This career retrospective shows that time and familiarity have not dulled the impact of photojournalist Don McCullin’s astonishing combat photography, writes Andrew Pulver
Whenever I see it, I immediately hear a voice singing, “Standing on the corner watching all the girls go by.” Yes, it is a sexist work. But that is a fact about Winogrand we must face and accept, if we are to honestly assess his picture-making.
Part II
Images of luxury cruise liners docking at the Haitian port of Labadee immediately following the earthquake raised an uproar. Now the decision of two photographers to hold workshops amidst the chaos and death are stirring online debate on the ethics of pho
I’d also seen samples of his work from a dozen stories, as varied as a LIFE photographer’s world could be, including one of the first sets of pictures of the ‘Great Cats of Africa.’ It was another time altogether from the world we know today, and so I was all the more pleased to be able to taste a great cappuccino made in the cozy kitchen of John Dominis. I’d known of John for a long time, arriving as I did at the end of the LIFE weekly, but it wasn’t until he became the picture editor of People in the ’70s that I really got to know him.
What was missing from this reportage—both still and moving—was the opportunity for Haitians to tell their own stories. One blogger stated on Internet site Newspaper Death Watch, “When Diane Sawyer arrived on the scene she got to practice her O-Level French but, apart from that, there was nothing she said that could not have been said better, more concisely, more urgently, by anybody whose house had been reduced to splinters and rubble and whose family members were buried under it all.”
What happens when photographers cannot sell images anymore ? What do they do if magazines do not pay for their coverage? Well, they turn around and start selling to other photographers. Not images, but workshops.
Photographers Chris Hondros, Timothy Fadek and Willie Davis will share images they shot in the first week after the Haitian earthquake and discuss press coverage of the disaster during a live chat hosted by BagNewsNotes, the politics and photography blog, this Sunday from 3 to 4:30pm EST.
Gerry McCarthy has been doing some prep work for Vancouver that he has come up with all on his own, including gaff taping large storage bags of ice to his crotch.
The hoards of photographers and wanna-be photographers, most eyeing each other and copying each other so that they may not get ‘left behind’, that have descended on Haiti since the devastating earthquake there remind me why I have felt so alienated and disconnected from this entire craft. The specious justifications of ‘bearing witness’ or that ‘…news pictures help drive a response of aid’, just no longer ring true.
I have decided to offer a special small group workshop in Haiti focused on photographing the aftermath of the earthquake. Subjects covered will be working in disaster zones and other difficult and dangerous situations, survival and logistics in difficult
By Jim Hughes More than any other practitioner, I think, Henri Cartier-Bresson has defined the art of small-camera photography. Defying categorization (that bane of any true original), H.C.-B., neither photojournalist nor documentarian, seemingly traverse
A couple of weeks ago photographer Adam Patterson touched off a discussion on Lightstalkers about Geoffrey Hiller’s Verve documentary photography blog charging a new $50 administrative fee to photographers to include work on the site.
USA Today photographer Jack Gruber posted on his Facebook page on Jan. 23 that “the light from his iPhone helped deliver a baby in the totally dark outside triage area of Port au Prince General Hospital last night.”
“The photographs for Suburbia weren’t done by accident. I put together a shooting script of events that I wanted to photograph… Christmas, Thanksgiving, Fourth of July, Birthdays, et cetera.”
PART ONE OF A SERIES OF POSTS DISCUSSING PHOTOGRAPHERS’ ACTIONS AND RESPONSES TO THE KILLING OF FABIENNE CHERISMA IN PORT-AU-PRINCE, HAITI ON THE 19TH JANUARY 2010. “The question is not…
The National Press Photographers Foundation (NPPF) officers and board are pleased to announce the addition of a new scholarship in the memory of Seattle Times photographer Jimi Lott.