This past December, I had the great pleasure of meeting Thomas Crawford and his work at the PhotoNOLA Portfolio Reviews, and then sharing wallspace with him in the Currents 2025 Exhibition at the Ogden Museum. His creative methodology to considering landscape through satellite imagery is fascinating. He is using the human built environment as a starting
In this lyrical collection of poems and photographs, Rebecca Norris Webb charts her journey through the loss of her brother as she follows the migration of birds through the American South and Northern France.
Han Youngsoo chronicled the postwar transformation of mid-century Seoul, complicating popular depictions of that era as one solely of deprivation and hardship.
In an era when the discordance of daily life more often than not overshadows fleeting moments of intimacy, Lewis Watts invites us to pause, reflect, and engage with the layers of connection and history embedded in the communities he documents. The exhibition, “Looking Back: The Photography of Lewis Watts” on view at the Center for
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç. Duygu Aytaç’s photography often explores themes of indoctrination, childhood memories and one’s place in a social group. Her work has been exhibited in Turkey and the United States
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Where the Heart Is: Portraits from American Trailer and Mobile Home Parks by Kathleen Tunnell Handel. Kathleen and I originally met during the Atlanta Center for Photography portfolio reviews in early 2023, and
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year. I love participating in portfolio reviews because they reinforce my fondness of the photographic arts, and of learning in general. Speaking with artists about their work deepens my appreciation for
The Seattle Times photo department produces some of the finest photojournalism in the country, bar none. It has been that way for decades: With stunning artistry, they consistently delight with the beauty of an aesthetic photograph, report with grit the most important news, and entertain with precision sports and feature coverage.
Happy New Year! Today we share our annual exhibition of your favorite photographs of 2024. Thank you for being part of this wonderful community and wishing you all a spectacular 2025! Browse the entire The Favorite Photograph You Took in 2024 ExhibitionPart 1 | Part 2 | Part 3 | Part 4 | Part 5
“La Vueltita de Tam” | By Irina Werning Why are most pictures of trans people in their rooms? What happens when they take to the streets and connect with people, especially in a very tr…
The Guardian and Observer team of picture editors highlight the work of a number of photojournalists working for news agencies worldwide whose images have made an impact and contributed to our journalism during 2024
I first met Anne Eder when taking her Plant-Based Photography workshop. I was instantly intrigued by her work, which is in deep conversation with the natural world. Once I entered Anne’s virtual classroom, I found out what an incredible educator she was, too. Since then, I’ve had the great fortune of working as the facilitator