In New York, the Bronx Documentary Center’s latest exhibition reminds us that drug use is not an individual’s moral failing.
Link: https://www.blind-magazine.com/en/news/1361/Humanizing-The-United-States-Opioid-Crisis-1
In New York, the Bronx Documentary Center’s latest exhibition reminds us that drug use is not an individual’s moral failing.
As a teen-ager, Joe Conzo, Jr., took intimate pictures of the Bronx music scene. He’s lived several lives in the time since.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/the-photographer-who-captured-the-birth-of-hip-hop
Joe Conzo, Jr., grew up in a proud, politically engaged family of Puerto Rican New Yorkers. His father, Joe, Sr., was a historian of Latin music who was tight with the scene’s biggest stars—Tito Puente, Johnny Pacheco, Ray Barretto. His grandmother was the activist Evelina López Antonetty, whose fierce work organizing on behalf of schoolchildren earned her a reputation among locals as the “Hell Lady of the Bronx.” In 1981, she spearheaded protests against the production of “Fort Apache, the Bronx,” a cop movie starring Paul Newman that many residents feared would portray their neighborhood in a poor light. Conzo, still in his teens, grabbed his camera and headed to the demonstrations, too.
For more than 20 years, from the start of the Soviet-Afghan War through the rise of the Taliban and their control of the country, Edward Grazda photographed Afghanistan. The photographs he made show an Afghanistan going through great changes, and mirror w
For more than 20 years, from the start of the Soviet-Afghan War through the rise of the Taliban and their control of the country, Edward Grazda photographed Afghanistan. The photographs he made show an Afghanistan going through great changes, and mirror what is going on in the country today.
In this feverish photographic hallucination, Cristiano Volk takes a critical look at capitalism, capturing the signs and symbols of our consumerist culture in electric shades of neon
via LensCulture: https://www.lensculture.com/articles/cristiano-volk-laissez-faire
In this feverish photographic hallucination, Cristiano Volk takes a critical look at capitalism, capturing the signs and symbols of our consumerist culture in electric shades of neon.
As America enters its third wave of the opioid epidemic, a new exhibition brings together the work of four photographers to grapple with the ongoing questions surrounding the crisis.
via Huck Magazine: https://www.huckmag.com/art-and-culture/a-harrowing-humanising-portrait-of-the-us-opioid-crisis/
As America enters its third wave of the opioid epidemic, a new exhibition brings together the work of four photographers to grapple with the ongoing questions surrounding the crisis.
Returning to his childhood neighborhood of Spring Valley, Al J Thompson’s first book is a loving testimony to a shifting landscape and the faces of those living in it
via LensCulture: https://www.lensculture.com/articles/al-j-thompson-remnants-of-an-exodus
Returning to his childhood neighborhood of Spring Valley, Al J Thompson’s first book is a loving testimony to a shifting landscape and the faces of those living in it.
Since Spring 2015, Jacob Ehrbahn has been documenting the worst refugee crisis in recent history. He is determined to make sure the issue, which is still devastating lives, does not fade from public attention.
via Huck Magazine: https://www.huckmag.com/art-and-culture/the-photographer-capturing-five-years-of-the-refugee-crisis/
Since Spring 2015, Jacob Ehrbahn has been documenting the worst refugee crisis in recent history. He is determined to make sure the issue, which is still devastating lives, does not fade from public attention.
Some photo projects are organic, made for personal memory keeping or a desire to document familial events, large and small. I have been a long time friend and fan of Deanna Dikeman and have so enjoyed the decades long documentation of her family doing ord
Some photo projects are organic, made for personal memory keeping or a desire to document familial events, large and small. I have been a long time friend and fan of Deanna Dikeman and have so enjoyed the decades long documentation of her family doing ordinary things, living ordinary lives, resulting in an extraordinary body of work that speaks to time, memory, and routine. One of those routines that Dikeman captured each time she said her goodbyes was to photograph her parents waving to her as she departed. This simple gesture seems unremarkable as a singular event, but when you gather 27 years of goodbyes, the work is poignant and profoundly meaningful. Starting in 1991, she has chronicled this simple and heartfelt gesture, with a history that comes to a inevitable end. Though personal, this project has a universal appeal that speaks to familial love and the quiet gestures that bond us together.
Hyperallergic interviews Jia about Swimming Out Till the Sea Turns Blue and finding people to testify about their experiences in rural villages over the past seven decades.
via Hyperallergic: https://hyperallergic.com/648374/jia-zhangke-swimming-out-interview/
Hyperallergic interviews Jia about Swimming Out Till the Sea Turns Blue and finding people to testify about their experiences in rural villages over the past seven decades.
One in five US adults experiences mental illness each year. I happen to be one of them. At least 8.4 million Americans provide care to an adult with an emotional…
via Feature Shoot: https://www.featureshoot.com/2021/05/these-11-photographers-are-challenging-the-mental-health-stigma/
These artists have explored mental health in different ways through a variety of media, from documentary photography to mixed-media collage. Some have documented their personal experiences, while others have collaborated with loved ones as they navigated mental health issues. Still more collaborated with mental health organizations and refuge centers to help bring unforgettable stories to light. While their experiences are unique, each one of them serves as a reminder of the importance of sharing our stories and listening to others.
The photographer’s new collection, “I can’t stand to see you cry,” documents his return to Texas early in the pandemic to care for his ailing father.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/rahim-fortunes-homecomings
Rahim Fortune’s father appears in only one photograph in Fortune’s new collection, “I can’t stand to see you cry,” but he is the book’s animating presence. The portrait shows the older man propped up in bed, with an oxygen tube over his nose, gripping his son’s hand, which reaches out from behind the camera. Fortune took it last spring, when he returned from Brooklyn, where he lives, to his home town of Kyle, Texas, outside of Austin, to help care for his father in the final months of his battle against A.L.S. Fortune, who is twenty-seven, found himself in the new role of caretaker, as the covid-19 pandemic was accelerating and protests against police killings were spreading across the country. Between shifts at his father’s bedside, he took his camera into the streets of a city that he knew intimately but which he now set about photographing with a new urgency born of his dad’s illness. “Pointing the camera into the abyss—that’s what that energy was,” he told me recently. “All the moments that I was away from the house, I was just thinking about him. And everything was intentional. There were no wasted movements.”
In 2019, photographer Carl Corey received a Guggenheim Fellow in Photography. I remember thinking that I wasn’t surprised by the news as Corey has had a long legacy of photographing America in a profoundly personal way, winning numerous awards for his wor
In 2019, photographer Carl Corey received a Guggenheim Fellow in Photography. I remember thinking that I wasn’t surprised by the news as Corey has had a long legacy of photographing America in a profoundly personal way, winning numerous awards for his work and books. He’s a master printer and brings a dedication and level of excellent to his craft. Corey’s latest effort, the Strand – A Cultural Topography of the American Great Lakes, is a three year effort to photograph the 4,851 miles of shoreline of the American Great Lakes Strand. The book includes 114 color photographs with an introduction by Stephen Fleischman and 8.5 x 11 inch signed archival pigment print ~ 11429 • Bad Axe, Michigan. The Book Edition Limited to 500 copies. It can be ordered here.
Stepping inside the imagery of Polish artist, Anita Andrzejewska, is a visual roller coaster ride through time, space and the imagination. Each of the images in her project, “Outside In” is an immediate jolt to the eye prompting the viewer to pause, refl
Stepping inside the imagery of Polish artist, Anita Andrzejewska, is a visual roller coaster ride through time, space and the imagination. Each of the images in her project, “Outside In” is an immediate jolt to the eye prompting the viewer to pause, reflect and question what one sees. Ghostly images in dark hues, animal skeletons in strange configurations and human figures with mysterious gazes pervade the work and pique one’s curiosity. Just when one finds a possible answer to a question provoked by her images, Andrzejewska presents another scenario that forces one to repeat the process of interpretation and understanding, if at all. Her work is a visual buffet that leaves one hungry for more.
What started as a simple perusal of a bad photograph and its accompanying article in a tabloid magazine, led Kuba Kaminski on a five-year mission to pursue a fascinating documentary project just 150 kilometers east of Warsaw on the eastern border of Polan
What started as a simple perusal of a bad photograph and its accompanying article in a tabloid magazine, led Kuba Kaminski on a five-year mission to pursue a fascinating documentary project just 150 kilometers east of Warsaw on the eastern border of Poland and Belorussia. The subject of the tabloid article and photo was the healing and mystical powers of a little-known group of primarily women in the border area of Podlasie, Poland, known as “The Whisperers”. This was enough of a teaser for Kaminski to utilize his extensive journalistic investigative talents to embark on a photographic exploration of people who believe they possess a gift from God, giving them the power to heal all kinds of diseases and physical pain. Knowing that he needed assistance in establishing an element of trust as he began his exploration of these “healers”, he teamed up with a local anthropologist who had been raised in one of the villages in the region where they practice.
When one attempts to delve deeper into the Polish psyche and concomitantly, Polish photography, the topic often turns to its vastly complicated history with its neighbors to the West (Germany/Prussia) and to the East (Russia and Ukraine). Justyna Mielnik
When one attempts to delve deeper into the Polish psyche and concomitantly, Polish photography, the topic often turns to its vastly complicated history with its neighbors to the West (Germany/Prussia) and to the East (Russia and Ukraine). Justyna Mielnikiewicz began her documentary recording of life along the Dnieper River in Ukraine with the intention of avoiding politics by using the river as a metaphorical line of reference. Her original intention was abandoned as the political earthquakes that washed over Ukraine at the time her investigation began in 2014 and beyond became profoundly compelling to explore and to record. A number of additional forces also propelled her to dig deeper into the Ukrainian saga including a family history that mirrored the geo-political ebb and flow between Poland and Ukraine and an unusual perspective presented by her move to Tbilisi, Georgia in 2003 and her coverage of the political and social transformations of the Caucasus region.
The New York-based photographer has long been nurturing this signature kaleidoscopic style, photographing the likes of TNGHT, Danny Brown, 21 Savage and Playboi Carti.
The New York-based photographer has long been nurturing this signature kaleidoscopic style, photographing the likes of TNGHT, Danny Brown, 21 Savage and Playboi Carti.
The photographer Rivka S. Katvan has made a name for herself by capturing backstage Broadway. But it’s not just actors she photographs: her street shots reveal New York City’s lively poetry.
Link: https://www.blind-magazine.com/en/stories/1294/Rivka-Katvan-Timeless-New-York
The photographer Rivka S. Katvan has made a name for herself by capturing backstage Broadway. But it’s not just actors she photographs: her street shots reveal New York City’s lively poetry.
Lauren Tepfer is a 21 year old photographer and director living and working in New York City. Having grown up in southern New Jersey, Lauren is partic…
Link: https://www.juxtapoz.com/news/photography/lauren-tepfer-captures-teenage-suburbia/
Lauren Tepfer is a 21 year old photographer and director living and working in New York City. Having grown up in southern New Jersey, Lauren is particularly adept at capturing the essence of a teenager living in suburbia. She first began shooting portraits of her friends and family at the age of 13 and has since developed an evolving body of work.
Over two years, the photographer aimed to visually encapsulate the Liberian landscape and its people. The new book is accompanied by a series of voice recordings detailing the subjects’ stories.
Over two years, the photographer aimed to visually encapsulate the Liberian landscape and its people. The new book is accompanied by a series of voice recordings detailing the subjects’ stories.