Link: the bleeding Heart of Chicago – Shooting from the Hip
This evening, I was sent to the Heart of Chicago neighborhood to photograph the aftermath of another senseless murder of a Chicago teen.
By Heather GraulichA funny thing happens when you ask photojournalists if crowdsourcing could be a real savior to the industry, a way of bankrolling their work and widening their audience in a time of vanishing editorial staff jobs and shrinking freelanc
via NPPA: https://nppa.org/node/60620
Part Two: The Clarkson MachineBy Jim ColtonJim Colton:You’ve had a remarkable career in photojournalism. Can you tell our readers how you first got interested in photography? Where did you get your first break?
via NPPA: https://nppa.org/node/52422
‘This is an opportunity for us to be seen by a new audience and to showcase work to people who might not have seen it,’ says Jonathan Bell, Magnum’s publishing and editorial representative in London, of the agency’s new partnership with Vice magazine, an
via British Journal of Photography: http://www.bjp-online.com/british-journal-of-photography/news/2257470/magnum-photos-approaches-new-audiences-in-deal-with-vice-magazine
American freelance documentary photographer Micah Albert has been entering the World Press Photo contest since 2007. This year he won first prize in the Contemporary Issues category for his image At The Dandora Dump that shows a woman trash picker in Keny
via British Journal of Photography: http://www.bjp-online.com/british-journal-of-photography/news/2244601/world-press-photo-micah-albert-on-hope-and-human-dignity?WT.rss_f=All+the+latest+articles+from+BJP&WT.rss_a=World+Press+Photo%3A+Micah+Albert+on+hope+and+human+dignity
Link: Editorial Photographers UK | 2013 – the year we lost sight of what photography can achieve
This year’s announcement of the winners of two major competitions for photojournalists, World Press Photo and Pictures of the Year International, created more than the usual fire storm. Raking through the ashes, Graham Harrison looks for a way forward, and reveals how one major grants programme for photojournalists had no restrictions on image manipulation at all.
Link: ISHU PATEL | MY TIME WITH HENRI CARTIER-BRESSON
Next day early morning we took an auto rickshaw to the city centre. Suddenly he was a different person. While we passed through the narrow streets into alley ways, and from bazaars into crowded markets, he made himself as inconspicuous as possible, the entire time shooting pictures. He carried no shoulder-bags so that he could move very freely in the crowded areas. He never wore his camera around his neck like most photographers do. Instead, if he was not taking pictures even for a short period of time, he covered his little Leica with a handkerchief and kept walking and looking for interesting situations to photograph. Once he noticed something he liked, he disappeared so fast I had to look for him. Just when I locked on to him, he was gone again. He walked so fast that by the time someone knew that they had been photographed, he was gone.
Since most people seem terribly uncomfortable about actually addressing the images, let’s go there.
via Reading The Pictures: http://www.bagnewsnotes.com/2013/03/the-role-of-the-camera-and-the-photos-in-domestic-abuse-maggie-shane-and-sara-lewkowicz/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Bagnewsnotes+%28BAGnewsNotes%29
Brad Smith, who joined The New York Times in 2000 and has been the newspaper’s senior Sports photography editor for the last six years, will be the new director of photography at Sports Illustrated magazine beginning March 14.
via NPPA: https://nppa.org/node/40093
Listen, HCB didn’t have motor drives, auto focus lenses or high speed sensors like you. It really shouldn’t be that hard to follow in his footsteps. There are photographers out there who have been following The Troubles or chasing hot light in half made w
Link: Ethiopia, Journal III — I Need a Bath – The Photo Society
I hope you will be enthralled, as I have, to realize that at times, we all stand before the mirror of our ancestors, our great grandmothers and grandfathers of roughly 2,500 generations past, when they walked 60,000 years ago out of the Afar region of what is today, Ethiopia — not carrying a bar of soap.
By Jim ColtonWhen it comes to photography, many image makers subscribe to the rule of the three C’s; Content, Composition and Color. When it comes to newspapers, a different set of C’s must be adhered to; Comprehensive Community Coverage. This is the buil
via NPPA: https://nppa.org/node/35534
“Anything we can do that can try to show the drama and massacres the Syrians are suffering is good.” Rodrigo Abd has been awarded the 1st Prize General News Single for his portrait of an injured woman in Syria. He speaks to BJP about the image and the difficulty he faced in reporting in Syria
By Jim ColtonJim Colton: You’ve covered a variety of subject matter in your career from fraud in the medical system (which earned a Pulitzer in 2005) to the London 2012 Summer Olympics. Can you give our readers a brief history of Robert Gauthier includin
via NPPA: https://nppa.org/node/30788
It was breathtaking.” Stoughton remarked that he hopes his finished project will prove as important as Alfred Eisenstaedt’s Pulitzer-winning 1971 photo series of President Nixon cornering a chipmunk and viciously tearing it apart