A look at the fragile ecosystems of oases around Morocco — real humid microclimates favorable to the development of plants — which are disappearing at an alarming rate
Uncovering Iraq | By Alessio Mamo Doctor Zaid and Mister Dhia together with their teams had travelled all over Iraq in the past ten years, from Basra in the South to Sinjar in the North, passing th…
I love photographs of New York City in the 1970’s and 80’s, when the city was at its worst and at its best, filled with a raw energy, graffiti covered subway cars, fueled by cocaine and poppers, throbbing nightclubs providing endless nights of fantasy and
I choose to photograph using a fixed lens, as it demands a proximity to my subjects that a zoom lens does not. Proximity, especially among vulnerable populations, is a privilege that must be earned through meaningful consent and trust building. I seek to understand the lives of the people whom I photograph in order to portray them as truthfully as possible. The intimacy I aim to capture through images can only be achieved if people trust me to share their stories; this requires collaboration. This is my approach to visual storytelling, and it allows me to amplify in a dignified way the voices of people who experience hunger.
Autocracy is on the rise. An obvious statement maybe, but one rooted more and more firmly in the present albeit with a shaky-hand salute to the past. From Attila the Hun and Genghis Khan, through Napoleon, Stalin, and Hitler, and more recently, Hussein, A
For six years, Robert Gumpert documented the unhoused in San Francisco. Division Street is the culmination, named for the street where the project began. Combining first-person narratives, found text and Gumpert’s photographs, it is the story of lives liv
I’m not a big fan of sitting in front of my computer processing my images in Lightroom; so I do my best to get near to optimal settings when I’m on the street. Then, I spend less than two minutes processing an image. I always add a little bit of luminosity, and luminance, and adjust the colours slightly; but all this is very fast.
Polar Night | by Mark Mahaney 71.2906° N, 156.7886° W Utqiaġvik, Alaska Top of the world they call it. Don’t feel that way. Feels like the bottom. So dark there’s no end. So cold there’s no feel. …
Wee Muckers – Youth of Belfast | Toby Binder »If I had been born at the top of my street, behind the corrugated-iron border, I would have been British. Incredible to think. My whole idea of myself,…
A charity sale at the Ki Smith Gallery, in partnership with the MUUS Collection, is raising money for The Kyiv Independent through the photojournalist’s work.
For the past twelve years, Stacy Kranitz has been making photographs in the Appalachian region of the United States in order to explore how photograph…
For nearly two centuries, photography has played a role in educating the public about both the familiar and the unknown elements of our ever-changing environment — including the many species that live among us, the constant changes to our climate, and the incredible sights to be seen and explored around the world. Photography can truly…
This week we are featuring bodies of work are linked by this thematic lens: making the often-invisible nature of the global climate and the ecological crisis more visible using conceptual, lens-based art techniques. Each body of work speaks to a differe