All paparazzi are photographers. But not all photographers are paparazzi. The problem is that in a time of catchy phrases, it seems that many media outlets are unable or unwilling to take the time to distinguish between the two. In the aftermath of actor
Eureka (Calif.) Times-Standard publisher David Kuta tells Romenesko readers that presses were stopped after someone noticed the “F*ck You” in a high school graduate’s glasses. He says about 6,000 to 7,000 copies of Saturday’s paper had the front-page obscenity, while 10,000 or so copies got to readers with the words blacked out.
Changes in the business of photojournalism over the past five years have produced an explosion of collectives, fostering cooperation within and among groups.
On the 40th anniversary of the famous “napalm girl” picture that changed the tide in the Vietnam war, another photographer who was there and missed that picture reflects on the power of that image and on waiting for the moment.
Highlights from the conversation between Geoff Dyer and the photographer Alex Webb at the LOOK3 Festival of the Photograph, which took place last weekend in Charlottesville, Va.
Multimedia production company MediaStorm says it will start charging viewers $1.99 for access to each of its stories under a new system it calls Pay Per Story. “We have decided it is time to try a new model that transfers a minimal cost to the viewer,” co
Magnum photographer Alex Webb’s conversation with author and photography critic Geoff Dyer at the Look 3 photo festival provided a sweeping retrospective of Webb’s career, from his earliest black and white work through his development as a revered master
Donna Ferrato brought a quick wit and joie de vivre to an onstage interview with NPR personality Alex Chadwick at the LOOK3 photo festival in Charlottesville on Friday afternoon. A unifying theme of their wide-ranging discussion was Ferrato’s belief in th
Interview with Susan David Alan Harvey: Young photographers are looking towards us to help them find the way. We are struggling with that, but you’ve evolved from a photo journalist at a ver…
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“Let’s go.” These words sum up Patrick Chauvel’s life. For him, journalism is a way of life. It’s not some a Taliban of information. Photography? The obligation to be the first in line, where it’s really happening. “I’m not a great photographer,” he says to those who will listen. “But now and then I do take great photos.”
“This is where John White preached,” he said. “This is where Alfred Eisenstaedt and Joe Rosenthal stood. This is where Gordon Parks would walk down the halls of the Days Inn with a girl on either side when he was in his 80s. This is where photographers like Bill Frakes would get kids up at 3 in the morning to go out and make pictures so theirs would be better than everyone else’s. This is the place where passion pulses through everyone’s veins 24 hours a day — where sleep is not important.”
My first thought was, “I hope he means John H. White.”
Several weeks later, he confirmed, that indeed, he was looking for me to hang out with John a bit for a cover story honoring John on the 30th anniversary of his Pulitzer Prize.
And so a day that began at a stable ended in a top-secret meeting. Mr. Mills and a group of journalists were told they were about to embark upon a secret mission, to Afghanistan.