogs.reuters.com/david-rohde/2013/12/18/will-a-billion-selfies-cause-us-to-miss-history/
The narrow aperture is as salient as the face behind it, while the blinds on each side make a thick frame designed to obscure. The message is clear: what you see through the aperture of the camera is not the whole picture.
via Reading The Pictures: http://www.bagnewsnotes.com/2013/12/she-is-seeing-terror-you-are-seeing-terror-we-will-continue-to-see-terror/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Bagnewsnotes+%28BAGnewsNotes%29
Link: Illuminating a Central African Crisis, Photo by Photo – NYTimes.com
When mostly Christian militias loyal to the ousted president launched an attack on the Central African Republic’s capital, Bangui, on the morning of Dec. 5, the Associated Press photographer Jerome Delay was in his hotel. Cut off from his driver because of the fighting, Mr. Delay walked and caught rides from pro-government forces instead.
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via Time: http://lightbox.time.com/2013/12/09/pjl-december-2013-part-1/
Link: ‘Identity Crisis’ in Photojournalism – AJR.org
This advent of the new Super Journalist, the photographer who writes and the writer who takes photographs, is creating one of the biggest upheavals in modern journalism since online platforms gave everyone, including monthly magazines, a 24-hour news cycle.
In this new world, a world in which everyone is a photographer, what then happens to the photojournalists?
Nelson Mandela, the legendary African National Congress leader and former South African president, was a symbol of hope, justice and human rights to people around the world. South African photographers who saw him up close over the years—both before his i
via PDNPulse: http://pdnpulse.pdnonline.com/2013/12/the-pleasure-and-challenges-of-photographing-nelson-mandela.html
“If your pictures aren’t good enough, you’re not close enough,” Robert Capa famously said. But was he right? To celebrate the 100th birthday of Robert Capa and the upcoming show “Capa in Color” at the International Center of Photography, Magnum Photos has
via PDNPulse: http://pdnpulse.pdnonline.com/2013/12/what-does-robert-capas-close-enough-rule-mean-today.html
Yesterday photojournalist Benjamin Lowy posted a photograph on Instagram and Facebook of a man he identified as a former photojournalist, who through a series of tragic circumstances found himself living on the street. Lowy shared his image of the man, na
via PDNPulse: http://pdnpulse.pdnonline.com/2013/11/tragic-story-of-former-photoj-inspires-upswell-of-support-on-fb.html
Career-building website CareerCast.com has ranked the top 200 jobs, and “Photographer” and “Photojournalist” were ranked 172 and 188 respectively. According to the study, which factors in “physical demands, work environment, income, stress, and hiring out
via PDNPulse: http://pdnpulse.pdnonline.com/2013/11/job-rankings-claim-dishwasher-a-better-job-than-photojournalist.html
Link: Journalists under attack: Pros offer safety advice | Poynter.
I just try to stay calm and aware, which is much tougher to do than it sounds. If someone asks why I’m there shooting video — especially if they have an edge of contention about them — I’m honest but don’t give any details other than the headline of the story. A little perceived ignorance can go a long way toward keeping the situation calm.
Celebrated war photographer urges next generation to record UK’s ‘social wars’
via The Independent: http://www.independent.co.uk/arts-entertainment/art/news/forget-foreign-conflicts-chronicle-britain-says-war-photographer-don-mccullin-8947692.html
‘A visual shock. For the first time in its history, Libération is published without photographs. In their place: a series of empty frames that create a form of silence; an uncomfortable one. It’s noticeable, information is missing, as if we had become a m
via British Journal of Photography: http://www.bjp-online.com/british-journal-of-photography/news/2307127/french-newspaper-removes-all-images-in-support-of-photographers
Photojournalist Bullit Marquez’s job leads him toward situations that most people would flee. The Associated Press photographer has been covering the devastation of Typhoon Haiyan in the Philippines. He’s covered devastation before. But this story is more
Link: http://cnnphotos.blogs.cnn.com/2013/11/11/eyewitness-to-haiyan-a-photographers-story/
Photographers, along with other visual journalists, represent the category of newsroom staffers hit hardest by the rounds of job cuts.
via Pew Research Center: http://www.pewresearch.org/fact-tank/2013/11/11/at-newspapers-photographers-feel-the-brunt-of-job-cuts/
Once again, it’s not looting if people are starving and have no alternative.
via Reading The Pictures: http://www.bagnewsnotes.com/2013/11/typhoon-haiyan-early-pictures/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Bagnewsnotes+%28BAGnewsNotes%29
Link: A Chat with The Kashis: A Photojournalism Family Juggles Chaos and Calm | PROOF
Ed Kashi’s story on northern Nigeria’s Islamic insurgency appears in the November issue of National Geographic magazine. His wife, Julie Winokur, is a writer/filmmaker, and co-founder of Talking Eyes Media. They have two children, Eli, 18, a college freshman, and Isabel, 15.
In this edition of Conversations, National Geographic senior photo editor Alice Gabriner chats with the Kashi family about love, work, and finding the balance between the two.
Read the latest stories about LightBox on Time