#053kids – Photographs by Toby Binder | Interview by Sophie Wright | LensCulture:
Toby Binder’s intimate documentary-portraits explore the intersecting struggles of poverty, belonging, and identity faced by young people living on the margins of rich, industrial Germany.
In 2024, Gun violence resulted in 40,886 deaths and 31,652 injuries. More than 5,200 of those were children and teens. The number of school shootings in each of the last 4 years is more than 107 percent higher than any year prior to that for the last 25 years. In 2024, there were 330 incidents
via LENSCRATCH: https://lenscratch.com/2025/03/nancy-kaye-too-many-gunshots/
Photographer Nancy Kaye began to document the vast numbers of gun images that we are confronted with on a daily basis
https://lenscratch.com/2025/03/nancy-kaye-too-many-gunshots/
In an exclusive interview, PetaPixel talked with Austin Bell, the artist who photographed every outdoor basketball court in Hong Kong.
via PetaPixel: https://petapixel.com/2025/02/26/this-photographer-captured-all-2549-basketball-court-in-hong-kong/
Photographer Austin Bell photographed every outdoor basketball court in Hong Kong in an eye-catching new series titled “SHOOTING HOOPS.”
https://petapixel.com/2025/02/26/this-photographer-captured-all-2549-basketball-court-in-hong-kong/
Every spring, I try to attend the Society for Photographic Education (SPE) annual conference to reconnect with friends, hear and learn from a variety of artists, and discover new work through portfolio reviews and the portfolio walk. Last year, the conference took place in St. Louis, MO and was every bit as fun and inspiring as
via LENSCRATCH: https://lenscratch.com/2025/02/stephen-marc-street-cat-tales-and-tangled-times/
As a documentary/street photographer and digital montage artist, I am exploring American identity and sense of place. My long-term project, is an eclectic urban documentation of everyday life to special events, addressing style, character, and social atmosphere. Often my focus is on public spaces featuring the details of socio-cultural signifiers referencing popular culture and contemporary trends (including hair, body art, and fashion), national history, seasonal traditions, and current news where I observe people’s attempts to simultaneously stand out yet fit in somewhere.
https://lenscratch.com/2025/02/stephen-marc-street-cat-tales-and-tangled-times/
This past December, I had the great pleasure of meeting Thomas Crawford and his work at the PhotoNOLA Portfolio Reviews, and then sharing wallspace with him in the Currents 2025 Exhibition at the Ogden Museum. His creative methodology to considering landscape through satellite imagery is fascinating. He is using the human built environment as a starting
via LENSCRATCH: https://lenscratch.com/2025/02/tom-crawford-overlooked/
My photo landscapes, all derived from satellite imagery, do not idealize conventional beauty found in mountain vistas or pastoral valleys. Instead, they show unexpected beauty in urban settings often dismissed as eyesores.
In this lyrical collection of poems and photographs, Rebecca Norris Webb charts her journey through the loss of her brother as she follows the migration of birds through the American South and Northern France.
Magdalena Wywrot’s moody series “Pestka” captures eleven years in the life that she made with her only child, Barbara.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/a-mother-and-daughters-joint-becoming
Magdalena Wywrot’s moody series “Pestka” captures eleven years in the life that she made with her only child, Barbara.
https://www.newyorker.com/culture/photo-booth/a-mother-and-daughters-joint-becoming
Thousands of MAGA supporters poured into the Capital One Arena as the new Administration took shape in ballrooms across the city.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/what-dc-saw-at-donald-trumps-inauguration
Thousands of MAGA supporters poured into the Capital One Arena as the new Administration took shape in ballrooms across the city.
https://www.newyorker.com/culture/photo-booth/what-dc-saw-at-donald-trumps-inauguration
Han Youngsoo chronicled the postwar transformation of mid-century Seoul, complicating popular depictions of that era as one solely of deprivation and hardship.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/the-henri-cartier-bresson-of-south-korea
Han Youngsoo chronicled the postwar transformation of mid-century Seoul, complicating popular depictions of that era as one solely of deprivation and hardship.
https://www.newyorker.com/culture/photo-booth/the-henri-cartier-bresson-of-south-korea
In an era when the discordance of daily life more often than not overshadows fleeting moments of intimacy, Lewis Watts invites us to pause, reflect, and engage with the layers of connection and history embedded in the communities he documents. The exhibition, “Looking Back: The Photography of Lewis Watts” on view at the Center for
via LENSCRATCH: https://lenscratch.com/2025/01/looking-back-the-photography-of-lewis-watts/
Once I accepted that being rejected was a part of the process, I was able to approach people in the street and in other situations with more confidence. I think that people pick up on that. I can also use people’s reactions as a marker of how much I am really into the situation that I am photographing. When folks are not into it, I know that I have to change my own mind set and relax and try again or move on
https://lenscratch.com/2025/01/looking-back-the-photography-of-lewis-watts/
In the eighties, the photographer Kathy Shorr became a chauffeur, capturing working-class New Yorkers on their way to new lives.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/a-limousine-driver-watches-her-passengers-transform
Shorr shot in black-and-white, with a Nikon, often leaning through the partition that divided the driver from the driven during stops, so that the back of the car became a de-facto photo booth. From the moment that she announced her creative intentions to her subjects, she told me, “the whole dynamic of control and power in the car changed.”
https://www.newyorker.com/culture/photo-booth/a-limousine-driver-watches-her-passengers-transform
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç. Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States
via LENSCRATCH: https://lenscratch.com/2025/01/review-santa-fe-duygu-aytac-ankara-1974/
Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States since 2010. She immigrated to the United States in 2015.
https://lenscratch.com/2025/01/review-santa-fe-duygu-aytac-ankara-1974/
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Where the Heart Is: Portraits from American Trailer and Mobile Home Parks by Kathleen Tunnell Handel. Kathleen and I originally met during the Atlanta Center for Photography portfolio reviews in early 2023, and
via LENSCRATCH: https://lenscratch.com/2025/01/review-santa-fe-kathleen-tunnell-handel-where-the-heart-is/
Where the Heart Is was begun in 2017 with travels photographing within communities, to date, in Maine, New Jersey, California, Texas, Colorado, New York, Georgia, Oregon, and Arizona.
https://lenscratch.com/2025/01/review-santa-fe-kathleen-tunnell-handel-where-the-heart-is/
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year. I love participating in portfolio reviews because they reinforce my fondness of the photographic arts, and of learning in general. Speaking with artists about their work deepens my appreciation for
via LENSCRATCH: http://lenscratch.com/2025/01/review-santa-fe-denise-laurinaitis-the-missing-photographs/
The days pass quickly, and I take it all in. Childhood is fleeting, and I get to experience it all over again. The wonderment, the skinned knees, the giggles, and the in-between. I feel that excitement in holding a firefly, its tickle so gentle as it walks across my hand. Did I actually live this before?
http://lenscratch.com/2025/01/review-santa-fe-denise-laurinaitis-the-missing-photographs/
Pictures of the Year: Our photo staff’s best of the best, in their own words | The Seattle Times:
The Seattle Times photo department produces some of the finest photojournalism in the country, bar none. It has been that way for decades: With stunning artistry, they consistently delight with the beauty of an aesthetic photograph, report with grit the most important news, and entertain with precision sports and feature coverage.
Happy New Year! Today we share our annual exhibition of your favorite photographs of 2024. Thank you for being part of this wonderful community and wishing you all a spectacular 2025! Browse the entire The Favorite Photograph You Took in 2024 ExhibitionPart 1 | Part 2 | Part 3 | Part 4 | Part 5
via LENSCRATCH: http://lenscratch.com/2025/01/the-favorite-photograph-you-took-in-2024-exhibition/
Happy New Year! Today we share our annual exhibition of your favorite photographs of 2024. Thank you for being part of this wonderful community and wishing you all a spectacular 2025!
http://lenscratch.com/2025/01/the-favorite-photograph-you-took-in-2024-exhibition/
“La Vueltita de Tam” | By Irina Werning Why are most pictures of trans people in their rooms? What happens when they take to the streets and connect with people, especially in a very tr…
via burn magazine: https://www.burnmagazine.org/essays/2022/06/la-vueltita-de-tam-by-irina-werning/
Why are most pictures of trans people in their rooms? What happens when they take to the streets and connect with people, especially in a very traditional society like Bolivia? Tam is a 23-year-old non binary dancer from Bolivia, living in Buenos Aires. This is the story about Tam’s return to hometown for the first time since transitioning during lockdown.
https://www.burnmagazine.org/essays/2022/06/la-vueltita-de-tam-by-irina-werning/
Images taken just after the precipitous end of the civil war reveal a secret legacy that is just becoming visible.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/syria-faces-its-past-and-its-future
Images taken just after the precipitous end of the civil war reveal a secret legacy that is just becoming visible.
https://www.newyorker.com/culture/photo-booth/syria-faces-its-past-and-its-future
The people, places and objects that held our collective attention in this election year.
Link: https://www.nytimes.com/interactive/2024/12/19/opinion/2024-photos-america-election.html
For six months this year, Taryn Simon followed the political vapor trail to document the people, spaces and objects central to the 2024 presidential campaigns. Ms. Simon, who works at a distance from the daily news cycle, examines our distracted national gaze and desires, letting us pause and look at what we all experienced. “You can’t see anything reflected in boiling water. But when it’s still, water is a mirror,” she said. “It’s still in the anticipation, and it’s still in the aftermath. But we’re told to watch when it’s boiling.”
https://www.nytimes.com/interactive/2024/12/19/opinion/2024-photos-america-election.html
“A Year in Photos” celebrates the exceptional visual reporting produced by Pulitzer Center-supported photographer grantees and partners, who contribute to furthering our mission. The work featured here, published between December 2023 and November 2024, visualizes complex issues, represents the diversity of our reporting networks, and showcases the global reach of the journalism we support.
https://report.pulitzercenter.org/annual-reports/2024-year-in-photos